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The tale is read by Alexander Oleshko, accompanied by the orchestra of the Yevgeny Vakhtangov Theater.
Composer - Alexander ZATSEPIN
Water animation - Anna KLYKOVSKAYA
The performance is recommended for viewers over 6 years old (6+).
Please note that all spectators visiting the Theater, regardless of their age, must have a separate ticket.
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Not often in the dramatic theater we meet with \"Eugene Onegin\" Pushkin. Reader programs and opera interpretations prevail.
In the Vakhtangov Theater, director Rimas Tuminas, Yulia Borisova, Lyudmila Maksakova, Sergei Makovetsky, Vladimir Vdovichenkov, Oleg Makarov and young artists decided to translate the novel in verse in dramatic form. Carefully, improvisingly, trying to find a stage equivalent to a word, a plot, destroying nothing and trying not to miss anything. This is our knowledge of Pushkin, his heroes, their world, the space of Russia.
\"Who is there to love? Who should I believe? \"
It seems that we know everything about Pushkin. But the volumes of serious research by literary critics and philosophers can not fully comprehend the phenomenon of the poet.
Alexander Sergeevich - \"our everything\" - unknown, mysterious. And every time you turn to him, you are afraid to repeat yourself in perception, you try to avoid cliches, knowledge, to which the poet resists, because he is always more - unsolved. It is not exhausted by the plot.
\"Eugene Onegin\" is what? Philosophical thinking about life in a poetic form? - not only, the love story - not quite. This is a vast space of peace and feelings that has contained all the ages, the game of the mind, insights, guesses, anger, reproof, satire and cynicism, compassion and forgiveness.
\"Eugene Onegin\" is an \"encyclopedia of Russian life\" and a highly popular work, a novel in verse, written in the era of romanticism, where \"the modern world appeared with all its cold, prose and vulgarity.\"
And, at the same time, according to Belinsky, \"Onegin is the most intimate work of Pushkin, the most beloved child of his imagination, in which the personality of the poet was reflected with such fullness, light and clear. Here the whole life, the whole soul, all his love, here his feelings, concepts, ideals. \"
\"Eugene Onegin\" is the expanse of Russia, the destinies of its heroes, customs, customs, culture, nature.
This is an attempt to penetrate into the essence of the Russian soul, to understand the Russian character, which is not sober in analysis. This Russian society in all its hypostases - the naive charm of a pagan village and the cold stiffness of the upper world. This is Tatyana's brave trembling and Olga's playful naivety. It is \"the mind of cold observations and the heart of woeful notice.\"
The performance of Rimas Tuminas destroys stereotypes, he is, as always, authored, seen and lined up polyphonic, musically, rigidly and emotionally. The director is alien to the poetic flair, he breaks the rhythmic construction of the phrase, it draws the prose of life, he is an enemy of loftiness and false lyricism.
With his performance, he destroys the \"stuff of memories\" previously seen and read. He opens a new meaning in the character and plot.
Who is the hero of this novel - Onegin? Of course, Tatiana, \"Tatiana - Russian soul ...\".
Its Russianness in an organic merger with nature, customs, sincere sincerity, ingenuous fearlessness. She is captivating in natural grace, courageous straightforwardness, bitter sincerity: \"but I am given to another and I will be faithful to him for a century\".
Tatyana writes her frank confession to the man whom her imagination created, her fiction is more significant than the original, this is her gift to Onegin, which he could neither understand nor appreciate or justify with his essence.
For Onegin this is another message, he did not give himself the trouble to comprehend and unravel it, he, according to Dostoevsky, \"could not distinguish between completeness and perfection in a poor girl.\" He did not see her either in the village wilderness, or in the St. Petersburg salon. He did not want to know, to see it. Tatiana will guess him: \"Is not he a parody?\". Although the very object of adoration is sure: \"I'm young, life in me is strong, What can I expect, longing, longing!\". Read - the soul is empty.
In St. Petersburg, Onegin is captivated not by Tatyana herself, it is not a return to memories, but a blinding glint, a position in the light. For Tatyana - it's candles, for Onegin - dignity, nourishing his imagination and feelings.
