“ Very pleased, especially the role of Glafira Firsovny!
Tat`yana
was 16 february on The last victim
“ Were at the play on February 16, 2016. I liked very much. The classical production, costumes, scenery, the spirit of the old Russian theater, the wonderful game of Olga Barnet, Avant guarde Leontiev and Igor Zolotnitsky, Meter Oleg Tabakov, as always, is impeccable. I will not be original, but the game of Marina Zudina left absolutely indifferent, all on one note, no love, no despair, which should be by role, no, a scene where there is no Tabakov, Barnet or Leontief, frankly boring. Maxim Matveyev in the role of Dulchin is not convincing, he speaks quietly, there is hardly any sound in the speech hall, although they were sitting in the 9th row of the stalls, when he turns away from the audience, it's impossible to understand the words, apparently, not a theatrical actor. In the scenes with the Avant-garde Leontiev clearly lost when A. Leontyev on stage, although he had a secondary role, all the attention to him, Matveyev completely disappeared in the shadow of the partner. Despite the boring game of the two main characters, the overall impression of the performance is good, the real masters know their business perfectly and give the audience real pleasure. I recommend to look.
Anna
was 11 february on The last victim
“ The performance is incomparable, it looks in one breath! The cast is admirable!
For the sake of love, a woman is ready to sacrifice her heart, her body, and sometimes her mind. Cute shalopay easily spends other people's money. Only does he love her?
A young widow Tugin for the eyes is called a true treasure. Meek, modest, God-fearing. In addition to the church, almost never happens. And outwardly, Julia is really sick.
But she fell into love networks. Julia is ready to sacrifice herself for the sake of Dulchin's kutila. She simply adores her.
She asks for money from a wealthy and elderly merchant, Pribytkov, to save her beloved handsome from the debt hole. Tuginho is painfully ashamed. After all, she had recently rejected his hand and heart.
Humble, cry, kneel. The profits are executed by the request. But the rake in a moment loses all of Julia's money in the cards.
The last straw was Dulchin's marriage to a wealthy heiress.
How to survive such a betrayal? Soul hurts. Do not lose your mind ...
Who will Julia connect her fate with? Will he find a worthy person? It is so difficult for her to be alone in this world.
“
Were at the play on February 16, 2016. I liked very much. The classical production, costumes, scenery, the spirit of the old Russian theater, the wonderful game of Olga Barnet, Avant guarde Leontiev and Igor Zolotnitsky, Meter Oleg Tabakov, as always, is impeccable. I will not be original, but the game of Marina Zudina left absolutely indifferent, all on one note, no love, no despair, which should be by role, no, a scene where there is no Tabakov, Barnet or Leontief, frankly boring. Maxim Matveyev in the role of Dulchin is not convincing, he speaks quietly, there is hardly any sound in the speech hall, although they were sitting in the 9th row of the stalls, when he turns away from the audience, it's impossible to understand the words, apparently, not a theatrical actor. In the scenes with the Avant-garde Leontiev clearly lost when A. Leontyev on stage, although he had a secondary role, all the attention to him, Matveyev completely disappeared in the shadow of the partner. Despite the boring game of the two main characters, the overall impression of the performance is good, the real masters know their business perfectly and give the audience real pleasure. I recommend to look.
“ Very pleased, especially the role of Glafira Firsovny!
“ Were at the play on February 16, 2016. I liked very much. The classical production, costumes, scenery, the spirit of the old Russian theater, the wonderful game of Olga Barnet, Avant guarde Leontiev and Igor Zolotnitsky, Meter Oleg Tabakov, as always, is impeccable. I will not be original, but the game of Marina Zudina left absolutely indifferent, all on one note, no love, no despair, which should be by role, no, a scene where there is no Tabakov, Barnet or Leontief, frankly boring. Maxim Matveyev in the role of Dulchin is not convincing, he speaks quietly, there is hardly any sound in the speech hall, although they were sitting in the 9th row of the stalls, when he turns away from the audience, it's impossible to understand the words, apparently, not a theatrical actor. In the scenes with the Avant-garde Leontiev clearly lost when A. Leontyev on stage, although he had a secondary role, all the attention to him, Matveyev completely disappeared in the shadow of the partner. Despite the boring game of the two main characters, the overall impression of the performance is good, the real masters know their business perfectly and give the audience real pleasure. I recommend to look.
“ The performance is incomparable, it looks in one breath! The cast is admirable!