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Ol`ga was 03 december on MOLIERE

The decision to go to this performance was almost instant. Because it concentrated, if not everything, then very much of what I love for Armen Jigarkhanyan's theater. First of all, the director. For the first time I met his work in the “Queen of Beauty", then there was the "Tram" Desire ", to which I was already meaningful. And I ran to the" Lonely West "! And, of course, I could not miss" Moliere " secondly, the main role in the play is played by Alexey Annenkov, who both hit me on the spot in Molly, and has since been included in the favorite actors of this theater (although he shares this honorary title with another actor). - the performer of the role of Armanda. Young, bright, she is very successful in character roles. but it looked quite harmonious and in its place. A young fatal beauty. I never read anything about the performance before going, having decided to see it with the eyes of an ordinary spectator, not an avid theater-goer. And the more my surprise was when I saw people in leather cloaks. The first impulse was to wipe glasses. Second, immediately open the play and make sure that leather jackets are a director's idea, not Bulgakov's text, because only lace collars, wigs, etc. were in memory. And only after seeing Louis too similar to Stalin I exhaled. Bulgakov, of course, was bold, but ... In this case, it was Sergei Vinogradov who decided to combine the two epochs, thereby creating direct parallels between the plot of the play and the life of Bulgakov himself. After all, it is true, they are very similar. Stalin, of course, was well acquainted with the work of Bulgakov. More from the play "Days of the Turbins". And of course, the fate of Bulgakov depended on the mercy of the ruler. And he also fell into disgrace of the already Soviet “Kabala of the devout,” which criticized him mercilessly. Did Bulgakov think that he was writing a play "from himself"? I do not know. But the feeling that the imminent ban on this play, and the harsh criticism that followed it, made him even leave the Moscow Art Theater, he seemed to have misunderstood. However, history shows that many creative people, endowed with true talent, found it difficult to get along with the powers that be, and with society, and in personal life too. So here. The performance, of course, about Moliere. There are no deviations from the author's text. It’s just that Moliere has gone beyond the time corridor. And without the "wigs" it is no less interesting! Vinogradov really managed to mark with a huge bold not only the enduring relevance of the fate of a single great Talent, but also to make the audience think about what Bulgakov himself thought of. And Alexey Annenkov played in such a way that he did not leave the spectator even a hint of doubt. However, he is not the only one who plays brilliantly in this performance. Bravo! Bravo to all! Go to the theater!

Yulia was 27 october on MOLIERE

The actors play beautifully, BUT in what state the hall was killed !!!! The scenery leaves much to be desired (((((why in less famous theaters, halls and scenery is much better ???? here it put me in a dead end ((((((

Мольер

Мольер16+

Purchased earlier: 7
Location:
Москва, Ломоносовский пр-кт., 17
Duration:
02 h 40 min
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Story

In the center of the drama is the fate of the great actor.

The difficult relationship with his ex-wife Madeleine and the young beloved Armando, the turmoil in the theater and the conflict with the powerful of this world - the Kabbalah piously - destroy the life of Moliere.

The play, in which tragedy and farce are so close to each other, ridicules infirmity and denounces the hypocrisy of those in power who are easier to eliminate the sinner than to instruct. This statement about the betrayal of relatives and forgiveness, about talent and creativity that conquers death and gives immense value to life. The fate of a true artist is always complex and is in opposition to the system of power, in the fight against which he will still lose. But his mission is unchangeable - to tell the truth.

The tragic fate of the play by M. Bulgakov, first set in 1936 and removed from the repertoire after seven sold-out, is so consonant with today.
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Ol`ga was 03 december

The decision to go to this performance was almost instant. Because it concentrated, if not everything, then very much of what I love for Armen Jigarkhanyan's theater. First of all, the director. For the first time I met his work in the “Queen of Beauty", then there was the "Tram" Desire ", to which I was already meaningful. And I ran to the" Lonely West "! And, of course, I could not miss" Moliere " secondly, the main role in the play is played by Alexey Annenkov, who both hit me on the spot in Molly, and has since been included in the favorite actors of this theater (although he shares this honorary title with another actor). - the performer of the role of Armanda. Young, bright, she is very successful in character roles. but it looked quite harmonious and in its place. A young fatal beauty. I never read anything about the performance before going, having decided to see it with the eyes of an ordinary spectator, not an avid theater-goer. And the more my surprise was when I saw people in leather cloaks. The first impulse was to wipe glasses. Second, immediately open the play and make sure that leather jackets are a director's idea, not Bulgakov's text, because only lace collars, wigs, etc. were in memory. And only after seeing Louis too similar to Stalin I exhaled. Bulgakov, of course, was bold, but ... In this case, it was Sergei Vinogradov who decided to combine the two epochs, thereby creating direct parallels between the plot of the play and the life of Bulgakov himself. After all, it is true, they are very similar. Stalin, of course, was well acquainted with the work of Bulgakov. More from the play "Days of the Turbins". And of course, the fate of Bulgakov depended on the mercy of the ruler. And he also fell into disgrace of the already Soviet “Kabala of the devout,” which criticized him mercilessly. Did Bulgakov think that he was writing a play "from himself"? I do not know. But the feeling that the imminent ban on this play, and the harsh criticism that followed it, made him even leave the Moscow Art Theater, he seemed to have misunderstood. However, history shows that many creative people, endowed with true talent, found it difficult to get along with the powers that be, and with society, and in personal life too. So here. The performance, of course, about Moliere. There are no deviations from the author's text. It’s just that Moliere has gone beyond the time corridor. And without the "wigs" it is no less interesting! Vinogradov really managed to mark with a huge bold not only the enduring relevance of the fate of a single great Talent, but also to make the audience think about what Bulgakov himself thought of. And Alexey Annenkov played in such a way that he did not leave the spectator even a hint of doubt. However, he is not the only one who plays brilliantly in this performance. Bravo! Bravo to all! Go to the theater!

Yulia was 27 october

The actors play beautifully, BUT in what state the hall was killed !!!! The scenery leaves much to be desired (((((why in less famous theaters, halls and scenery is much better ???? here it put me in a dead end ((((((

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