Their difference is so obvious that, going towards each other, they will necessarily pass by, so their souls are not touched in the notion of love, dignity, spirituality. Its dominant is Russia. His throwing around the world is vanity, impossibility to stop on the main, but rather ignorance, what is the main thing - the homeland, duty, love?
In their confrontation - a bitter pattern of incompatibility.
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\"Who are you, my angel is a guardian or an artful tempter: let my doubts decide.\"
Tatyana's letter ... Such sincere ... She wrote it in French. \"She did not know Russian well, she did not read our magazines and explained herself with difficulty in her native language.\"
Suppose that Onegin did not know French well? He could misunderstand Tatiana, the Russian soul, which is infinitely far away to Onegin.
He and himself are bored. He runs away from himself, travels to different countries, but the hard grip of the spleen does not let him go for a minute.
The whirlwind of a noisy ball in a noble assembly. Only this ball takes place in the snow-covered summer garden, in St. Petersburg.
And where the ball, there is joy and laughter, music and ballet, opera arias and home music making, masks and intrigues.
Or is it not a ball, but a magic dream that Tatiana dreams about? It is possible that she foresees her near future. Very soon she will become a noble lady.
Wherever there was a dear Tatyana, in a native estate of family Larinyh or in huge halls of the Moscow private residence, she dreams of love.
But her chosen one is not the romantic hero she invented herself.
Onegin did not live up to her expectations.
So he went through life past her ... \"And happiness was so possible, so close.\"
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“ On May 14 we were at this performance with my husband. I'm 62, he's 66, I'm disabled. left the second department for the first time in their life. we see ourselves in these unfortunate people, so it's hard to look at all this. The youth were having fun and my heart was breaking. I wanted to relax and unwind, but it turned out to be a bitter grief.
“ Great game. Excellent production. Only there is no spark that makes you empathize with the actors. They are too majestic and far away.
“ The play "Love at the Throne" was replaced by the play "Frida. Life in Color". A bright, musical thing. Famous people with fates worthy of romance. I liked the production and acting work very much
“ High-quality staging. Alternative history variant. The action seemed somewhat academic and in some moments programmed for the director's spectacular tricks.
“ Feeling from viewing as after reading the poetry of Boris Ryzhiy. Poetry and the darkness of provincial life. Constant transitions from tragedy to humor and hope, excellent acting work. Not entertainment, but a thing for the soul.
“ A magnificent performance. Powerful and entertaining. I liked it very much
“ How we girls like beautiful outfits. Half of the success of the performance is in the design, and when also live music! The content of such plays, however, has ceased to satisfy me completely, apparently I'm growing.
“ So beautiful that it is impossible to convey. A kaleidoscope of plots and pictures covered with white St. Petersburg snow. I watched it twice, I hope I will see it again.
“ Beautiful, spectacular, but for me it was protracted. Literally before Vakhtangovsky Onegin, I went to the Onegin show, staged by SAM (Commonwealth of Actors and Musicians). And after they were staged, where Chonishvili was one of the main reciters, it was extremely difficult for me to listen to Makovetsky in Vakhtangov. Perhaps, if there had been Guskov, the performance would have been perceived differently. Guskova heard later in the play Onegin-blues (another of Onegin's variations, which she saw as many as 4 that season). Only in the second act, at the sight of the wagon under a snowstorm, did my heart tremble and accept the production.
“ A beautiful production, but the plot is somehow viscous and no. It reminded me of Kafka's prose, his "Castle". Some kind of eternal senseless whirling. The bottom line is disappointment.
“ You get used to good performances (this is exactly about the Vakhtangov Theater), and then BAM! .. and in a seemingly decent place you run into. Even before the quarantine times, a friend took a ticket to the "New Apartment" in Vakhtangov, but it did not work out. And I decided on my own head to fill the gap. The play is based on Goldoni's play. Staged in the style of farce. But such a vinaigrette of images. Here is our quarantine present, and the characters of the Adams family, and Alice in Wonderland. I have mastered the plot by half. I believe that if in the first act there are unhappy lovers, then in the second everything will be happily resolved. I didn't have the strength to watch this nonsense. Complaints about the plot and the production itself. From the pros - historical costumes and selected acting work. The second act was replaced by a walk from Arbat to Polyanka. It was wonderful.
