"You can laugh with everyone." Classics are something that everyone knows, but no one is reading.
Everyone remembers something about the comedy "Woe from Wit" from the school program. And it is relevant, more than ever! Every word hits not in the eyebrow, but in the eye.
"Where, tell us, Fatherland fathers, whom we should take for samples?"
This performance is similar to a black and white comic book in a three-dimensional version. A young nobleman goes to Moscow, then dances at a ball, there meets his beloved woman.
The passions are raging! The young man was somewhere long lost, the girl missed him without him, and found herself another. Not the only pebble on the beach!
He reproaches all his acquaintances and relatives with stupidity, hypocrisy and other vices. And they declare it crazy. Was he really hoping for a different attitude?
Merry couplets, songs, duets and dances are a real musical, cheerful and cocky.
It seems that Griboyedov wrote his immortal comedy these days.
"The houses are new, but prejudices are old. Rejoice, they will not destroy their years, nor fashion, nor fires. "
He waited a long fifteen years. Once he was good-natured, young and naive. It would seem that he should not have had enemies. But the judge put his eye on his wife - and the young barber for nothing was sent to serve life penal servitude.
He escaped from penal servitude, he returned to London fifteen years later. He wants to take revenge on the judge - but the path to revenge is long. And now every counter, any casually wandering client becomes an enemy ...
He forgot what it felt like, long forgotten how to forgive.
How will this horrible story of despair and hatred end?
What makes us human? The ability to think? Compassionate? Speak?
And maybe we are made people understand?
A difficult question, hard, which is not easy to answer in a state of peace of mind. And when it is broken ... the answer seems completely inaccessible.
It is about the lack of "understanding" and was told in a new, highly controversial play.
It seems that the situation is simple and clear to everyone, especially in our time - a teenager in search of himself turned the wrong way.
Only, trying to try on the role of his parents - anyone could cross himself and say "chur me."
And the truth is, why look for a solution to the problem, if you can just dream that she will never look at the light?
And if you look in? Here's to the heroes of the play - looked. And what did they do? Have led the unique child on psychics, and then and at all have taken in hospital on treatment.
But is it all amenable to medical treatment, or are there things that can not be cured by any medicines? And help in such situations can only the same, the notorious ability to hear and understand?
The beginning of the twentieth century. In theatrical studio the play of the unknown author "Venetian" is rehearsed. Not a modern one, but an old play written in the sixteenth century.
The aesthetics of the Art Nouveau era, which broke into art in the twentieth century, must somehow get along with a story told at a different time and place. How to combine what seems incompatible? ..
So they looked for new theatrical principles, so they developed innovative moves and techniques, so they came up with a new stage language for the theater's coryphaeus, which is dedicated to this performance: Vsevolod Meyerhold, Kazimir Malevich, Konstantin Melnikov, Roman Viktyuk.
The troupe rehearses. Creative people argue about the principles of theater. New and old interact, giving birth to unexpected director's moves and combinations. What kind of play will come out as a result? Unknown. So far they are probing the soil, preparing. Looking for among the flooded avant-garde means and opportunities to say and express their own. And be sure to find.
Love can begin with tenderness, with affable looks, or maybe with opposition.
A noisy woman came to the resort. He sings songs, you see, prevents others from resting. And what if she and after sixty temperaments - even more than enough?
Who pacifies her, restless? Of course, the head doctor. That's the problem he fell!
They will argue, quarrel a little, they will talk, and there, you see, two lonely souls and find common ground ...
Inimitable madness as a response to the frenzy of the world around us.
The mono performance is perhaps one of the most complex forms of theatrical art. And what, try to keep the hall in suspense alone, and play so that the spirit captures. To want to shout: "I believe! Unconditionally I believe! "It is difficult, difficult, almost impossible.
Only not in the format of Peter Fomenko's Workshop. Here, not only do you believe in what is happening in a small komorka, but also with pleasure you immerse yourself in this whirlwind from monologues, reasonings, gradually go crazy with the main character.
And how! He was only a titular councilor! But dreams come true! Dreams! That's the uniform of the rank higher to him to face more, but the one that is, is completely worn out, it is necessary to wrap it in when it's cold. The wigs are all out of whack, although some of the questions are "answered", supplementing the picture of a crazy and unjust world.
