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Poster
Central house of the actor of A.A.Yablochkina

Central house of the actor of A.A.Yablochkina Central house of the actor of A.A.Yablochkina Central house of the actor of A.A.Yablochkina Central house of the actor of A.A.Yablochkina
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Aleksey was 10 december on Hedgehog and night stars

“ I liked it very much and it was sad and funny and joyful and diverse. The guys did not immediately play out, but when they did, their emotions were charged. An interesting statement, great made musical parts of the play. Recommended! Fun for both child and parent!

Viktoriya was 03 november on Hero of our time

“ Did you ever leave the play? Participate in the absurd show? Here to me, for example, yes. And all thanks to the clownery "heroes of our time." Constant Scream, Zemfira's chamber song, a mug on a rope, a splash of water, groans for a piano. By the way, was there a ball in which a girl I did not know touched me for earlobs wtf!?! In general, I do not understand, well, why take the guests on stage and play bad toastmaster. Have you decided to notice the intermission and keep the guests?) From the advantages of all this madness, one can distinguish the voice of the princess, the supply of the pears. The actors' play is really good, but I did not understand the idea myself, I sat for more than an hour and a half with wide eyes. Summary of all this: think well, what to choose a classical setting that you will feel or cultural shock

Ol`ga was 06 april on Records of Koviakin

“ "Kovyakin's Records" is a solo performance by Sergei Zagrebnev based on the novel by Leonid Leonov, it is amazing, first of all, how the whole world lays a filigree for a short period of time (just over an hour). Ludicrous and beautiful in its confusion, the very "little man" - Kovyakin - is so close and dear to everyone. His phantasmagoric, and at the same time very cozy Gogulev, which inevitably reminds something, and however, the genius of Leonov's text is that in Gogulev there are features of absolutely any provincial Russian city. The uneasy questions that the protagonist asks himself and the people around him are not modern, but at the same time they are very understandable to the viewer. As Dmitry Bykov correctly said, "Leonov attracts and - more than that - attracts those who are not satisfied with the matrix, those who are trying to understand how everything is really arranged." And after the performance you understand, even a little. "Director and performer Sergei Zagrebnev Spoke after the premiere about the long, difficult search for the text, I think that the choice was a success, Zagrebnev so organically assumed this role, that I do not lose the feeling of "perfection" of what I saw. "The problem of the" non-loneliness "of the actor in Scene interestingly solved with Portraits created by the artist Yevgenia Malakhova.This is indeed a solo performance where you forget that there is one actor on the stage, and the scenography is both laconic and rich: a whole huge world made of talent, ink, and cardboard.It is an ideal version of a tragicomedy for me - when the spectator, absorbed in the play, laughs, cries, ponders, at last - calms down and dissolves in a very strong final, and never leaves the room the same.

Ol`ga was 31 march on Is it true that we will always be?

“ A wonderful unusual production! About friendship and the fact that we often do not notice who is next to us and what's around us. Young actors play with the soul, It's hard to single out someone. Each of them was able to show the characteristics of his character. Musical, emotional, with a sense of humor! Until now, on April 1, there has been some painful feeling, as it is good that we are and will be! Many thanks for the talents! Sincerely Olga Anatolyevna

Poster repertoire comments
Show
Weekends
Only for children
Only adults
Type
Performance
Location:
Moskva, Arbat ul., 35
Duration:
01 h 30 min
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The author of the play and the director: Pavel Tikhomirov.

Auctioneer: Dmitry Novikov, Honored Artist of Moscow

He: Pavel Tikhomirov, People's Artist of the Chechen Republic, Honored Artist of the Kabardino-Balkarian Republic

Other: Dmitry Koshmin, Honored Artist of the Chechen Republic, laureate of the All-Russian Competition. A.S. Pushkin

Actress: Natalia Krasnoyarskaya, Honored Artist of Russia, laureate of the Board of Trustees of the Bolshoi Theater;

Lyudmila Titova, People's Artist of Russia, laureate of the STD Prize "Nail of the Season" and the contest "Golden Lira"

Inostranka: Lydia Matasova, Honored Artist of Russia and the Republic of Karelia, laureate of the Lenin Komsomol Prize;

Tatiana Tashkova, Honored Artist of Russia

Obsessed: Lyudmila Titova, People's Artist of Russia, laureate of the STD Prize "Nail of the Season" and the contest "Golden Lyre"; Irina Fadina, hon. Artist of Russia;

Anna Gulyarenko, Honored Artist of Russia, laureate of the Moscow Government Prize;

Natalia Gogoleva, Honored Artist of the Chechen Republic

Dame: Svetlana Semyonova, People's Artist of Russia;

Anna Gulyarenko, Honored Artist of Russia, laureate of the Moscow Government Prize;

Svetlana Potanina, Honored Artist of Russia, Laureate of Prizes "For Creative Achievements"

Mother: Nina Agapova, Honored Artist of Russia;

Inna Kara-Mosko, Honored Artist of Russia

The leading artists of the Moscow theaters - L.Titov (Maly Theater), N.Krasnoyarskaya (Bolshoi Theater), A.Gulyarenko (Gogol-Center Theater), L.Matasova (Gorky Moscow Art Theater), T. Tashkov (Theater of the Actor) ), D.Novikov (The Sphere Theater), N.Agapova, S.Semyonova, D.Koshmin (St. Petersburg) and P.Tikhomirov (IDA Yablochkina) created a single actor's ensemble to talk about Zinaida Reich , Isadore Duncan, Galina Benislavskaya - women surrounding Sergei Yesenin. An attempt to recreate the image of the Poet without a textbook gloss, with the help of those who loved him and at various times was with him. Contemporaries testify, recall, refute versions, offer their own. Read poetry, each in its own way, and not only Yesenin. As a result, the poet wants to re-read, but to understand the person.

Natalia KAZMINA, Theater Critic

The play about the Poet - especially about the legendary poet, about the genius, about the real and controversial historical person - is always a problem, always an adventure.

It is easy to get carried away by words and rhythms and to miss the meanings, the meaning of the whole. It is difficult to find the form, the sequence of the story and the intonation. To do this, you need a lot: knowledge of biography, a sense of fate, a sense of the scale of the hero, a taste for his poetic word. Finally, love is needed, which only hinders. She has to be humble all the time, so as not to look banal and verbose. We need a company, because one can not raise this kind of love.

When it comes to Yesenin, whose "straw", sentimental and sweet image has long settled and lives in educational literature, in public opinion, as a stamp, one must have both insanity and insolence in order to fight this vulgarity.

In Pavle Tikhomirov and his company of actors - Lyudmila Titova, Natalia Krasnoyarskaya, Anna Gulyarenko, Lidia Matasova, Tatyana Tashkova, Nina Agapova, Svetlana Semenova, Dmitry Novikov, Dmitry Koshmin, who play "Leaflets from Burned", there is love, and there is none self-interest. There is a share of creative insanity, delicacy towards their common hero and responsibility for what has been done. Undoubtedly, the desire to do their job well, honestly and sincerely. (Too today the quality is rare) They, for sure, the company, they are well together, it is very visible from the audience. Other than how to explain that people so busy with their direct duties in different theaters and on different shooting sites, people have been gathering together for so many years to talk and talk about Yesenin? If the play about the Poet evokes a desire to remove from the shelf a volume of his poems and to recount the forgotten or in due time missed, generally to revise his attitude towards him, finally, to continue the conversation with the actors and ask them what is left behind, but you can guess, this good performance. Such actions are expensive.

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