Young actors who took part in this performance are great fellows! My applause related only to their skill. Almost all the poems chosen for the production are complete nonsense. It is a pity that the adult creators of the performance instill bad taste in very young people and try to convince them that this is literature and art. Moreover, they have to carry this mat and dirt to the audience. After "The Man from the Restaurant," my husband and I wanted to see the entire repertoire of the theater. Now - hardly ... It's a shame for Satyricon, Konstantin Arkadyevich.
I liked the performance! Followed the advice of sharing with children) True granddaughter took age 10+. In the intermission asked if she understood what the play? She said no. We talked ..... and taking into account 2 offices everything became clear. It is very cool to watch the performance in the small hall. The chamber situation makes it possible to more emotionally experience what is happening on the stage.
I was not ready for the fact that the plot so touched the depths of my soul and could not stop worrying about the fate of the hero even when the artists were already bowing. In my opinion, the play reflected absolutely diametrical opinions with respect to the current situation and this pleased, since the author did not impose his view on what was happening, but allowed himself to be judged. And of course you're thinking about those, and how would you behave and me as a teenager's mom it was very important! Children need to love what God sent them to us!
I liked the spectrum, and it was very gratifying that the main role played by Timothy Tribuntsev, immediately opened the context of the situation, it seemed that on the surface lies something that was previously invisible. A separate "bravo" to Anton Kuznetsov - delightful! And it seems to me that the waistcoats of the oarsmen, and the talk of the fishermen, are all to the point, it's all from our surrounding life. Konstantin Arkadevich - my stormy applause, jewelry work.
I got a lot of fun from the game Tribuntsev and Raikin, and Anton Kuznetsov nominated for a personal "Oscar" for the role of the second plan, just the best !. Separate huge "thanks" Agrippina Steklova for the final monologue, it was how unexpected, so masterpiece and piercing to tears. Since the performance is premier and it will be refined, I can advise the authors to slightly shorten the first part, about 10 minutes, then everything will be perfect. To future viewers I advise going to this "Don Juan" prepared, will not only have to laugh, but also listen, hear and, in particular, think.
Yesterday they were at the play. Probably for my 50 years too avant-garde ... I tried to understand the idea, I could not. Actors play wonderful, but to come to Satyricon, just to look at the game of your favorite actors there is no desire, I want to still get joy from the plot and understanding the meaning. I went to several performances twice, always with good impression. I can not advise the performance to my acquaintances, that is, specifically I advise not to go.
Very dynamic performance. All the roles are played by three actors, and the heroes are about eight. Young actors are talented and are laid out for everything. I liked the performance. But there is no service. In the foyer there is a terrible stuffiness, and then we went into the hall, and there it was cold.
I have not been in the Satyricon for a long time, I've always loved this theater, I watched all Shakespeare and Pushkin plays. Deep dissection, two good scenes, Sganarelle's monologue about wealth and poverty, pantomime with Elvira's brother! And everything else is bad, long, dull. Ah, Raikin would have to change places with Tribuntsev! A obsessive-orange vest rowers and the Chukchi dialect of fishermen, it's generally lower than Petrosyan's level!