“ Was at the play in May 2019 with friends. To say that they were shocked, stunned and nailed to chairs is to say nothing. The performance lasts almost 5 hours, we were sure that we would not sit and leave at intermission, but nothing of the kind! They watched in one breath and terribly regretted that everything had ended so quickly. Without exaggeration, a brilliant performance, everything is thought out to the smallest detail, the actors play at the highest level, even minor roles are played as the main ones. A powerful mix of Dostoevsky, hits of the 90s, the interiors of the nouveau riche, modern technology and the unsightly sides of life. Marina Zudina, Victor Verzhbitsky, Philip Yankovsky, Alexey Kravchenko and Igor Mirkurbanov out of competition, powerful roles. All other actors are also incredibly cool. The ending is not according to Dostoevsky, but for me the only true and correct. I think the writer himself would approve. Thanks!!! We’ll come many more times, too much to comprehend and notice more.
Elena
was 20 february on The Karamazovs
“ Were on the play 18.02.1018, I liked the performance very much. A perfect combination of Dostoevsky's text with contemporary artistic techniques of the director and a magnificent play of actors. The play captures, makes you think, but the director does not impose his own view, as if he talks about many eternal topics, relevant both in the 19th and the 21st century.
Tat`yana
was 06 january on The Karamazovs
“ Were on December 10, 2017. The work, at one time, I did not read. But I really wanted to know what it's about .. especially. Beautiful scenery, design, music .. Beautiful and best actors of the Moscow Art Theater .. Marina Zudina opened as an actress for me in general. But .. in vulgarity in the play .. all the way off scale .. If you cut out all this chernushu, then for the performance it will be ideal, which I still descend every time ..
Was at the play in May 2019 with friends. To say that they were shocked, stunned and nailed to chairs is to say nothing. The performance lasts almost 5 hours, we were sure that we would not sit and leave at intermission, but nothing of the kind! They watched in one breath and terribly regretted that everything had ended so quickly. Without exaggeration, a brilliant performance, everything is thought out to the smallest detail, the actors play at the highest level, even minor roles are played as the main ones. A powerful mix of Dostoevsky, hits of the 90s, the interiors of the nouveau riche, modern technology and the unsightly sides of life. Marina Zudina, Victor Verzhbitsky, Philip Yankovsky, Alexey Kravchenko and Igor Mirkurbanov out of competition, powerful roles. All other actors are also incredibly cool. The ending is not according to Dostoevsky, but for me the only true and correct. I think the writer himself would approve. Thanks!!! We’ll come many more times, too much to comprehend and notice more.
Fantasy directed by K. Bogomolov on the novel by Fyodor Dostoevsky
From reviews of the play: "There are so many layers in the performance, so many meanings and directorial moves that you just gasp, and you do not have time to comprehend everything, it would be good to see it one by one." Instead of a coffin there is a solarium instead of a coffin, a nearly reactive scream escapes from Alexei's lips, and from under Cassocks - the light is divine, the sexual scene is played with one glance at the background of almost obscene savory titles, here the priest is singing the Queen hit, here the monument descends into the hall and gives out the flowers assigned to it, here "the Russian spirit, here Rus smells." And I was there ... and you. we live here in this hell, and ramazovyh among millions of us. " "In the play a lot of the grotesque, a lot of images, allusions and references to the present. For four and a half hours I want to despise the characters, then starts vomiting from happening, then I want to run away and never come back ... but at some point there is scrapped and the horror, things happening on the stage, the mind begins to be perceived as comical absurdity. And then ... everyone has their own enlightenment. "
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Review
What is good? And what is evil? How do they get along in the human soul?
Quiet, distant county town. But there is no rest. Spiritual decay, moral decay.
The family is on the verge of collapse. There is no more confidence in each other, the hearth has burned out, there is still a ashes.
The son hates his father. The father hates his son. Love for one and the same woman and a craving for money - these passions govern them.
The illegitimate son is plotting the evil.
But among a pile of ashes is a place for smoldering, still living coals of faith in God.
The younger brother, a novice of the monastery, vainly tries to reconcile native people. But a terrible crime is committed - patricide.
The tragedy of a separate family. The tragedy of all of Russia. How long ago did we feel ourselves separate from our Motherland? How long ago did they stop being one with her?
A play about the fate of the younger generation. About the past, present and future of Russia.
“
Was at the play in May 2019 with friends. To say that they were shocked, stunned and nailed to chairs is to say nothing. The performance lasts almost 5 hours, we were sure that we would not sit and leave at intermission, but nothing of the kind! They watched in one breath and terribly regretted that everything had ended so quickly. Without exaggeration, a brilliant performance, everything is thought out to the smallest detail, the actors play at the highest level, even minor roles are played as the main ones. A powerful mix of Dostoevsky, hits of the 90s, the interiors of the nouveau riche, modern technology and the unsightly sides of life. Marina Zudina, Victor Verzhbitsky, Philip Yankovsky, Alexey Kravchenko and Igor Mirkurbanov out of competition, powerful roles. All other actors are also incredibly cool. The ending is not according to Dostoevsky, but for me the only true and correct. I think the writer himself would approve. Thanks!!! We’ll come many more times, too much to comprehend and notice more.
“
Were on the play 18.02.1018, I liked the performance very much. A perfect combination of Dostoevsky's text with contemporary artistic techniques of the director and a magnificent play of actors. The play captures, makes you think, but the director does not impose his own view, as if he talks about many eternal topics, relevant both in the 19th and the 21st century.
“
Were on December 10, 2017. The work, at one time, I did not read. But I really wanted to know what it's about .. especially. Beautiful scenery, design, music .. Beautiful and best actors of the Moscow Art Theater .. Marina Zudina opened as an actress for me in general. But .. in vulgarity in the play .. all the way off scale .. If you cut out all this chernushu, then for the performance it will be ideal, which I still descend every time ..
“ Was at the play in May 2019 with friends. To say that they were shocked, stunned and nailed to chairs is to say nothing. The performance lasts almost 5 hours, we were sure that we would not sit and leave at intermission, but nothing of the kind! They watched in one breath and terribly regretted that everything had ended so quickly. Without exaggeration, a brilliant performance, everything is thought out to the smallest detail, the actors play at the highest level, even minor roles are played as the main ones. A powerful mix of Dostoevsky, hits of the 90s, the interiors of the nouveau riche, modern technology and the unsightly sides of life. Marina Zudina, Victor Verzhbitsky, Philip Yankovsky, Alexey Kravchenko and Igor Mirkurbanov out of competition, powerful roles. All other actors are also incredibly cool. The ending is not according to Dostoevsky, but for me the only true and correct. I think the writer himself would approve. Thanks!!! We’ll come many more times, too much to comprehend and notice more.
“ Were on the play 18.02.1018, I liked the performance very much. A perfect combination of Dostoevsky's text with contemporary artistic techniques of the director and a magnificent play of actors. The play captures, makes you think, but the director does not impose his own view, as if he talks about many eternal topics, relevant both in the 19th and the 21st century.
“ Were on December 10, 2017. The work, at one time, I did not read. But I really wanted to know what it's about .. especially. Beautiful scenery, design, music .. Beautiful and best actors of the Moscow Art Theater .. Marina Zudina opened as an actress for me in general. But .. in vulgarity in the play .. all the way off scale .. If you cut out all this chernushu, then for the performance it will be ideal, which I still descend every time ..