For correct operation of our site you must enable cookies
Moscow
Saint-Petersburg
Anapa
Geleznodorognyy
Kolpino
Korolev
Krasnodar
Krasnoyarsk
Lobnya
Lubercy
Nigniy Novgorod
Novorossiysk
Novosibirsk
Podol`sk
Pushkino
Ramenskoe
Tver`
Elektrostal`
EN
Вы смотрели
How to get a ticket?
+7 (495) 648-38-38
Contact us
Register

Poster
Stanislavsky Electronic Theater

Feedbacks from viewers
Marina was 10 march on Bacchante

Overall I liked it, although I can not say that I will immediately go to another production. This should be used in a small dosage. Difficult, intrusive, nervous - in a good way. Very hard physically, the actors play, you wonder how they do not fall off the fatigue on the bow. At such performances it is necessary to go to real fans of the theater, people who can "keep a nerve". For those who simply want "a good time to spend" it is better to look for an alternative.

Sergey was 15 january on Anna in the Tropics

Suddenly it turned out to be a very pleasant statement. The actors were able to create the right atmosphere. Despite the very complex scene, the performance turned out to be dynamic and exciting.

Filipp was 30 october on Bernard's House of Alba

Women, ah, these women! With difficulty I was led to this performance by my woman. Along the way, she told me a lot about this play and that the production of director Alisa Seletskaya will definitely be aimed at women! So, Women, this performance is very masculine! Incredible impression, amazing! Now I understand women much better!

Mariya was 30 october on Bernard's House of Alba

I really liked the combination of a serious female theme about power, love, morality and humor, some kind of ease. Another zombie - it was very funny))))))))))) Diana Rakhimova - incredible! Lyudmila Rozanova - powerful! Anya Dubova is a genius! All the girls are good! I finally understood what is called an ensemble) Director - bravo, collected some unreal team!

Oksana was 25 jule on Blue bird. Travel.

I liked the play, a wonderful play of actors. Be sure to go to the continuation in the new season.

Show
Weekends
Only for children
Only adults
Location:
Moskva, Tverskaya ul., 23/3
Duration:
02 h 15 min
close

Idiotology

Idiotology, the doctrine of the idiotic foundations of the soul.

According to Fyodor Dostoyevsky's novel The Idiot.

Author of the staging and director: Klim Kozinsky

Scenography and costumes: Anastasia Nefyodova

Lighting Designer: Alexey Kovalchuk

Composer: Denis Horov

Choreographer: Asya Andrianova

At the heart of Klim Kozinsky's debut performance is a composition of two texts: Fyodor Dostoyevsky's novel The Idiot and the philosophical work of the predecessor of classical German philosophy, Gottfried Leibniz, Monadology (1714). In his treatise Leibniz forms a model of the ideal world, in the center of which is the soul or its simpler form - the monad. Comprehending this world with the help of reason, the soul develops and gradually goes back to its Creator. But no philosophical dogma can capture the world with the help of its ideas: trying to master life, it destroys it. The soul can not fulfill its dream of life, but it can not abandon the ideal knowledge about it. The clash of ideas and reality creates a war that covers the whole world. Prince Myshkin is fascinated by the idea of ​​uniting two worlds: the world of divine law and the earthly world. It is difficult to say whether the prince is the bearer of the gift of genius or is it a disease, the blindness of the soul, "idiocy." Prince Myshkin makes an attempt to change the nature of things, to awaken the soul's remembrance of his divine principles, but not from the temple (after all, he is not a priest, he is a secular man), but from within life itself, thereby disrupting the natural course of things. The world around him begins to crumble. The text of Leibniz in the play does not directly sound, but is woven into the musical structure of the play, as a theme. So on top of one pattern - the plot twists and turns of Dostoevsky's novel - another one, from the world of philosophical ideas and shifters. The Bible, which is in the hands of Aglaya Epanchina, is a simple phone book. Symbolically, the journey of the soul, from the dark, "sunset" state passing into the aniline agiotage and, finally, to an even state, is reflected by the monochrome, referring to René Magritte's painting, scenography. Cast: Asya Andrianova, z.a. Russia Oleg Bazhanov, Denis Burgazliev (Anton Chekhov Moscow Art Theater), Anna Daukaeva, Pavel Kravets, Elena Morozova, Yevgeny Samarin, Alena Shutova.

Tickets

Buy List 17 december tue 19:00

tickets for other dates

Buy List 18 december wed 19:00

Invite friends

October
About my mom and me
Purchased earlier: 50
from 1100 rubles
Chehovshina
Purchased earlier: 16
from 1500 rubles
November
 Mamochka
Purchased earlier: 41
from 1100 rubles
 Mamochka
Purchased earlier: 41
from 1100 rubles
Son v letnuu noch`
Purchased earlier: 29
from 1100 rubles
Cat on a Hot Roof
Purchased earlier: 73
from 1100 rubles
Cat on a Hot Roof
Purchased earlier: 73
from 1100 rubles
Talents and fans
Purchased earlier: 32
from 1100 rubles
Talents and fans
Purchased earlier: 32
from 1100 rubles
December
Maids of Sunset Boulevard
Purchased earlier: 103
from 1100 rubles
Maids of Sunset Boulevard
Purchased earlier: 103
from 1100 rubles
Ne vse kotu maslenica
Purchased earlier: 3
from 1100 rubles
Idiotology
Purchased earlier: 134
from 1100 rubles