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Kate was 18 may on Save the Camera-Junker Pushkin

"To save the camera-junker Pushkin" I was praised for a long time and very persistently. Maybe that's why I was afraid of going to it, but I decided to see it - and you know, I'm delighted! I did not expect that the performance about the probability (only) of the salvation of our great classics, practically a role-playing game - can be so unusual and interesting. Of course, he adds a small hall to the charm (the scene is again on display in the auditorium, and seats by sectors). And I did not imagine at all what it would be. If you and Akunin know what to expect (roughly), it's clear what to expect with the play of Mikhail Kheifets (and before Pushkin I saw only the children's play "In Search of Magic", but it's completely different.) And then the play began, (The time flew by instantly) was over, and I did not even have words, so funny, but serious, it's the most pleasant surprise. THANK YOU VERY MUCH for such performances !!!

Irina was 18 may on Save the Camera-Junker Pushkin

January 9, 2016, was, in the first place, in the theater "School of Modern Play" from mosblog.ru at the play "To Save the Junkers of Pushkin". I liked you already from the front door. There are no queues for the entrance, probably because the tickets were checked already closer to the entrance to the hall (but there was no traffic). The theater is very interesting. It's not like the theater, and somehow everything is so simple and there is a feeling that now something will be so exciting. Live portraits of actors, true as from Harry Potter, it's straight something! All viewers hang out there and want each actor to consider. It is a pity that we did not know about this, would have gone to the second floor before) Girls - employees of the theater, rather quickly oriented on the terrain. The only negative - for this performance the location of the auditorium changes and it is difficult to navigate where what sectors, it might be nice to put some name plates on it. About the show itself. Before going, I read what he was talking about. But my imagination presented me with another picture. There was a story on the stage. And so it was so amazing, simple, without pathos, close, I think, to every Soviet / Russian schoolboy. Well, who did not have problems with Pushkin ?! Here is the history of a person's entire life and then how on its length the poet then destroyed him, then helped. Time is intertwined, characters, stories. Everything is so wonderfully beaten that almost two hours without intermission flew by unnoticed. How much laughter was in the hall, especially when in one moment the spectator could not restrain herself and giggled, the actors supported and could be seen how ridiculous they themselves are. The performance is live, the stage is located so that the spectators themselves become participants of the action. The actors are amazing! That's to say that someone liked it more, someone less - it's impossible. All smart! How quickly they reincarnated in different characters, as all the awesome singing and reading poetry. It was visible from everywhere everything was fine, the only thing was hard to hear when the actors dispersed in the corners of the stage and read or sang at the same time. But probably this is the idea of ​​the performance itself, every corner of the auditorium hears "its own". I did not want to leave, the mood has been excellent for a few days after the performance, I would like to come here to this theater more than once, and to this performance for others too. PS: the audience was also younger than the specified age, but I would not recommend it, there is obscene lexicon, a little truth, and even more interesting to older people will be.

Marylyn was 18 may on Save the Camera-Junker Pushkin

The play narrates about one modern man from the point of view of development of his relations with Pushkin, if one may so express it, more precisely, with his heritage, from childhood and through life. Along with the growth of a person, his attitude also changes - beginning with "Pushkin I hated from childhood" to experiencing the death of the poet as a personal tragedy. The hero of the play is, in general, an ordinary person, with ordinary feelings. He is shown without attempting to embellish - such as a person is alone with himself, without unnecessary tinsel and a touch of decency. "Pushkin is our everything!" - this instigation was instilled into us from childhood, and it is taboo to speak ill of Pushkin. About this point in the play a lot of irony, but how true it is, everyone can feel on themselves. Personally for me, as it turned out, Pushkin is definitely "our everything", and I was repeatedly blown away by the ease with which the scene is treated with the sacred image of Pushkin for a Russian person. However, in this there is something - to break the prohibitions, in another way to look at what seemed unshakable and inviolable. For the main character, Pushkin is also "our everything", and even more than for anyone, although he does not immediately understand this. After the performance, somewhere inside, a little splinter is noisy (if not for this duel!) And there is a desire to find in the closet a volume of Pushkin and read-read-read ...

Спасти Камер-Юнкера Пушкина

Спасти Камер-Юнкера Пушкина16+

Purchased earlier: 553
Location:
Москва, Неглинная ул., 29/1
Duration:
02 h 00 min
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Story

Pushkin is our "ALL". Question: what part of the population of our country knows something about Pushkin? The history of his life? His poems?
Among the hundreds of plays presented at the drama contest "Actors", one struck her first phrase: "I hated Pushkin as a child ...". The play of the Israeli playwright Mikhail Kheifets "To Save the Kamer-Junker of Pushkin" actually does not talk about hatred, but about love.
Director Joseph Reichelgauz and artist Alexei Tregubov put the heroes on a dueling platform, located in the center of the auditorium. Black Zamlya underfoot then falls through, then generates amazing artifacts that realize the connection between the distant Pushkin era and today's reality.
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Review

Aye yes Pushkin, ah yes ...