“ great performance. modern production. very beautiful scenery. great acting. advise
“ Musically, buffoonery, bright. Unloading the mind. Rest is guaranteed.
“ I was at the play 4 years ago, today I go again - a strong impression. Much stronger than the performance "Running" in the Chekhov Moscow Art Theater.
“ We watched in October 2019. A very good performance, in my opinion it has been going on for twenty years already in this lineup. An exact hit in the role of both actors. Good direction. You have to watch while these actors are still playing ...
“ Easy, fun, musical comedy, a small cozy room. Thank you, got a great pleasure!
“ Were at a performance with friends from St. Petersburg (we came specially to see Lanovoy and Kupchenko). Everyone was delighted.
“ Great performance! 4 hours passed quickly. I have not received such pleasure from the play for a long time! The actors are amazing! Maria Aronova is brilliant !!! Bravo, bravo, bravo to all creators of the play !!!
“ The performance made an impression. The wonderful duet of Guskov and Khazanov.
“ The performance is very worthy - a beautiful story about how a person hesitates before making an important decision. Excellent set design and light, very nice costumes. The written dialogues and monologues, long with development, are a real continuation of the traditions of the Russian theater. I liked the young partner of Olga and Andrei, Pavel Teheda Kardenas, and the premieres were beyond praise. If you like paradoxes, quick turns of the plot and responsive to theatrical experiment - you are here. Bravo once again to the author and the troupe!
“ Went to a large, multi-age company. I liked EVERYTHING, the actors played beautifully! The first act was a little tightened, there were too many pauses for the modern audience.
“ Beautiful performance
“ Yesterday we were at a performance, had long wanted to see this performance. Laughing, holding his stomach. Bravo!!!! The game of actors is superb !!! Thank you very much! Maria Aronova is just super !!!! Bravo !!! Bravo !!!! Bravo!!!!
“ Yesterday, the performance-impressions were only positive! A high-quality, well-thought-out script for each word, an impeccable play of actors left no one indifferent in the audience.
“ Delight!!!
“ It was Beaumarchais in a modern way, in a non-classical, very original production. I liked the play for me and the children, 16 and 13 years old. Funny, musical farce. Wonderful game of Maxim Sukhanov. Enjoyed and a lot of positive.
“ Italian passions did not work. Bored, long and little emotion. Questions to the temperament of the main character, as if Neapolitan. The performance is 3 hours and 30 minutes with two intermissions.
“ I was lucky to get to the performance on the anniversary of Vasily Lanovoy. I can not believe that the play has been going on for twenty years. The game of actors is flawless, it is fascinating, the feeling is as if they do not play, but live life on stage. Bravo great artists!
“ Sorry for the time spent and finances. To say that I didn’t like the performance, to say nothing The staging is as far from Moliere as the Moon is far from Earth. Although everything in this life is relative. In my humble opinion, the majority of those who came to the play lacked the civil courage to just boo this spectacle and shame actors employed in the production. the level of the doorways ... Frank ROUGH, calculated on the fact that the viewer will come to Makovetsky Awful, not worth your attention ..
“ Great, great, awesome! Comedy and tragedy, love and egoism, classic and fresh look are intertwined in the performance. Yes, this statement cannot be called classical, but it feels love for the original, for the author and art in general. This is far from a vulgar interpretation, and the actors with such tenderness, with such rapture and penetration, pronounce the text of Pushkin, which captures the spirit. On the "Onegin" Tuminas want to look endlessly. Thank!
“ Many thanks to Alexander Oleshko for a nice evening!
