I want to express my gratitude for such a touching performance. There is nothing invented in it, no newfangled special effects or conceptual stray. Everything is extremely simple, in the center of attention are two people: a man and a woman. When there are no additional "decorations", all attention is directed only to the two of them. Noticeable every change in mood. Each emotion filigree played by the actors is admirable. Eternal values are best spoken in simple terms. The search for love, a loved one - topics that everyone understands. The play "A Man Came to a Woman" about them. Another story, and each viewer imagines the ending in his own way.
So many diverse emotions can not be experienced at a time anywhere else. This is such a unique performance in which you find a literal reconstruction of historical events. They differ in genres. Perhaps the plot with the famous Frenchman Olivier and his salad can be compared with a culinary show. And from the scene in which Dostoevsky dissects Pushkin, blood runs cold. I was most impressed by the famous hall with luxurious chandeliers, with stucco moldings and columns. And Vertinsky’s performance was also especially memorable. Although it would be fair to say that all artists brilliantly performed their roles. From what she saw Alferova and Vedeneeva close-close, her legs gave way. Super performance, which you remember for a very long time!
It’s worth going to the performance at least in order to see Valery Lanskaya in an unusual role for her. The actress did an excellent job with the role of a young woman, whom everyone tells what to do. And she is going to give birth to a child even under the pressure of her mother. And somehow unexpectedly in the course of a comedy like a play, claims to the political situation, to the passivity of modern men are revealed. It would be just the latter that it would be especially useful to go to the play.
11/25/2015 I watched the stunning performance "A man came to a woman", with a twenty-year history. I haven’t laughed like this for a long time, all the little things of life are shown so funny, and the human oddities of single people are slightly over 40 so pronounced that most of the action is simply impossible to maintain a serious facial expression. I really liked the lyrical complement of the main action. You are waiting for the performance to begin, the light is still on, everyone is talking and the accordionist and violinist come in, the room dies down, the lights go out, and on the stage we see a standard apartment, after which the hostess enters and turns on the TV. On the second floor there is an artist and model, a toli, a sculptor, who revived his Galatea - an ideal story of love and tenderness. As soon as our heroine goes into the shower, when the doorbell rings, the man with whom her friends decided to bring her came half an hour earlier than the agreed time. Their further acquaintance takes place in the same spirit, either of complete mutual understanding, or of a quarrel. If you have not seen the play, be sure to go, you can take your parents with you, it will be fun.
For a long time I wanted to go to the new theater premises and went. Loved the interior: books were everywhere. The artist has a very good taste. Realistic scenery pleased the performance: all household items were very familiar and close to philistinism. Unusually there was a space of action, it is something of high-rise buildings in the context of several floors or a glass house. Actors played very lively, according to Stanislavsky, witted around Gogol, joked about Sholom Aleichem. The audience was tearing up their stomachs. Feminine-masculine skirmishes framed by the sentimental lyrics of live musicians. I advise everyone to look.
Unfortunately, it’s sad and gone ... A sad version of the modern model of behavior, when a man is not a man, but a rag, and a woman is not a woman - * takes the bull by the horns. "It was disgusting to watch, they left during the interval ...
11/25/2015 in the theater "School of modern play" watched the play "A man came to a woman." The performance left a twofold feeling: on the one hand, the eternal problems of loneliness of “middle-aged” people are affected - with their well-established habits and the desire to arrange personal life with outside help. On the other hand, in today's life there are many opportunities for solving the questions posed in the play. The allegory of the dance duo anticipates the ongoing action on stage. For today's production, the pace of modern life is not enough. During the performance of the performance, at times it seems that the actors conduct their game, not paying attention to the partner. In general, you can go to the play to relax after a working day and not think about your problems while watching. “All this would be funny when it were not so sad.”
Good performance. A little old-fashioned, sometimes funny, sometimes sad story about loneliness and desperate attempts to find their happiness already elderly people. A very harmonious acting duet, they play sincerely and talentedly. The hero looks like Zhenya from The Irony of Fate, just as awkward and a little ridiculous. The heroine annoys the desire to certainly marry at least someone. But since the play is Soviet, this can be discounted). Interesting scenery - the atmosphere of a typical apartment, reproduced on the stage to the smallest detail. This is nice, because recently the directors have not really bothered with thinking over the design of the scene. A good duet of musicians, which gives the performance an additional charm. An interesting idea with a top floor, the sculptor and his model organically fit into the overall action. And yes, this is a performance for women.
First impression: MAT FROM THE SCENE cuts the ear very much. Comprehension and concept came a bit later. SPECTACLE BREAKTHROUGH. Many THANKS and a low bow to Joseph Reichelgauz for courage. The performance reveals all the main abscesses of our society: 1. culture in the pen, we can only talk obscenities. 2. Deputies: drunkards today, gays tomorrow, then bandits, but everyone wants to save Russia. 3. We do not know who Navalny is, but we are for him, because we want changes, we want the new leader of the country to come. 4. Demography in the pen. If the performance is not removed, it will become a pillar. Hurry up to see. The aftertaste from the mat passes.
It’s not even a spectacle at all, but 13 stories that famous artists tell on behalf of the hero cities. The composition there is really cool, you will not say anything: Said Bagov, Albert Filozov, Irina Alferova, Elena Sanaeva, Vladimir Kachan, Julietta Goering, and others. And the idea is very good and unusual: a monologue on behalf of the city. As if the city actually has a soul that moans, cries, rejoices and knows all its inhabitants. He was amazed, to tears, by Albert Filozov, who represented Leningrad. He had bread in his hand, which he passed to everyone in a circle ... On the other hand, actress Juliet Goring, who represented Tula, opened up to me. Very deep dramatic actress. About Elena Sanaeva, whom I have known and adored for a long time, doesn't even need to say anything. She was Moscow. And this Moscow performed by Sanaeva is exactly the Moscow that would be if I could somehow draw in human form! Awesome! And, of course, this is absolutely my topic: war. Therefore, maybe I grabbed at once the opportunity to go there. The war was not shown as usual. No loud victories, no pathos. It was a war - a grief that is experienced quietly, alone with itself. War is life where there is a place for jokes. War - silence, which is more expressive than all words.