The production is a kind of established tradition that is embodied in the Academy on the basis of the works of the great classics of A.P. Chekhov and I.A. Bunin. The performance-designer is a literary and scenic collage consisting of nine works of great classics ("Kuma", "Muse", "Autumn", "Ida", "Misfortune", "Princess", "Joke", "Ms NN Story "," Wives of artists "), demonstrated to the viewer in an unusual format of open rehearsal.
"Metamorphosis" is a certain kind of brand of our Academy. This year we are releasing "Metamorphoses-II" and again we are dealing with the great Russian prose of Chekhov and Bunin. Every year we appeal to these writers, trying to express on the scene the entire atmospheric depth, so inherent in their creativity. We deliberately do not take dramaturgic works, in which a certain premise of the plot and the plot was originally laid. It is more interesting for us, as it were, from the air, out of nowhere, to materialize and stage the subtle strings of relationships between the characters and the character of the relationships between the Buninsky and Chekhov heroes. Despite all the transparency of this prose, but rather for this very reason, this task is articulate, but extremely fascinating, and most importantly - incredibly useful for actors trying to find new opportunities and shades of acting, "notes the director of the play Nikita Mikhalkov.
Directors of the thesis: Honored Artist of Russia Igor Yatsko, teacher of the Academy Vera Kamyshnikova, actor, director Alexander Koruchekov. Production designer - Yuri Cooper. The credits shown in the play were created by the Honored Artist Alexander Adabashyan, sound design by Pavel Doreuli. Choreographers: Victoria Skitskaya, Lasha Maryhuba. The artistic director of the course is Nikita Mikhalkov.
"The performance is unusual and the fact that we created titles that are shown to viewers on the screen during the performance of the performance. We had to work through literally every word of the work to try and convey the true language of that time. Of course, when adapting to the Old Russian orthography, Dahl's dictionary was used, as well as unique lifetime editions of LN's works. Tolstoy ", - says the creator of the credits of the production Alexander Adabashyan.
In the play, graduates of the second stream of training play a one-year course at the Academy of "Actor's Art in Modern Conditions," and the production itself is one of the creative results of the training. The main feature for the viewer is the form of the play, combining not only 3D scenery, video sketches, but also giving birth to the atmosphere of a truly "live movie".
"For me, it is very important that we try to follow the form of scenic minimalism that we initially took, in order to put as much of the burden on the actors and their play on the stage. But in fact, the most joyful and inspiring metamorphosis is the metamorphosis that takes place inside our Academy. Metamorphosis of comprehension by our students-actors of new methods and methods. Every year professionals come out of the Academy walls who can solve any creative tasks, can compensate for any vacuum of director's professionalism. Our graduates do not just perfectly master the acting profession, but they are absolutely self-sufficient - I see in this the main meaning and achievement of our Academy of Cinematographic and Theatrical Art ", - summed up Nikita Sergeyevich.