Is not the world crazy? If he does not see that the daughter general's weakness for him has a soul, to him - just a titular counselor. Here, too, the scrofulous scarf dropped to the feet, the sign gave. And this longing in the breast of the sim gave birth, which is just what is being done - this is how it dreams. But why laughter around? Can not you fall in love with him? It is possible, of course, only it is unlikely that there will be a general's daughter ...
But he knows for sure! Or is he just mad !?
White ... Reds ...
Everyone is running somewhere, and sometimes it is not clear who took the area: whether the White Guards, the Bolsheviks ...
People, souls, ghosts are all on the run. Someone is trying to escape from danger, someone is attacking, some are pursuing their goal, but many are running like that.
Unstoppable, terrible run of civil war. Here people are like cockroaches: they are fussing, rushing, fleeing with fear. Maybe that's why local entertainment is so popular - cockroach runs. You can put a cockroach on another, see how it will run, overtaking all, mustachioed hero.
In the years of turmoil and crushing work and thinking is impossible, there is only one way to escape boredom, anguish and fear - running.
Nabokov is not only an ingenious writer, but also an unbeatable reader. He knew how to read Tolstoy's novels like nobody else, to peer at his characters. Did Nabokov see what we are?
A little dash behind the line, the author of the twentieth century, the facet of the twentieth century, delves into a multifaceted and filigree novel of the nineteenth century.
There are two love stories, the main of which is the novel of Anna and Vronsky. Yes, her, Anna Karenina. She is a kind of ideal woman, a nature subtly feeling and passionate.
How does the plot moves, unexpected turns of events and life collisions that led to the tragic finale, Nabokov? Do you agree with him?
You can love at least from afar? On distance…
Birds' grumbling, the rustle of trees, love, hate, disappointment ... Everything united in one breath, in rhymed lines of the poet.
Break through the pages with poems and see a living person. What he was thinking about, dreamed of what kind of women he loved.
Women loved a lot of people. Nobody knows how to love like a bully. He changed them like gloves. More precisely as mittens. Dumped one, two, three. Not every Ryazan has such a Don Juan.
And he loved to drink. But not more than women. Let him slurp the bitter, but he remained a free man.
A great brawler. A great mystery. Always walked along the edge. His farewell song hits right into the heart.
All life is hot metal. Lonely soul. So wide and so superfluous.
And such a different ... Rashabisty reveler, a village shepherd or a rebel. Creator, artist, genius ...
He left without saying goodbye. Suddenly and painfully.
If we burn, it's too hot to burn ...
God grant that our calves and wolves can understand.
Who will have the wealth of a rich widow? And Kupavina is also beautiful, but painfully naive.
Pomeschitsa Murzavetskaya, imperious "the girl of 60 years", very much it would be desirable to deceive the young widow! She and the bill is ready to forge, and gossip dissolves, that the late husband Kupavina took from her a lot of money.
In the course are any means, vicious and dishonest. His nephew, drunkard and slacker of Apollo, treacherous Meropia Davydovna dreams of urgently marrying a wealthy widow.
And Kupavina so dreams of love, tenderness, care!
In financial affairs, Kupavina is quite inexperienced. She lets herself be shamelessly deceived by brazen crooks. They cheat with her promissory notes. These sutras can ruin anyone.
But the widow's clever neighbor is ready to deal quickly with the mean scammers. He will find a council for them.
Would the widow agree to marry him?
"Do people live all around us? Wolves and sheep." Wolves eat sheep, and sheep humbly allow themselves to eat. "
The past life broke, history turned around, and all who lost their comfort, there was only one thing: to flee. Associate Professor of the Department of Philosophy, the wife of a once important and influential person, Archbishop, officers - here all were equal. Their destinies are stirred up by the events of the beginning of the twentieth century. They are exiles, fleeing from their past to meet the future. What will be the alarming tomorrow - hopeful or gloomy-threatening?
The large-scale run was described in his bold play by M. Bulgakov, and the director Maria Fedosova embodied it in scenes-dreams. Does the heroes dream of what is happening? Or is it all in real life?
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