Yesterday were on viewing this performance. In the big hall of the theater was the first time. Before the performance, I read reviews both about the theater itself and about the performance. As always happens, you see not exactly what you expect. There were a lot of complaints about the chairs, but it was convenient for me. Seats were in the stalls 7 row. Yes, harshly. But, for me the main thing is that it is wide enough between rows. Now about the play. Modern staging. Nice to watch, the game is good actors. Liked everything. I want to mention Igor Gordin. Sergey Chonishvili could not play badly. Like this actor. In the assessment she said it would be good. I expected a little more from the theater and the production. Thank you!
I really like poetic evenings, I listen with great pleasure to both Pushkin and Brodsky, and modern poets. But the concert “The Magic of Music, the Magic of the Word” exceeded all my expectations. There were many poems that I either did not hear, or very rarely come across the Internet. I was amazed by the team of Alexey Aigi - the ensemble “4:33”, especially the solo parts of the cello and trumpet. I have never seen such an emotional game on the Conservatory scene. The final of the first part of the concert just won. I am very sorry that I did not buy the program, I can not imagine how to find what they were playing. The music was an excellent accompaniment to the verses sounding from the stage - both what was played in separate pieces and what sounded like a photon to the verses. The organ followed by Konstantin Volostnov sounded great too. Poems sounded from the scene different - from the lyrics to the passion. The actors are different in character - open and cheerful Yevgeny Strakhov, caustic and caustic Sergey Chonishvili and severe and strict Sergey Shnyrev. Yevgeny Strakhov performed poems by Boris Ryzhy, Alexander Kushner, Gennady Shpalikov. Very soft verses were chosen for the program. Sergey Shnyrev read poems of Joseph Brodsky, Bakhyt Kenzheev, Vladimir Gandelsman. The familiar lines of Brodsky sounded new. The brightest impression of the evening is the voice of Sergey Chonishvili, his manner of reading. And his dancers on the musical inserts - it was so soulful. But the choice of poems is the most provocative, especially “The Effect of Eroticism on Organisms”. In general, it was a wonderful evening, for me it is a great pleasure to plunge into the magical world of poetry and music.
BALLET, WHEN YOU WANT MORE MORE Delight, admire the beauty and elegance of the dance, its design, performance, like admiring a porcelain figurine or elegantly carved cameo. You are not only waiting for the magic, plunging into what is happening, when you don’t select patterns and details, are absorbed in his emotions, phrases, breathe and hear the dance without experiencing language barriers. At such moments, the libretto is not necessary, as you understand and speak in one language, the language of image and emotion. Coming to the Russian ballet, whether modern, classical, filled with expectations of beauty and perfection. Russian ballet, as well as Russian, is poetic, melodic and perfect. Like the Russian language, Russian ballet has such a magnificence of means of expression and description of images that no other language in the world has. As in Russian, in Russian ballet, changing sometimes “insignificant” signs, phrases acquire different meanings. See the music. Hear the breath of dance. Revel in poetics. Expectations of magic. I waited for this and enjoyed it on a succession of one-act ballets, built on the evening of modern ballets “The Architecture of Sound” of the “Ballet Moscow” Theater. A pleasant surprise was the intermission, which made it possible to comprehend what was seen in the first part with a cigarette and switch from the former to the future. I admire the skill and courage of the production team. Sometimes poised peaks seem to be unattainable, to which the director's vision should be lifted. People, their feelings and emotions, being an instrument for expressing the director's idea, are not always permanent, disrupting the artistic intent and reducing the fruits of painstaking work to nothing ... The first interlude that reminded gymnastic exercises didn’t fall in love with itself. You should not rely on modern dance, the rhythm and sequence of movements is not yet a dance, but only a drawing, maybe just a sketch of an image ... But then, according to the laws of drama, it became all addictive and fascinating. Music, detached from images, became a continuation of the movement. Not forming the beginning of the dance, but its reflection. Continuing the bends of the hips and plexus hands. Forming a special language, its melody, its sound. Sometimes you think about erotica, what should it be, how to express it? How to be reflected in the dance, not going to symbolism or gender monotony? How should express feelings penetrated by eroticism? Stage eroticism, which is formed not by tight-fitting costumes and muscular bodies, not by hints and movements, but by choreographic images. One global picture, consisting of plastics of many bodies and large emotional images. Kirill Radev bowed to classical ballet, synthetically weaving into it the irregularity of his vision. Lighting solutions that enhance the perception of the drawn images, created by artists Luis Perdigero and Rebecca Vicente Arnaldos. Slawna Martinovic, costume designer, succinctly added the finishing touches to this magnificence.
