Was at the premiere. I hope that it deserves an "excellent" grade now. Some of the scenes seemed underreported. But in general, I like performances in the small hall for their intimacy and closeness to the actors.
I was bored. The costumes are good, the actors are good, but in total they didn't light up.
Some stereotyped plot moves did not allow me to score "excellent". The production itself is bright and spectacular.
I rarely laugh at Moliere. It seems outdated to me. And then I didn't have too much fun. Although the production is cute. And one more plus - I love chamber scenes, and this is a performance on the chamber stage
The quality of work of employees of the workshop of Peter Fomenko has fallen markedly. The performance is unsuccessful, everything is crumpled, inexpressive, hastily. The whole hall came to Polina Agureeva, but even she completely disappointed. Of course, you subconsciously compare with Ryazanov’s masterpiece, and nothing can be compared with him. evaluation of the performance not more than 3 out of 5.
Awesome finale! Neither Edmond nor Edward let us down, Goneril and Regan helped, played better than others could! Gloucester is also quite good, and everyone else liked me!
Shakespeare said that the fool is thin and young? The jester is fat, drunk and smart, his children and grandchildren are growing up, but he is joking about something
But in prose speaking, in the first act I heard almost nothing, I sat in the very middle of the 2 rows of the amphitheater. Something with acoustics? A lot of mechanics, squeaking, rail. And in the 2nd act, she cried, and listened, and admired, oh, how good the witches are! How beautiful everyone is! Thank!
It did not seem that long, if you listen to Shakespeare, the time flies by quickly, but irreversibly
Theater Fomenko - always amazing. However, "King Lear" seemed somehow "raw." Many unnecessary, fussy movements and unnecessary words and gestures. I was on Ulysses, 6 hours flew in a state of euphoria from the action, but here all the time some conceptual discrepancy caught. This is just an opinion. Badalov and Kolubkov - masters unsurpassed. The rest have learned their roles well.
The performance rather liked than not. Good performance, but Kamenkovich is still not Fomenko. In the acting plan, the “old guard” - Badalov, Kutepova, Kolubkov, many young actors are inexpressive, it is obviously early to play Shakespeare. In general, I recommend to those who can sit through a trt and a half hours
I was at the concert of Irina for the first time, although I have been a fan of her work for more than 2 years. And it turned out to be a great happiness for me to finally “get acquainted” with Irina live, listen to her speech, performance ... Moreover, the tickets turned out to be quite inexpensive. I was able to buy a ticket for 1000 rubles to the amphitheater and was very pleased. In the workshop of P.Fomenko even with my not 100% vision was clearly visible. From the concert only the warmest and bright feelings. This meeting was awesome. Many favorite songs were touched to tears ... And Irina herself was open to the public, performed amazingly, communicated with the audience. The program was also great. Thanks to all, thanks to whom I was at the appointed place at the appointed time. It was delicious.
Beautiful performance: elegant, subtle, ironic, in the style of "fomenok."
Loved it! As always, we enjoyed our visit to the workshop of P.Fomenko: an interesting interpretation of the work, talented actors, live music during the intermission, exceptionally polite theater workers.
“ Was at the premiere. I hope that it deserves an "excellent" grade now. Some of the scenes seemed underreported. But in general, I like performances in the small hall for their intimacy and closeness to the actors.
“ I was bored. The costumes are good, the actors are good, but in total they didn't light up.
“ Some stereotyped plot moves did not allow me to score "excellent". The production itself is bright and spectacular.
“ I rarely laugh at Moliere. It seems outdated to me. And then I didn't have too much fun. Although the production is cute. And one more plus - I love chamber scenes, and this is a performance on the chamber stage
“ The quality of work of employees of the workshop of Peter Fomenko has fallen markedly. The performance is unsuccessful, everything is crumpled, inexpressive, hastily. The whole hall came to Polina Agureeva, but even she completely disappointed. Of course, you subconsciously compare with Ryazanov’s masterpiece, and nothing can be compared with him. evaluation of the performance not more than 3 out of 5.
“ Awesome finale! Neither Edmond nor Edward let us down, Goneril and Regan helped, played better than others could! Gloucester is also quite good, and everyone else liked me!
“ Shakespeare said that the fool is thin and young? The jester is fat, drunk and smart, his children and grandchildren are growing up, but he is joking about something
“ And great!
“ But in prose speaking, in the first act I heard almost nothing, I sat in the very middle of the 2 rows of the amphitheater. Something with acoustics? A lot of mechanics, squeaking, rail. And in the 2nd act, she cried, and listened, and admired, oh, how good the witches are! How beautiful everyone is! Thank!
“ It did not seem that long, if you listen to Shakespeare, the time flies by quickly, but irreversibly
“ Theater Fomenko - always amazing. However, "King Lear" seemed somehow "raw." Many unnecessary, fussy movements and unnecessary words and gestures. I was on Ulysses, 6 hours flew in a state of euphoria from the action, but here all the time some conceptual discrepancy caught. This is just an opinion. Badalov and Kolubkov - masters unsurpassed. The rest have learned their roles well.
“ The performance rather liked than not. Good performance, but Kamenkovich is still not Fomenko. In the acting plan, the “old guard” - Badalov, Kutepova, Kolubkov, many young actors are inexpressive, it is obviously early to play Shakespeare. In general, I recommend to those who can sit through a trt and a half hours
“ I was at the concert of Irina for the first time, although I have been a fan of her work for more than 2 years. And it turned out to be a great happiness for me to finally “get acquainted” with Irina live, listen to her speech, performance ... Moreover, the tickets turned out to be quite inexpensive. I was able to buy a ticket for 1000 rubles to the amphitheater and was very pleased. In the workshop of P.Fomenko even with my not 100% vision was clearly visible. From the concert only the warmest and bright feelings. This meeting was awesome. Many favorite songs were touched to tears ... And Irina herself was open to the public, performed amazingly, communicated with the audience. The program was also great. Thanks to all, thanks to whom I was at the appointed place at the appointed time. It was delicious.
“ Beautiful performance: elegant, subtle, ironic, in the style of "fomenok."
“ Loved it! As always, we enjoyed our visit to the workshop of P.Fomenko: an interesting interpretation of the work, talented actors, live music during the intermission, exceptionally polite theater workers.