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Таланты и поклонники

Таланты и поклонники16+

Purchased earlier: 6672
Location:
121069, Москва, Никитская Б. ул., 19/13
Duration:
03 h 15 min
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Story

Genre: Comedy
Author of the work: Alexander Ostrovsky
Production: Mindaugas Karbauskis
Space: Sergey Barkhin
Costumes: Natalia Voynova
Light: Sergey Skornetsky
Music: Giedrius Puskunigis
Cast: Irina Pegova, Polina Lazareva, Svetlana Nemoliaeva, Igor Kostolevsky, Vitaly Grebennikov, Mikhail Filippov, Anatoly Lobotsky, Daniil Spivakovsky, Pavel Parkhomenko, Anna Ardova, Igor Kashintsev, Alexander Shavrin, Sergei Rubeko, Rasmi Dzhabrailov, Igor Marychev, Konstantin Konstantinov , Maxim Glebov.

To put on the play after one of its productions, even in the very far 70th year, already had considerable success, it is not a simple matter, the risk of encountering endless comparisons is too great. On the other hand, to put already what was delivered, so that any comparison drowned in the admiration of the audience - it's courage, skill and undeniable talent. And after all, the talent did not fail, the production was not just a success, it literally "shot" declaring the beginning of a whole new era that began in the Mayakovsky Theater with the arrival of the Artistic Director Mindaugas Karbauskis.
But what is so attractive about his version of what happened? It can be an interpretation of the character of the main character, which is not so much a victim! She rushes, hurries, hurries, whirling in a whirlwind of passions and events to her finale or success. Twisted like a worn plate black circle, counting her run, and can only emphasizes the inexorable desire for time to denouement. Shelestit, creaking tinny "well": then in the apartment Sasha Negina turns, from which she wants to break away, at least somewhere, it becomes a resonating space for spiritual confessions of love for Melpomene. And everyone, each and every hero without exception has his own "swan song", which should sound before you drop down on the same "tinny" but with a window curtain, and all you need is just to spin a circle, get your "record ". Sasha managed this with ease, waved an elegant leg, and everything twisted, only how to get into this rapid run of her "dream" to others, because they drag their lives with effort. And in the same way the talented young person responds to the changeable theatrical world, circling, beckoning ....
And why should I guess how to end this whirlwind? It is better to get comfortable in a comfortable chair and see everything yourself.
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Review

Her talent is to drive men mad.

Of course, not the only one. A great actress. A real diamond on the stage.

But will it also be able to brightly shine, faced with mean people?

How interesting to look at the people of the theater outside the scene! They take off their masks and show their faces. Or do they always play like on stage?

It's hard to figure out where the joy is, but where the mountain is, where the theatrical passions are, and where the real ones are.

Young, talented, but inexperienced actress hopes for a successful career in the theater.

It's not good enough to be an actress to play well on stage. The theatrical world dictates its rules - one must be more supportive of some members of society, a little more compliant, then there will be major roles. An actor, after all, is a public profession?

The girl did not see any other way than to go to the keepers. She left to conquer the capital. Well, she is not the first, not the last.

Talent can be profitable to sell.

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FeedBacks

Ol`ga was 20 december

Were at the play last year. The performance did not like, they left after the first branch. Nemoliaeva, Spivakovsky, Ardov played well! And all in all, somehow it was not interesting.

Lubov` was 27 january

A magnificent performance. I liked it very much. The actors played great.

Glasova Ol`ga Ur`evna was 24 february

What do people need after the holidays? Quiet weekdays to recover? But no, you need to go to the theater to give the body food is not physical, but spiritual! I've never been to the Mayakovsky Theater before. Many times I went by, but I always thought that it was a classical repertoire, which for some reason I did not want to watch. But the classic - it is for this and the classic, that is eternal. And you can put it quite differently, so that you will look with great pleasure that you will think that you will understand that the problems are now as relevant. In general, it was necessary to grow, mature, which happened to me. And on February 24, after celebrating a fair holiday, I went to the pleasant company of the same lovers Melpomene after work, went to the play "Talents and admirers" based on Ostrovsky's play. Of course, I looked at the cast of actors - very impressive, and I thought that if not the story, then the game of famous and famous I just have to taste. You know, everything came together: the production of Mindaugas Karbauskis, the game of almost all the actors, and the action itself attracted and made you think, laugh and think again. No words, Nemoliaeva is beautiful (I love her very much after the play "Maria Stewart", where she phenomenally played the part of Elizabeth). Her granddaughter Polina played the main female role, played well. Here Kostolevsky, in my opinion, was a little inorganic. No, he just be a prince, an amateur actress, but his aristocratic appearance somehow did not tally with the stupidity of his actions. But the actors of the second plan were shocked by me: Ardova's excellent, bright work as an actress Smel'skaya, a remarkable Sergei Rubeko in the role of a ruined theatricalman, a man serving in a theater performed by Maxim Glebov is generally a man orchestra, he played all at once, right up to Cook. But most of all I remember the eternally half-drunk and comic tragedian Erast Gromilov performed by Rasmi Dzhabrailov. I generally discovered for myself this actor - he did not play, that's exactly how he lived, his exclamation "Where's my Vasya?" Became the chorus of my next days. I think that this phrase will become my common name. Vasya is such a young merchant who was always ready to pour and make the company "a great tragedian" Two words I want to say about the stage decision. Often there are turning scenes, when the scenery is changed, unfolding the reverse side. But then the turn of the scene itself was included in the action, and, moreover, gave it its meaning. Actors themselves shake and unwind the scene depending on their roles: easily, with one foot of Alexander Negin (Polina Lazareva), because her life is still light and beautiful, with strain and titanic work, a theater worker, etc. A very speaking accent turned out. 3.5 hours of performance did not seem long and heavy at all. I really liked it, really. And if someone has a case - be sure to go - do not regret it! I myself became a fan of some new talents for myself!

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