Schoolgirls of the seventies of the last century are eager to spend an unforgettable New Year's Eve evening with the delightful Svetlana Kryuchkova visiting the esteemed Eldar !!! For complete happiness, there are not enough three e-tickets for the Svetlana Kryuchkova Creative Evening, which will be held on December 25, 2018 in the Eldar Cinema Club
Music of M.P. Mussorgsky decorates this kind of fairy tale, in which both the spectators take a little part, and the actors play to the glory, and without the dolls, of course, it did not: the Bear - well, is not it cute? But Masha - what a lovely little girl, just a doll with fervent pigtails and blue eyes!
But the girl Mashenka only seems fragile and naive: she is a smart Bear, and managed to show his character at his guest. And hands (that is, of course, paws!) To clean the toe thanks to Masha will learn, and find out what it is like to keep a word. A little Bear will become human - and on health, it will be useful to him!
The girl at the Bear will wait, and then she will want to return home. How can she persuade a hairy man to bring her to his relatives? ..
The woman Dog tamed, lured him with a sweet bone, now the Dog will sit on a leash and guard the dwelling, now he - along with the Man, lives in his family. Now he is home.
The woman has tamed the cow: the cow was tempted by a succulent grass, fragrant hay, has agreed to stand in a stall, to give to the person milk, to be - a domestic cow.
I tamed the Horse, now the Horse serves the man, there was also the horse once-wild, but became-home.
And Cat? It would be useful to tame a cat, she would catch mice and cradle a child, rumble and mourn, sing songs to him ... Yes, only how will you tame it, masterful? She walks by herself ...
He waited a long fifteen years. Once he was good-natured, young and naive. It would seem that he should not have had enemies. But the judge put his eye on his wife - and the young barber for nothing was sent to serve life penal servitude.
He escaped from penal servitude, he returned to London fifteen years later. He wants to take revenge on the judge - but the path to revenge is long. And now every counter, any casually wandering client becomes an enemy ...
He forgot what it felt like, long forgotten how to forgive.
How will this horrible story of despair and hatred end?
The most romantic love stories have occurred with unusual couples: a beauty and a monster, a prince and a princess-frog ...
In the town on the beach there are rumors of a strange young man.
He can live under water, but pretends to be an ordinary man on land. What if he takes someone to the sea?
In fact, this "monster" is simply in love. Nobody needs him, except for a single one. A sweet and humble daughter of a fisherman stole the heart of an amphibian man.
But evil people never see the "monster" of the unfortunate youth ...
It was not easy at all for the fate of the boy, whom the brave doctor, who transplanted the shark's gills, saved from certain death. Should he swim in the deep sea or live on the earth?
A touching story about two lovers who will be together in spite of all difficulties.
In Moscow, there are places that can be called "Bulgakov": here the writer lived and worked, funny stories happened to him there. But especially the interests of those locations, which placed the author of the heroes of the novel "The Master and Margarita."
In places that played an important role in the life of Mikhail Bulgakov, and in those places that are noted in the novel, the guests of the excursion will be lucky with the retro tram "302-BIS". If you dive into the past, if you dive headlong into the world of the Bulgakov novel, then only on such a tram - stylish, beautiful. Such a tram - like an echo of the past times, missed several decades, which passed unnoticed.
