Санкт-Петербург. Мастер и Маргарита16+
Review
A mysterious and gloomy hypnotist, or a foreign artist accompanied by his colleagues (maybe the devil himself and his entourage?) Comes to Moscow in May. Sow a stir. Two thousand years before that, also in May, the Jewish procurator Pontius Pilate sentenced a wandering philosopher to death.
A few fateful days pass by.
Under the splash of the May rain, the prince of darkness leaves Moscow, having managed to punish several officials on merit and reward the main characters - the Master and Margarita - with well-deserved rest.
And what about the procurator? Could he have found peace?
Manuscripts do not burn, and the Master's novel, in which the tragedy of Pontius Pilate is eternally played, is not burnt. Scaffolding does not decay: Bulgakov's novel unfolds on the stage of the theater again and again.
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“ The play leaves a complex feeling. The task that the director and the troupe set before him was solved: the philosophical subtext of the novel is brought to the viewer in various forms. I want to note a successful solution to the multifaceted nature of the novel: before the viewer events unfold on the scene at once in 3 different places, and this does not interfere with the perception. Faithful is the departure from the Divine display in the play - we only hear Yeshua's voice, and this proves sufficient. The question of the existence of Jesus Christ (as well as everything connected with God) was solved in the affirmative - we are shown the icon of the Virgin with the baby Christ in his arms. Thus, good in the play prevails. A few words about the props: the benches on the stage are successfully involved both as a quay, as beds in a clinic, and as horses, at which the Master and Margarita are carried away at the end of the play. After the performance you experience a real catharsis, and this is the most valuable and necessary for any spectator. Thank you!
“ Many thanks to the actors! Great game! 3.5 hours flew by instant!
“ An interesting staging, the director has his own reading of the great work of Mikhail Bulgakov, a wonderful play of actors
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“ The play leaves a complex feeling. The task that the director and the troupe set before him was solved: the philosophical subtext of the novel is brought to the viewer in various forms. I want to note a successful solution to the multifaceted nature of the novel: before the viewer events unfold on the scene at once in 3 different places, and this does not interfere with the perception. Faithful is the departure from the Divine display in the play - we only hear Yeshua's voice, and this proves sufficient. The question of the existence of Jesus Christ (as well as everything connected with God) was solved in the affirmative - we are shown the icon of the Virgin with the baby Christ in his arms. Thus, good in the play prevails. A few words about the props: the benches on the stage are successfully involved both as a quay, as beds in a clinic, and as horses, at which the Master and Margarita are carried away at the end of the play. After the performance you experience a real catharsis, and this is the most valuable and necessary for any spectator. Thank you!
“ Many thanks to the actors! Great game! 3.5 hours flew by instant!
“ An interesting staging, the director has his own reading of the great work of Mikhail Bulgakov, a wonderful play of actors