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Premiere of choreographer Yekaterina Kislova and director Vladimir Pankov.
The events of the cult novel by Horace McCoy “They Shoot the Horses, Don't They?”, Written in 1935, are set in America during the Great Depression. The global economic crisis has plunged people into critically difficult circumstances, so dance marathons have become one of the types of income. These competitions were real endurance tests, they could last not only a few days, but also several weeks. In the struggle for the money prize, the brave participants sacrificed their health, and sometimes their lives, for the needs of the public.
Marathons were the forerunners of the reality genre, as they blurred the line between game and reality. The vivid image of human life as a continuous show is even more relevant today.
The performance by Ekaterina Kislova and Vladimir Pankov is a synthesis of choreographic and dramatic theater, in which the language of contemporary dance will be mastered by the actors of the Central House of Theaters. Music from the artists of the SounDrama studio and the Central House of Artist will become an independent participant in the action, revealing the deep meaning of the story that goes beyond exclusively social problems. The leading role in the production belongs to the choreographer-director, who filled the performance in the soundrama genre with new expressive means.
Ekaterina Kislova: “Working on the material of Horace McCoy's novel was not easy. The main character declares: \"You don't have to be able to dance, just move.\" This implies a different choreography: from an everyday gesture to a detailed dance phrase. The story itself is not easy either, although in the play, I hope, we will tell it optimistically. It is the image of a horse that is important for me - it is an image of strength, overcoming, moving forward in spite of any circumstances.
Vladimir Pankov: “The central image of horses given by the author in the title is very close to the acting profession, in which everyone is ready for anything for the sake of a dream. At the same time, the events of this story take place in America of the 30s - for us this is a chance to play with stylization that opens up many possibilities. The musical element of this performance is free jazz and country, reworked in the author's solution by SounDram. \"
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Children's play on the book of the Dutch writer.
\"Bird\" - a fairy tale about a little girl with wings instead of hands. Parents who have found a baby in the forest try to raise her as an ordinary child, to hide her peculiarities from those around her. However, the nature of Birds is stronger, and one day it flies away from her family. Mom and Dad, hotly loved by a unique daughter, go in search of her.
The creators of the play by Joke van Leeuwen “Pip!” Ask the viewer a difficult question: what is a child to be different? And show the brightest answer to it. On the stage, the magical nature of the Bird will be embodied in the image of a beautiful doll, which will be controlled by all the heroes of the story, and the musical and dramatic action in the soundtrack will be performed by graduates of the CDR laboratory “Acoustic Reading”.
Taisiya Kanygina - director, actress. Graduated from the RATI-GITIS, pop faculty, workshop VB Garkalina, 2014. He works at the junction of dramatic and musical art, is the author of the musical show “The Soundtrack of a Big City”, as well as the director of children's performances: “Chuchuber and the City of Lost Things”, “Tales of Coms”. Since 2018, the director of the film project # STIKHOZ. Participant in the laboratory of the Central Acoustic Reading Center 2019.
Joke Van Leuven - writer, illustrator. Repeatedly received various literary awards, including the Golden Owl, was also nominated for the Anderson Award. According to the book “Pip!” A feature film was shot that was included in the program of the 2010 Berlin International Film Festival. The writer's works are translated into English, French, German, Danish and other languages.
Posted by: Joke Van Leuven
Director: Taisiya Kanygina
Composer: Lev Turner
Production Designer: Ekaterina Vitkovskaya
Doll artist: Viktor Platonov
Choreographer: Ekaterina Kislova
Performers and musicians: Danila Rassomakhin, Victor Sapelkin, Rita Kron, Ekaterina Krivko, Ivan Derendyaev, Margarita Melnikova.