“ Great performance! A sea of positive and most vivid emotions! Etush on top! Laughing from the heart! Sparkling humor, great play of actors, great scenery, exceptionally warm atmosphere! Recommend! And a huge request to the audience - please eat your sweets before the start of the performance or eat them during intermission. You cannot do this during the performance! Audibility and acoustics in the hall at a high level. Respect the actors and the audience!
“ Wonderful solo performance!
“ The evening was wonderful! Aronov is superb !!!! Thank!
“ We went to the play "Sergeev and the Town" in the Vakhtangov Theater. Got pleasure. True gratitude for what he saw. The theme of the performance is far from light and airy, but serious. Time cannot be determined right away - whether it is the Soviet era, or the 90s, or the early zero, or, most likely, all together at once - such a mobile “timeless” in which the Russian province is stuck. Different families, different lives, different fates. And people live and do not cease to be human. If you go to an “adult” thing, take your head and heart with you. There is no place to rest. We must worry, think, think how and why. Do not harshly condemn or accept the life of people at that time, but analyze all the circumstances and prerequisites. The game of actors honed to amazement. The performance involved mainly young people. It is laid out, passing all through itself. The performance is long, but it looks very easy and dynamic. The main tractor in the performance is Maxim Sevrinovsky. His voice and manners of the game just fascinate and envelop, taking into the life. As if an acquaintance tells you a very personal story, and you experience it with him. Bravo! Nice and young actress Olga Borovskaya, Maria Berdinskikh, Polina Chernyshova, Ksenia Kubasova. They have roles in different scenes. They have to quickly reincarnate. And how the play is decorated with their voices! Especially distinguished is the voice of Polina Chernyshova, distinctive and strong. We advise everyone to watch the play “Sergeev and the Town”! Especially the residents of Moscow and St. Petersburg, because there are small cities in which noble and honest people live.
“ EXCELLENT!
“ Good, not dull performance. Vladimir Etush cannot but arouse sincere respect: more than 2 hours on stage! Olga Tumaykina slightly outplayed, these intonations and "wringing hands" came to nothing. The spectators were very disappointed: mobile phones rang endlessly, everyone was talking to each other, rustling wrappers from candy, coughing hysterically (((((
“ Old acting school. Classic production. The acting is great. It makes no sense to sit on the balcony.
“ My wife, son, and I go to theaters infrequently, on average 5-6 times a year. I like the GAMT very much, recently went to Et Cetera on Kalyagin's “Faces,” In indescribable delight. On this wave went to Vakhtangov. Bought for the name (the son needs to study at school), the awards of the performance and the busy actors. The impression ... For the first time we left the play during the intermission. And this is not disrespect for the actors (judging by the prices for a ticket, their fee is not bad). By no means. Just so mock Pushkin, we could not bear. Still, one feels the attitude of the director to the author in particular and to the people, apparently, as a whole. Some kind of sur. Why does Olga need an accordion and why does she go with him all the time? Why Onegin two (although his wife said that there were three of them like), two Lena? In general, it is a pity that such performances receive Golden Masks. From now on we will be more careful with modern readings of the classics. I can not recommend this performance to an amateur. We definitely did not like it. It's a pity...
“ Were at the performance of 10/06/2018. Loved it! The modern version of the Greek tragedy, the bonus goes to the chorus in the original language! Wonderful game of Eldar Tramov in the role of Creon! And voice, and a sense of rhythm, and image! Only Maksakova’s play spoiled the impression, although I love and respect her as an actress, but ... I’m happy to see it again!
“ Thank you very much for the pleasure that I received from the performance! I really liked the production and the game, and the material that is taken for the play! Touching, thoughtful, mischievous. Perfectly!!!
“ Feedback from not a fan of Chekhov. Chekhov, like Chekhov. Nothing new and interesting. BUT! What game! You open yourself to famous actors in a new way! It is very joyful and that regardless of the plot, you can enjoy acting.
“ The production is wonderful! Yes, there is a strange, yes, there is a tightness. But all the same, picks. And funny, and sad, and tragic. The director gave this depth to this work. It seems to me that Pushkin himself did not reveal the tragedy of unrequited love, the loss of a loved one. The game of actors is incomparable. How the emotions of the first love are transmitted, the pain of loss, expectation. We must definitely go. But I would recommend without children. This performance is definitely not for teenagers.
