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Poster
Stanislavsky Electronic Theater

Feedbacks from viewers
Marina was 10 march on Bacchante

Overall I liked it, although I can not say that I will immediately go to another production. This should be used in a small dosage. Difficult, intrusive, nervous - in a good way. Very hard physically, the actors play, you wonder how they do not fall off the fatigue on the bow. At such performances it is necessary to go to real fans of the theater, people who can "keep a nerve". For those who simply want "a good time to spend" it is better to look for an alternative.

Sergey was 15 january on Anna in the Tropics

Suddenly it turned out to be a very pleasant statement. The actors were able to create the right atmosphere. Despite the very complex scene, the performance turned out to be dynamic and exciting.

Filipp was 30 october on Bernard's House of Alba

Women, ah, these women! With difficulty I was led to this performance by my woman. Along the way, she told me a lot about this play and that the production of director Alisa Seletskaya will definitely be aimed at women! So, Women, this performance is very masculine! Incredible impression, amazing! Now I understand women much better!

Mariya was 30 october on Bernard's House of Alba

I really liked the combination of a serious female theme about power, love, morality and humor, some kind of ease. Another zombie - it was very funny))))))))))) Diana Rakhimova - incredible! Lyudmila Rozanova - powerful! Anya Dubova is a genius! All the girls are good! I finally understood what is called an ensemble) Director - bravo, collected some unreal team!

Oksana was 25 jule on Blue bird. Travel.

I liked the play, a wonderful play of actors. Be sure to go to the continuation in the new season.

Show
Weekends
Only for children
Only adults
Location:
Moskva, Tverskaya ul., 23
Duration:
01 h 30 min
close
General Linguistics Course Romeo Castellucci
The author of the play Romeo Castellucci
Co-production of Socìetas Raffaello Sanzio, Italy
NOMINENT OF THE NATIONAL THEATRICAL PRIZE "GOLDEN MASK" 2016

The action on the artificial language of Genalissimo, invented by the Society of Raphael Sanzio in 1985 as a result of studies of Creole languages ​​and the universal language "Ars Magna" by Raymond Lullius, developed in the XIII century on the basis of numerology. The structure of the language used for the economical expression of multilayered meanings rises from a common layer consisting of four hundred terms to a pure level of four words.

The play itself and its scenography are based on the canonical Gospel story - the resurrection of Lazarus and Giotto's famous fresco, which depicts Christ approaching the grotto, and Lazar's corpse surrounded by relatives clamping his nose to not feel the stench coming from the already rotting body. The smell of ammonia reminds us of the decay of human flesh, which is opposed by the power of thought.
The world premiere of Romeo Castellucci, an artist with a worldwide reputation, was held in Bologna in 2014.

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Buy List 21 june fri 20:00

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Buy List 22 june sat 20:00

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