Always so, and culture is planted against the will. From the milk teeth and until death.

You'll come to the first class and go went: "Lukomorye has a green oak tree ...", "I remember a wonderful moment ...".

Excuse me, Alexander Sergeyevich, but how much can you, in fact? And it's true, the folk way does not grow to you. Just in every barrel ...

The only thing you like me about is that it's a sincere love for women. And if someone, like Dantes, did something wrong in their address, then everything ...

A white glove flew at the feet of the offender. My seconds will contact yours.

Therefore, the end of it, of course, was predictable. But then everyone understood this ... It's a pity we do not have a time machine.

Not every poet can do that. Call the reptile to a duel and, risking his life, to put a bullet in the forehead of a bastard. Courageous you were a man, Alexander Sergeevich.

"I loved you, love is still, perhaps, in my soul ..."

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FeedBacks

Kate was 18 may

"To save the camera-junker Pushkin" I was praised for a long time and very persistently. Maybe that's why I was afraid of going to it, but I decided to see it - and you know, I'm delighted! I did not expect that the performance about the probability (only) of the salvation of our great classics, practically a role-playing game - can be so unusual and interesting. Of course, he adds a small hall to the charm (the scene is again on display in the auditorium, and seats by sectors). And I did not imagine at all what it would be. If you and Akunin know what to expect (roughly), it's clear what to expect with the play of Mikhail Kheifets (and before Pushkin I saw only the children's play "In Search of Magic", but it's completely different.) And then the play began, (The time flew by instantly) was over, and I did not even have words, so funny, but serious, it's the most pleasant surprise. THANK YOU VERY MUCH for such performances !!!

Irina was 18 may

January 9, 2016, was, in the first place, in the theater "School of Modern Play" from mosblog.ru at the play "To Save the Junkers of Pushkin". I liked you already from the front door. There are no queues for the entrance, probably because the tickets were checked already closer to the entrance to the hall (but there was no traffic). The theater is very interesting. It's not like the theater, and somehow everything is so simple and there is a feeling that now something will be so exciting. Live portraits of actors, true as from Harry Potter, it's straight something! All viewers hang out there and want each actor to consider. It is a pity that we did not know about this, would have gone to the second floor before) Girls - employees of the theater, rather quickly oriented on the terrain. The only negative - for this performance the location of the auditorium changes and it is difficult to navigate where what sectors, it might be nice to put some name plates on it. About the show itself. Before going, I read what he was talking about. But my imagination presented me with another picture. There was a story on the stage. And so it was so amazing, simple, without pathos, close, I think, to every Soviet / Russian schoolboy. Well, who did not have problems with Pushkin ?! Here is the history of a person's entire life and then how on its length the poet then destroyed him, then helped. Time is intertwined, characters, stories. Everything is so wonderfully beaten that almost two hours without intermission flew by unnoticed. How much laughter was in the hall, especially when in one moment the spectator could not restrain herself and giggled, the actors supported and could be seen how ridiculous they themselves are. The performance is live, the stage is located so that the spectators themselves become participants of the action. The actors are amazing! That's to say that someone liked it more, someone less - it's impossible. All smart! How quickly they reincarnated in different characters, as all the awesome singing and reading poetry. It was visible from everywhere everything was fine, the only thing was hard to hear when the actors dispersed in the corners of the stage and read or sang at the same time. But probably this is the idea of ​​the performance itself, every corner of the auditorium hears "its own". I did not want to leave, the mood has been excellent for a few days after the performance, I would like to come here to this theater more than once, and to this performance for others too. PS: the audience was also younger than the specified age, but I would not recommend it, there is obscene lexicon, a little truth, and even more interesting to older people will be.

Marylyn was 18 may

The play narrates about one modern man from the point of view of development of his relations with Pushkin, if one may so express it, more precisely, with his heritage, from childhood and through life. Along with the growth of a person, his attitude also changes - beginning with "Pushkin I hated from childhood" to experiencing the death of the poet as a personal tragedy. The hero of the play is, in general, an ordinary person, with ordinary feelings. He is shown without attempting to embellish - such as a person is alone with himself, without unnecessary tinsel and a touch of decency. "Pushkin is our everything!" - this instigation was instilled into us from childhood, and it is taboo to speak ill of Pushkin. About this point in the play a lot of irony, but how true it is, everyone can feel on themselves. Personally for me, as it turned out, Pushkin is definitely "our everything", and I was repeatedly blown away by the ease with which the scene is treated with the sacred image of Pushkin for a Russian person. However, in this there is something - to break the prohibitions, in another way to look at what seemed unshakable and inviolable. For the main character, Pushkin is also "our everything", and even more than for anyone, although he does not immediately understand this. After the performance, somewhere inside, a little splinter is noisy (if not for this duel!) And there is a desire to find in the closet a volume of Pushkin and read-read-read ...

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