“ Unusually, magically! Cute, plastic, very harmonious and sincere! Performance without words, only dance and beautiful music! Words are not needed, through the dance of actors, all emotions and emotions are read easily and simply. You, along with the actors inside their dance life, live with them joy, sorrow, passion, love !!!
“ I really liked the performance. Indeed, prose also responds and the actors play is gorgeous. You look at one breath in anticipation, and what's next, get used to the plot. The first part is more ironic, many funny moments. But in the second, there is more sadness and there is something to ponder about, Perfectly selected music, scenery, interesting stage solutions. Has received huge pleasure!
“ Were at the play on 05/17/2018. I rather liked it. We wanted to see Dobronravov and Maksakov. Marked for himself the game Eldar Tramov, like Pavel Yudin.
“ The performance really liked, thank you!
“ I really liked the production, I love my own readings, surre, and beautiful music. The actors play is gorgeous, the costumes and movements, the atmosphere and the air. Snowstorm - to shivers. Thank you! I'll go more than once, I think, until I take everyone close.
“ Nina was on 03/30/2018. The performance is not straightforward, I went to Lermontov's Masquerade, but I got on the Winter Fairy Tale for adults-more specifically, the Polunin Show. I do not agree with the director, but the acting is at an altitude, they (the actors) pulled this performance out. Bravo!!!
“ The performance was wonderful, it looked at one go, Impression left a wonderful
“ 03/22/18 were at the play, wonderful performance, bravo to Matru Vladimir Etush! 2 hours on stage, cheerfully and confidently, with hooliganism in the text from the master, in a good sense of the word. A remarkably created mood. I recommend everyone to see.
“ Has received huge pleasure from action! I liked it all very much. Without words, recognizable plots of our life and relationships. Bravo to the dancing artists and the director of the play!
“ This performance must be watched! Stunning cast. An amazing constellation of the most brilliant and beloved actors. A true pleasure. The idea is ingenious, excerpts from great works are related by one theme - death. This line is led by stunning actors who are the closest to her age by age - Lanovoy (84 years old), Etush (95 years old), Yulia Borisova (93 years), Kupchenko (70 years), Knyazev (62 years) Maksakova (77 years old). And as if they know what they're talking about, it's sad and at the same time it's optimistic. The ingenious game of the brilliant actors of the Vakhtangov school !!! It was all the more tempting to descend the fact that at the recent funeral of Tabakov, looking at those who came to accompany his age actors, he pursued the idea- "The epoch is leaving." Who is next? "As if answering him, Valentin Gaft read his poems:" There are fewer and fewer people in the phone book , Ringing in the ears of a deadly braid, More and more often the mortar caps, Aliens respond to voices "..... GO AND SEE ALMOST THEY ARE ALIVE!
“ Aronov's BOMB. Laughed heartily, jokes are not vulgar, not stupid, it's Humor! I advise
“ Maybe I'll say too loudly, but for the time being this is the worst thing I've seen ... I really wanted this performance, and now I bought tickets, so let's go. The total disappointment ... is tedious, prolonged, in a word uninteresting ... was the making of getting up and leaving (as some did), but because of respect for the actors we did not do so. A lot of things were watched in this theater, but unfortunately ...
“ Performance Butusova "Running" as a drug. It tightens. Has been 2 times. With difficulty "jumped". I helped "break" - go to other theaters in those days when in the coming months there will be "Running", otherwise I would go again ... But I want to watch more. Astonishing. Practically 4 hours, but no fatigue. Fucking spectacle! About the departing. Leave, probably, saw "defectors" 2 people after the intermission. But most of them are ecstatic! These are not empty words. I do not advise those who are ardent adherent of some "classical theater". I love the theater from my youth, but still do not understand what is being put into this concept ... Who is for the experiment and a live theater - go boldly!
“ The performance did not like. Very boring. Only the game of Maxim Sukhanov was happy. The play, of course, is obsolete. Absolutely does not touch. I liked the energetically charged game on the drums, as the boring action revived.
