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Nura Sharikova was 19 may on Hamlet Story

I really, really wanted to get on the play "Hamlet STORY". And not at all because I love the interpretation of the classics in a new way. My goals were very mundane (or maybe just sublime) - I dreamed of seeing that person, only one phrase of which I once very much supported: "I give my voice to Nyura Sharikova." It was Sergey Chonishvili. It was he who voiced the project about people with diabetes Diachallenge, where I participated. Voice Chonishvili knows each of you. But not everyone just knows that it is he. To hear Sergey not from the TV screen, but live is worth a lot. “What a voice, I already have goosebumps,” said my friend. “This is Chonishvili ...”, I gasped, enchanted by the game, not with my voice. No, more precisely the life of Sergey Chonishvili on the stage. Guys, this is such a charisma, this is such an energy !!! This is the height of professionalism. I do not understand at all in the acting game, but, looking at the stage, I finally understood what real theater means, real game of professional actors. I danced to the beat with Sergey, catching the buzz from the 4:33 group and the composer and violinist Alexei Aigi! I never cry over movies. But I am crying over books, and, yes, I first burst into tears, listening to Chonishvili ... God, such emotions ... Yes, # HamletSTORY is a difficult thing. For those who like to analyze and think later. Who loves and understands (emphasize this) literature. Thank you so much for this evening to matchless Sergei Chonishvili (and thank you for the voice of our project), driving Alexei Ayge and the group “4:33”, unexpectedly romantic Alexey Kravchenko, very elegant Sergey Shnyrev, director Natalia Semyonova bow

Anna was 19 may on Hamlet Story

Best I've seen lately! "To be or not to be? That is the question! ”- who does not know these lines? Even my twelve-year-old son already knows, because this year he read the tragedy of Shakespeare's Hamlet with him. Just think about it, 500 years have passed, and people all continue to ask this question. Each is responsible in its own way and for each "Be!" I visited the play “Hamlet Story” on Monday - I don’t have enough words to convey all the emotions. In whatever new appearance a new Hamlet revives, he is always ready to pay a high price for the opportunity to be himself. About this is a new unusual play by Hamlet, directed by Natalia Semenova, in which the texts of William Shakespeare with the poems of Joseph Brodsky, David Samoilov, Arseny Tarkovsky, Bakhyt Kenzheev, Boris Ryzhyi were combined in the most daring way ... Sergey Shnyrev. Each artist shows his Hamlet: a businessman, an officer of the special services, a showman. The fourth Hamlet is the composer and violinist Alexey Aigi. And in this performance for me personally, Alexey overplayed everyone in the energy industry, there really are moments when words are not necessary! Sergey Chonishvili - goose bumps from his playing, Sergey Shnyrev - irony and weariness from life, Alexey Kravchenko - it was on his monologue that I began to cry ... This performance should be watched more than once, re-read poetry, maybe even where be specially prepared in advance. Deep, energy-capacious, extraordinary performance. Some completely new genre of organic connection of the most powerful game, music, video series. I highly recommend everyone! Itself definitely go again!

Polina was 07 may on Onegin

I don’t go to the adult theater very often, rather rarely! I'm more on concerts! And if I go to theaters then to musical performances! So it turns out lately! I love music! This probably explains my delight from this performance! "Onegin" from SAM (Commonwealth of Actors, Musicians and ..) in the House of Music! Having read in the program that “music is a separate, special hero of the story.” I thought yes, yes, yes, we will see, we will listen! But when the ensemble 4.33, under the direction of Alexei Aigi, struck, everything became clear! Clearly this is my new love! You know that feeling when the soul turned and then rolled up? Well, here it is! In general, all the musical compositions from Onegin really want to drag yourself to the playlist! And listen, listen, listen ... Or, together with the video series, review them as clips! Video series is chic by the way! Very interesting move - to show the key scenes of the piece in this way! The first impression was that this is a fairy tale to the accompaniment of an orchestra! Do you know now many such projects !? Where the orchestra plays, the actor reads and still sand animation background! Well here without sand, but a fairy tale! For adults! ☺ Actors! I went to see Irina Pegova! I love her, since the days of “Walk” Alexei Teacher! Now I love even more! How she could show Tatiana's transformation from a timid girl to a woman who was held! In appearance changed a couple of strokes: a necklace, but a hairstyle is stricter! And as if two different people! Sergey Chonishvili plays the author, comments, which help to better understand the meaning, it is obvious for people like me, who vaguely remember the original! Well, what is his voice! Oh, crawl! And his dancing! I would, on the site of the organizers, make a dance floor, because looking at Sergey’s fiery dances, I also want to start dancing! Daniel Strakhov (Onegin) and Sergey Shnyryov (Lensky) 100% hit in the images! Two opposites that were destined to meet! And of course BRAVO director Natalia Semyonova! After all, it was thanks to her that they organically joined together: the brilliant text of Pushkin, the amazing music of Aigi and the magnificent acting game of Pegovoy, Chonishvili, Strakhov and Shnyreva! I liked the theater hall in the House of Music! It is small and with a good rise in the amphitheater! With 3 rows of the amphitheater it was seen perfectly!