But Moscow, undoubtedly, has changed. What did Bulgakov's contemporaries and the author of the "Master and Margarita" see? ..
"We all look at the Napoleons; Bipedal creatures millions. For us, the tool is one; We feel wild and funny. "
Everyone would like to play a game of chess with the great emperor.
But be careful! Any battle with the Corsican monster becomes bloody. And he is not used to losing his battles.
Even in exile, on the island of Elba, Napoleon does not lose hope of returning to Paris.
But his surroundings should hamper his plans. Really no one will support the emperor, even his lover?
Seductive Polish girl leads her secret game. The beautiful Countess first of all thinks of her son, and then of her lover. But is it capable of betrayal?
Enemies want to poison the emperor. He is aware of their insidious plans and he himself is on the attack. Let them try to put him mate!
If you want peace, prepare for war.
Tartuffe, this pretended saint and hypocritical deceiver, managed to get into the confidence of Orgon, a respectable citizen who believes Tartuffe as his own son, and indulges everything.
And Tartuffe really suits Orgon in his sons: he is still very young. How not to heat this?
Yes, and Tartuf liked the wife of Orgon because he was young, handsome and knows how to lend himself favorably. Is it possible that Tartuffe will not be ashamed, and will it come to the point that a young man turns an affair with his benefactor's wife?
So, believe after that to those young people, that in appearance are exemplary virtuous!
An unusual story of an ordinary family.
Children have long grown up and fled from the parent's nest. What can collect all family members in their home? Mysterious disappearance of the father!
Three daughters and three of their beloved come to the aid of the mother to find the head of the family - a teacher and part-time poet. He is an elderly alcoholic, very well-read and educated.
Once he gave his beloved wife a collection of poems, she told him - three children.
But in search of their father they find a heap of family secrets, a tangle of mutual claims and grievances.
Close-up shows the love of loved ones. But not simple, warm, warming the soul. A special love of cultural and educated people. Love with a touch of snobbery.
It turns out that there can be too much love. Now they understand why they bought houses at a distance from each other. Just to not suffocate from this mutual feeling.
They say "I love you", read "you have to love me", the phrase "I missed you" means "you owe me for my love."
It's amazing how much interesting things can be hidden behind other people's doors.
Do you think that you know yourself and have completely taken place in your life? Try to spend a week with all members of your family.
Oliver Sachs was a neuropsychologist and worked all his life with people suffering from various disorders and abnormalities: who stopped feeling his body, who curses and twitches without end, and someone, perhaps, does not even recognize his wife and accepts his hat! ..
But, probably, the world would never know about the incredible tricks that his brain can make with a man if Oliver Sachs did not have one more important talent - the ability to beautifully and breathtakingly describe all that he had seen as a doctor. Yes, he was a writer. According to his book, this performance was staged.
Freaks, crazy, strange, awkward people - all the characters here are special. They are touching and touching in their attempts to master this world, to understand which glove should be worn on which hand ...
This is the deep human message of the play, partly ironic, a little sad, but certainly kind, calling us to observe special people simultaneously and with the impartial position of the curious scientist, and from the deeply experienced, compassionate person.
Black man with a white soul.
Insidiousness knows no bounds. How can one not please another? What can make a person destroy the life of another?
Desire to move up the career ladder? Revenge for treason with his own wife? The desire to take over another's wife? Envy?
Ineradicable, all-pervading universal evil. And to struggle with it is useless. It will always win.
A pure, bright soul will be killed. Great love will lead to death.
He is not robbed, who does not know that he is robbed. If you do not know that the wife changed, then she did not change. Ah, as I would like to not know.
But the enemy worried about everything beforehand. A skilled master of weaving lace. She was more faithful than a swan. But in his eyes - treacherous traitor.
How can she be justified for what she did not? How to find the only proof - the missing handkerchief? A handkerchief that can save lives ...
They are jealous not then, that there is a reason, but only in order to be jealous.