“ Thank you very much for the performance. We watched in one breath. A great game of actors. Thanks again!
“ From the solo performance I expected more. In some places he seized and made me listen to the hero's monologue, at times seemed long and boring. Perhaps this day, Yu Kraskov was not at a loss, as the reviews read about this performance, celebrated the actor's play. Once you can go. In any case, the classic is always a win-win option ..
“ It's nice that the Vakhtangov Theater continues to "keep the mark high"! The play "Cat in Boots" - wonderful, masterfully done! And the script, and the costumes, and the scenery, and staging, and the light, and the musical accompaniment, and the actors' play - everything, literally everything at the highest level! It's nice that the script (the script writer, unfortunately, for us and was not known) written in verse, in good poems !, simultaneously preserves the classical plot of Charles Perrault and at the same time is supplemented with interesting details. The images of the heroes turned out to be very interesting, for example, the image of the State Ladies, instead of the Cannibal - the Evil Wizard, and very funny and well-singing robbers. Dynamically unfolding action, bravo - the artist of the play, the composer, the sound and lighting! And, of course, bravo to all actors! The performance will be interesting not only to children, but also to adults who love the real Russian Theater with the Great Letter T.)) So-ve-tu-yu.
“ I gradually become a fan of Svetlana Zemlyakova's performances. At first, the charming and such touching performance of "Grandma" in the theater Practice. Yesterday a bit sad and slightly funny performance "Sergeyev and the Town" with a filigree actor's play, wonderful music. Modern prose, close subjects.
“ I liked the performance very much! Lanovoy and Kupchenko - very convincing! A little sad from the fact that this is possible!
“ Wonderful performance !!! Magnificent actor duet Lanovoy and Knyazev, do not play - live the lives of their heroes, 2 hours in one breath, emotions, tears at the end. Decorations, visual, noise design and beautiful music - everything immerses in the atmosphere of this interesting play. Thank you, Vasily Semyonovich and Evgeny Vladimirovich, and a low bow! PS. I read E. Schmitt's play "Mysterious Variations"
“ Went with a child of 15 years, just pass in school. Gone after the first action, What did the director want to say and why? Boring, boring, it's not clear!
“ Wonderful, easy performance. Laughed to tears!
“ Etush is gorgeous! Went specifically at him, long guarded this performance. It seems that everything is simple, like there are no intricacies and multilayeredness that can be solved and interpreted in different ways, but 2 hours have flown by in one breath! Yes, the play is old, but as it is now timely !!
“ A very, very boring performance. The task of keeping the viewer's attention throughout the performance with memories and monologues alone is a very difficult task. Unfortunately the actors did not cope with it, the hall was frankly bored. Sincerely I hope that we just got on some bad day - in principle the play allows us to "turn around", but ... Julia Rutberg played all on the same, tired tired note, Andrei Ilyin probably tried, but to draw this performance to one he can not do it - not the charismatic. Went disappointed.
“ I recommend to all! Sukhanov actor with a capital letter! Thanks for the pleasure!
“ Sukhanov is magnificent !!! But, in general, the performance is delayed!
“ My favorite performance! I watched 2 times already, very much. Especially, of course, impresses Sukhanov.
“ Only step stepping from the Arbat, I plunged into a wonderful world, Here the beauty of the vault and beauty, Durmanit, like ether! But then the noise subsides, And we stayed here alone. Only me, your obedient spectator, And the world of Paris from within! Who here jokes about the nose, all of a sudden, He'll get it in full, The sharpest jokes, everything in verse, From Sukhanov himself! But only love is capable here, Disarm Cyrano! And you are ready for it, To laugh or to suffer - rather, then and that!
“ A stunning performance! Incredibly cosmic Maxim Sukhanov! Thank you for your beloved Cyrano!
“ Thanks to the director and the actors for the wonderful performance on the legendary stage! Bravo Maxim Sukhanov For the image of Cyrano! Instead of a sad ending, I want to continue the romantic story.
