The original musical on E. Evtushenko's verses and music of R. Pauls. I liked the performance very much - professional, young and talented actors who not only sing well but also dance. A beautiful setting (thanks to the director), which carries the era of the 60th century. Separately, I would like to note excellent scenery and scenography in general. Unequivocally I can advise this performance to viewing. Although I am a fan of musicals, including those staged on Broadway and the West End, the last tendency of Russian musical performances to make the tracery of Western musicals and the absence of original Russian musicals and operettas was saddening. This performance is one of their worthy examples of good Russian musicals that must be photographed (at one time good musicals were staged in the theater-cabaret "The Bat" - for example, "I'm stepping around Moscow", but this performance did not have time to be removed, and, unfortunately, Now it is lost).
Every year I go to this play, I bring friends to him. And although I seem to know it by heart - I constantly swallow tears. However, the good half of the audience cries - and the men too. And the aftertaste remains bright, because the people's artists I. Sokolov and R. Gromadsky play such a tremendous love that you believe - it will overcome all the distances and difficulties, the couple of Coopers will be together again!
The play leaves a complex feeling. The task that the director and the troupe set before him was solved: the philosophical subtext of the novel is brought to the viewer in various forms. I want to note a successful solution to the multifaceted nature of the novel: before the viewer events unfold on the scene at once in 3 different places, and this does not interfere with the perception. Faithful is the departure from the Divine display in the play - we only hear Yeshua's voice, and this proves sufficient. The question of the existence of Jesus Christ (as well as everything connected with God) was solved in the affirmative - we are shown the icon of the Virgin with the baby Christ in his arms. Thus, good in the play prevails. A few words about the props: the benches on the stage are successfully involved both as a quay, as beds in a clinic, and as horses, at which the Master and Margarita are carried away at the end of the play. After the performance you experience a real catharsis, and this is the most valuable and necessary for any spectator. Thank you!
The performance is as everyday as it is bitter. Makes you think about your parents ... We cried next to everything. It seems that everything is simple, but with whom parents will live, if they have grown children, but there is no money ... And the children got married, they also have children who need something, and a lot. And you can not say that the children are taken care of. And will we need our children? Will not it be easier for them to forget about us? Forgetting that the actors next to you, you see a number of people, their feelings, empathize with them. Coming out of the hall, you feel purification, which has not happened to me for a long time.
In general, the performance was like. Especially impressed by the scenery and the use of video. Perhaps the action is somewhat delayed. On the organization, when buying tickets through the site it was not clear that the queue to the cashier before the performance is not necessary. Defended.