Duration: 1 hour without intermission
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The playing man - the Magic World and the Divine Environment \"
project
\"LONE VOICE OF A MAN\"
\"SERVING THE WORD - RUSSIAN LOGOS\"
AIGI \"FIELDS ENTER THE DOOR\"
Human Life
there is a gift
and superhuman Will
endowing with Meaning
everything around
and the more
of this Man-made Meaning
contrary to the seeming
obvious pointlessness
meaninglessness
the occasional celebration
all around a person
the life of a person
more similar
on Human Life
as if creating it
The Creator said to the created
in your likeness
for forms that are not like him
in the process of creation
were exhausted
fantasy has run dry
creativity ended
it always happens
when all forms
when fantasy
runs dry
creative
being in this Void
does the same to himself
equal to myself
against my will
besides any idea
he does
because it cannot stop
can't help but do
but there is nothing more to say
all
nothing more to say
did did
so
so
and so
and everything is there
but something important is missing
and then
against my will
the creator does so let's say P.S.
After all
outside
behind the point
behind a thought
behind the plan
nothing to say
hands yourself
there is such a technique
cures
from madness
insane
give a piece of clay
and they say lepi
create your self-portrait
this is what Rembrandt did
unable to stop
for the Great Cold
and the Great Nether must have a Meaning
perhaps the Creator kept saying
on this Last Day of Creation
head was empty
arms
about
this Last Day of Creation
possibly
He
Who Created It All
asked myself
why is he all this
what was primary about it
Think
or circumstances
Spirit
or Soul
no no
no nuances
he told himself what comes first
Spirit or Soul
Think
or Circumstances
a Circumstances
are they effect or cause
Thought Reason
or Reason Thought
oh great despair of the Lord
wanted to talk to someone
hands did it yourself
head was empty
as if afraid
of this Great Cold Void
The Lord spoke all the time
with whom
with myself
with clay
they say he did so much
and there is no one to talk to
alone
unbearably lonely
since responsibility
and pride of design
were lost
then what happened
was a consequence
attempts to cure
who picked himself up
inhaled
this air
Loneliness of the Creator
after all
why am i all this
who needs it all
well beautiful
but is it
created created
what for
and there is no one to talk to
possibly clay
bewildered
answered
or rather the Creator
answered myself
here you go
you created
all this
what is it
all this
somehow need to put things in order
name something
and answered himself
well name
well add
to one myriad
other
names
So what
so talking to myself
not really paying attention
what hands are doing
never finished
Lord fell asleep
fell so to speak
from fatigue
fruitless dialogue
With myself
face in clay
there was a Voice in the dream
who called himself Logos
so name it
so decide
what comes first
Think
or Circumstances
Spirit
or Soul
only without nuances
answer yourself the Creator
what comes first
Spirit or Soul
Think
or Circumstances
and Circumstances
are they effect or cause
Thought Reason
or Reason Thought
unfinished
cried all night
like a child
next to a sleeping mother
roamed this Created
maybe sometimes
something scared him
or surprised
and Child
woke up
or rather tried
to wake
who made it his mother-father
muttering something in a dream
in general, there are days
there are times
when \"FIELDS
ENTER THE DOOR \"
our houses
because “was
my father
like white gingerbread
white shone good \"
\"and now
there is no
nobody \"
there are times like this
but you have to live
means in spite of everything
fill everything with Meaning
Higher Sense
for outside of this filling with Meaning
Higher Sense
There is no man
he is a human
desperate
out of despair
as a post scriptum
after all
as an afterword
and should
calm down
sleeping under the tree
Knowledge
Creator
crying bitterly in a dream
asking the eternal childish question
what for
A man must
turning words of likeness
in Images
proving to the desperate Creator
that everything is not in vain
that this is all that He is
did well
for created
he is a human
like a face print
as Image
and must generate the Image
which means to fill
everything around you with the meaning
in spite of everything
otherwise
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Author: Martin McDonagh
Director: Vladimir Pankov
Performers: Alexander Bortich, Yana Chekina, Pavel Akimkin, Alexei Gusarov, Andrei Zaviuk, Alexander Zanin, Alexey Lysenko, Viktor Maminov, Sergei Rodyukov, Vladimir Smirnov, Grigory Spiridonov
The artistic director of the \"Center for Dramaturgy and Directing\" Theater Vladimir Pankov continues the line of development of modern drama laid by the founder of the theater Alexei Kazantsev. The principal solution on this path is the appeal to contemporary foreign drama. For this, one of the last plays of Martin McDonagh's \"One-armed from Spokane\", written in 2010, was chosen.