“ Great performance !!!!!!
“ Like the game Sukhanov, but the sp-l is very tight
“ Light, touching, forever!
“ Simply in delight! Thank you!
“ Enchanting! Incredible! Emotion lasted for a long time! Sukhanov, as always, is inimitable! Hall laughed at the voice! Nobody remained indifferent!
“ Maxim Sukhanov is incomparable! The play has been going on for a very long time, but it's still full. It says a lot. My husband and I really liked this production!
“ They left after the first action. Unconvincing, inanimate, and simply boring
“ A delightful theater! Convenient location: close to metro. A unique game of actors! I really liked the actor's play in the lead role of M. Sukhanov. Played sincerely. The audience of the hall reacted vividly to everything that happened on stage thanks to the talent of the actors!
“ All is well - staging, scenery, acting, music. It's funny. Sukhanov is magnificent.
“ At first it seemed that the performance would be light-weight, and Sukhanov with his "rattling" voice reminded him of the same character from "The Wind Raging in Poplars", but later everything seemed to gain strength, the performance was very much liked not only by us, but also by a large (pleasant moment) and very young people in the theater. During the intermission, many of them switched to a high syllable and this is very, very sweet.
“ Thanks to the director and actors for the production! Special thanks to Maxim Sukhanov for the unforgettable image of a good Cyrano!
“ Thank you very much! Great performance! Maxim Sukhanov - Cyrano - stunning! Thank you.
“ A wonderful cheerful staging!
“ I really want to go! According to friends, worthy staging!
“ Strong performance, it looks in one breath. An interesting production, a stellar composition, a great game!
“ We went by turns with all the children of our family. Everyone liked it very much. A wonderful performance, bright, colorful, remarkable in form and instructive in content. Interpretation of the fairy tale in verse made it more dynamic, as the scene has its own laws and it is necessary to preserve the dynamics of the narrative. Fairy tale from this did not suffer at all. A wonderful play of actors, everything is very good.
“ The play leaves a feeling of mild sadness.
“ A wonderful light show. New Year's fairy tale for mood. He left a pleasant "aftertaste". According to the plot - a very delicately described family situation in unreal circumstances. Special thanks to actress Olga Tumaykina-your game in the explanation scene in love moved to tears!
“ Unusual format. Action on the stage at first did not understand, then tried not to lose the thread, and after the performance there was a heavy sediment on my soul. But nevertheless, the performance really liked. Most likely, I would go again to reconsider the lost.
“ Have been with my son for 5 years. I liked it very much. The child looked at the stage with pleasure, experienced, applauded.
“ It is meaningless, boring, chips and director's findings are not completely combined into a single play and therefore are like a mockery and insincerity. A couple of good readings of Pushkin Makovetsky and nothing more. Left with the second act, which happens to me seldom (
“ Went to the play on November 22. Looks in one breath, attention does not weaken for a second, I wonder what further came up with the wonderful director Rimas Tuminas. Everyone knows Pushkin by heart and still everything is new, sometimes ridiculous, sometimes pinching, actors play beautifully. In a word wonderful, thank you!
“ Wonderful actors! I liked the play very much! I recommend.
“ The play was disappointing. There is no involvement, the feeling that the actors are playing for themselves. The text is not adapted to the scene. Humor level sitcoms, it is unclear how you can laugh at this, and how not to love the viewer to insert into a serious thing such a primitive joke. The ending is too metaphorical. One of the worst performances from all that I've seen.
“ Great performance! I could not even imagine that such young, but already quite recognizable by the films, the actors are so beautifully dancing and possess such expressive plasticity. Beautiful costumes that emphasize the figure and "highlight" of each heroine. Masterfully selected music! Brilliant choreography! Such a performance deserves a prize! And ... I want to continue! Only probably, it will already be "Mom and Dad"?!
“ And I liked it, ironically, for sure, not always thin, but with taste. The handwriting of the master is understandable and I think the director caught Lermontov's special concen- tration
“ Terrific! You are beyond praise! Bravo! Bis! Very funny! I advise everyone, get real pleasure!