Theater at Nikitsky Gate (07 december, saturday 19:00, THOUGH WITHOUT THE MIND). bigbilet.ru

THOUGH WITHOUT THE MIND12+

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Andrey was 17 september

Woe from the mind, like all the interpretations of the classics prepared by M. Rozovsky, leave the impression of topicality and originality of reading. The viewer can easily be convinced from the first minutes of the play. I note that even if you looked at other versions of this comedy in the Maly Theater, on Malaya Bronnaya, on Taganka or in Sovremennik, go to the Nikitsky gate. Griboedov's text is carefully preserved, director's searches do not undermine the writer's ideas. At the same time, everything is new and fresh)

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07 sat december 19:00

Type
Performance

Location:
121069, Moskva, Nikitskaya B. ul., 23 korp.9

Duration:
03 h 00 min

Photos

actors

Baronina Natal`ya Glebov Nikolay Golubcov Uriy Davidenko Vladimir Desnickaya Vera Zabolotnyy Nikita Ivanov Konstantin Kaliberda Nikolina Koreckaya Natal`ya Korlyakova Viktoriya Kudryashov Aleksandr Lebedeva Ol`ga Masalov Aleksandr Molotkov Andrey Pronin Vyacheslav Prygankova Yana Rasskazova Margarita Ringburg Nikolay Saraykin Denis Skripko Igor` Susukin Nikita Fedorchuk Stanislav Chernyavskiy Aleksandr Shayhislamov Uriy Uchenkov Denis

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Story

Artistic director of the theater "At the Nikitsky Gate" Mark Rozovsky once again turns to the domestic classics. Comedy in verse "Woe from Wit" by A.S. Griboyedov is extremely topical: in the center is the conflict between society and personality, the confrontation of honor and lysoblyudstvo, love and vulgarity, loyalty and betrayal. A critical look at the state of modern society is reinforced by the fragments of A.S. Pushkin with P.Ya. Chaadaev. On the stage of the theater - tragicomedy "Grief without a mind", a stage version of the immortal masterpiece of Russian literature, prepared by Mark Rozovsky.

FeedBacks

Andrey was 17 september

“ Woe from the mind, like all the interpretations of the classics prepared by M. Rozovsky, leave the impression of topicality and originality of reading. The viewer can easily be convinced from the first minutes of the play. I note that even if you looked at other versions of this comedy in the Maly Theater, on Malaya Bronnaya, on Taganka or in Sovremennik, go to the Nikitsky gate. Griboedov's text is carefully preserved, director's searches do not undermine the writer's ideas. At the same time, everything is new and fresh)