Vladimir Pankov: \"This is a youth story, in which it became interesting for us to study the style of foreign black humor and transfer it to the domestic scene. See how this style will sound in the language of SounDrama, which this time will be based on a combination of Irish folklore and church African-American music. \"
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“ He is alive and glows. I perceive performances as different substances. Quite often as drinks. After one, the soul is cheerful and tickles in the nose, like champagne. From the other, the head becomes heavy, since the bust with the strength, breathes with the consistency of an oak barrel. The third, like a petrol puddle: entertaining drawings that can be looked at with interest, but cannot be consumed inside. Here is the VGIK graduation performance “Timur and his team. Stories about that "based on the story of Arkady Gaidar, for me I felt fresh water from a pump on a sultry summer evening. With water, which you wash off the dust adhering to your face and, folding your hands in a ladle, you try to get drunk. You take one, two, three sips, and the thirst seems to slowly recede. But you drink everything because the water is so delicious! I am very glad that I saw this miracle. I would like to invite all my friends and friends of friends. How well the guys conveyed the atmosphere of that almost calm pre-war summer. And then the story began, or rather stories. The story of how Zhenya and Olya were going to the dacha. The story of how Olya came to the dacha, and Zhenya stayed in the city to finish household chores and send a telegram to dad. The story of how Zhenya did not send a telegram in the city, but tried to find a post office in the village. And there are many, many different stories that fill the entire space of the performance with bright pictures. Gaidar talked about the boys and girls who lived in his time. It is possible that he came up with a lot, but his dreams became a reference point for young people. I would like the current younger generation to have similar examples to follow. The performance is both nostalgia for those ingenuous times and a compass showing the correct direction of movement. Such performances cannot be lost. Great takeoff. I would like to wish you a long flight.
“ For the first time, we visited the theater of the Central Department of the Arts, on the recommendation of a friend chose the play “Old House”. The performance left a complex impression. On the one hand, the brilliant Elena Yakovleva, the wonderful game of all the actors without exception, live music that accompanies the entire performance, an interesting solution to the stage space, the simultaneous presence of heroes on the stage at different ages. From what was not pleasant: the performance was too delayed, often the music did not allow to hear the speech of the actors at the other end of the scene. For some reason, they did not feel shrill nostalgia for a bygone youth, for old Moscow. I thought about the movie "Pokrovskie Gate". A play by L. Zorin "The Pokrovskie Gates" on the same topic as the "Old House", but the impression is different, there is no sense of hopelessness from the clumsy fates of the residents of the communal "Old House"
“ Very strong non-classical performance, where there is no logic at all, but it is very fascinating. I advise those who want to "change their clothes" to recharge
“ I liked the performance. I and my daughter (10 years old) were delighted. About unconditional love, about loneliness, about true friendship and how insignificant words for adults can hurt the soul of children. In short, the play is about everything that may worry teenagers. The feed is awesome. The children sat holding their breath. The optimal age for viewing 10+
“ A beautiful, very lyrical musical performance. Bravo to the director!
“ The duration of this event is not an hour as stated, we left at the interval after the start has already passed 1:40, so that in total it takes about 3 hours. I absolutely did not like Mandelstam's verses trying to sing, with almost one motive. And it's even hard to call a song, continuous howls, at times words were not even intelligible. In my subjective opinion this is a disgusting sight and it is not worth the time spent on it.