Театр У Моста Калека с Инишмана16+
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“ During the pre-festive tour of the Theater "U Mosta" that took place in Moscow, I was fortunate to see 3 plays based on McDonagh's plays: "The Lonely West", "The Skull of Connemara" and "The Cripple from Inishman". McDonagh, although a fashionable author, but this is not at all entertaining stuff. But all three productions look on the same breath. To say that I enjoyed it would be, perhaps, pale. I would define this as, no, not a shock, I do not want to break into pathos, but a meeting with the Theater. What a wonderful director's work and acting! Adjusted intonations, thought out mise-en-scenes, light, scenery .... It was a feeling that the air in the hall thickened and it was even hard to inhale it. The public (and the small hall of the GITIS-Theater was crowded, the spectators did not even have enough chairs, some looked standing) was quieted to a ringing in the ears. Even if we consider that there were hardly random people in the hall (no one has ever rang a mobile phone, it's a rarity and this is an indicator of the "quality" of the audience, it seems to me), still impressive when the stage and the hall are on the same wave. And the director Sergei Fedotov a separate respect: the plays could be put on the "modern", with the creative and "creative" findings - the text and the plot all allow it. And the fact that the performance is made in the classical style, somewhere even with deliberate theatrical convention, only reinforces the impression. These are performances that you want to watch more than once. Bravo!
“ A wonderful production and a great game of artists! Full room, including side chairs. Be sure to come on the next tour.
“ One of the best productions from all seven McDonagh's performances, staged by Sergei Fedotov on the stage of the Theater "At the Bridge"!
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“ During the pre-festive tour of the Theater "U Mosta" that took place in Moscow, I was fortunate to see 3 plays based on McDonagh's plays: "The Lonely West", "The Skull of Connemara" and "The Cripple from Inishman". McDonagh, although a fashionable author, but this is not at all entertaining stuff. But all three productions look on the same breath. To say that I enjoyed it would be, perhaps, pale. I would define this as, no, not a shock, I do not want to break into pathos, but a meeting with the Theater. What a wonderful director's work and acting! Adjusted intonations, thought out mise-en-scenes, light, scenery .... It was a feeling that the air in the hall thickened and it was even hard to inhale it. The public (and the small hall of the GITIS-Theater was crowded, the spectators did not even have enough chairs, some looked standing) was quieted to a ringing in the ears. Even if we consider that there were hardly random people in the hall (no one has ever rang a mobile phone, it's a rarity and this is an indicator of the "quality" of the audience, it seems to me), still impressive when the stage and the hall are on the same wave. And the director Sergei Fedotov a separate respect: the plays could be put on the "modern", with the creative and "creative" findings - the text and the plot all allow it. And the fact that the performance is made in the classical style, somewhere even with deliberate theatrical convention, only reinforces the impression. These are performances that you want to watch more than once. Bravo!
“ A wonderful production and a great game of artists! Full room, including side chairs. Be sure to come on the next tour.
“ One of the best productions from all seven McDonagh's performances, staged by Sergei Fedotov on the stage of the Theater "At the Bridge"!