Nadegda was 07 may on Onegin

“Tatiana (Russian soul, Not knowing why) She loved the Russian winter with her cold beauty ...” we wondered back in school. And now, this memorized text, I hear from the lips of Irina Pegovoy. With such penetration, she reads him that, until the end of the performance, the pain for Tatiana’s fate does not let go. Yes, she sincerely loved and honestly confessed to Onegin (Daniel Strakhov), but he nobly refused ... Years later, Onegin saw her already held, with titles. And now he is writing a love letter to Tatiana. To which Tatyana responds with a pain in her heart: “I love you (why be cunning?) But I am given to another; I will be faithful to him all the time. ”The image of a married Tatiana — a long dress, a black necklace, and collected hair — is accurately shown. “Onegin” in MMDM is not just a school play. This is the music of Alexei Aigi and the Ensemble "4'33 ''", which acts as a separate hero of this story. It conveys all the passion and pain of the love of heroes. This kinorad, which goes in the background and proves once again that the story, written in the 19th century, is relevant now. We are all a bit Onegin, Tatiana, Lensky (Sergey Shnyrev). Sergey Chonishvili, whose voice is the official voice of the STS channel, is telling the story on behalf of the Author, bewitching with his timbres. His charisma captivates the plot to the end of the performance. I was sitting not far from the stage and saw all the emotions of the actors, even tears somewhere ... Bravo to the director Natalia Semyonova for a brilliant production! Definitely go watch! Once again BRAVO !!!

Elena was 26 april on Onegin

Reading the reviews of the audience, I could not understand why almost all of them were looking for portrait resemblance of actors with characters of the novel and “condemned” the director's choice of Irina Pegova for the role of Tatyana (plump) and Sergey Shnyreva for the role of Lensky (too old). But Daniel Strakhov for all is just the perfect Onegin. But Strakhov disappointed me ... I can not say that it was his fault or the director, but the image of his constrained, without emotional Onegin (even already in love with Tatiana) was so unconvincing !!! I love this actor, I saw his theatrical works (for me he is the best Dorian Gray), but here something, from my point of view, did not work out .... Sergey Shnyrev was just beautiful (with what kind of irony he played the role of an enthusiastic poet Vl. Lensky !!!), but he was offended enough - he was killed in a duel ... I liked Irina Pegova very much, who presented herself in two images of her heroine - a village girl who read French novels and secular ladies. With minimal make-up only intonationally, during the time of the action, it changed simply beyond recognition! Bravo!!! But, first of all, Sergey Chonishvili and Aleksey Aigi "lit"; this performance would not have taken place without them !!! The music of Alexei Aigi and the performance of it by the composer himself and his ensemble provide the emotional intensity of the whole action. From time to time there was just mad energy from the stage !!! Sergey Chonishvili ... Oh, this audible voice heard daily from the TV !!! Oh, this is an unsurpassed skill so free on the stage !!!! The performance looks at one go. It turned out that Natalia Semenova is very stylish, ironic, alive !!! Her nontrivial reading of the novel fascinated me !!!

Anastasiya was 25 april on Onegin

An unexpected acquaintance with the project "SAMI". Classic in a modern way, but still a classic. It is inexplicable, but charming. Just good actors, just read the text familiar to everyone from school years, simply ... Yes, not everything is so simple. A completely different view of things. A very different musical story. I would recommend visiting this particular setting to schoolchildren in order to understand and feel the beauty of the Pushkin syllable.

Nura Sharikova was 24 april on Onegin

What can you say about Onegin? And about "Onegin"? :) You will say, Pushkin, and I will say Natalya Semenova - the director of the play "Onegin", which I visited yesterday and the House of Music. And again, I suddenly delighted. This is the second performance of this director. "Hamlet STORY", "Onegin" and still left to visit the "Magic of Music words." In the first performance, I had clear parallels with Onegin, although there were not even hints. Yesterday, this sense of interconnection grew into the conviction that it was a trilogy. I have already watched two performances. One left. Straight as a collection I collect. Guys, I recommend, if possible, go to three performances. Well, two for sure that I visited, I recommend. But, I repeat, things are strong, emotionally complex and make you think later. Children would not recommend to take. I really want to "Magic", there also plays Chonishvili, by the way. I will also go to the concert of Aleksey Aigi and the ensemble "4'33" in May, under whose arrangement these performances take place. Everyone who went with me to them, now fans of the musical group. :) And yesterday Sergey Chonishvili, Daniil Strakhov, Irina Pegova, Sergey Shnyrev performed on the stage. It was cool!!! .

Nina was 12 march on Onegin

I would like to thank the actors and musicians for their work! Fears - great! Wonderful performance! I really liked! Recomend for everybody !

Ol`ga was 04 march on Onegin

The performance turned out to be both a revelation, and surprise, and pleasure. It was possible to guess only that it will be cool! High quality, original and spectacular. Form, feed and overall concept were completely unexpected. "Eugene Onegin". We all remember him from school. For me, in spite of all the passions, he was always something monumental, thorough, unhurried, like long winter evenings by the fireplace. And then suddenly they took and cut off most of the novel, leaving the very thing. A pair of Onegin’s dialogues with Lensky, a pair of Onegin’s monologues, a bit of Lensky, conversations with the author, who as if he hadn’t decided yet whether he would leave the novel or change something, creating the feeling that the novel is happening right here and now. And, of course, two famous monologues of Tatiana! Without them in any way. Not at all. So here. Surprisingly, in this condensed version of the novel fit almost entirely. On the contrary, such a concentration even more clearly highlighted each of the characters. The viewer was not distracted by the contemplation of nature, by philosophical reflections. The spectator intently caught every gesture, every sound, every word! Oh, what a word it was! The power of Pushkin's talent covered the head! Bliss! What a bliss it is to hear Pushkin when he is read so talented and with such love! And it is immediately clear why there are neither scenery, nor “epoch-appropriate” costumes in this performance. All this is superfluous! Superfluous, when there is the main thing: the genius of Pushkin and the talent of actors. To enhance the effect, only the video sequence and the magic of music by Alexei Aigi and Ensemble 4'33 "Thank you!

Tat`yana was 04 march on Onegin

A date with "Onegin" turned out unexpected and exciting. There are probably two main surprises. The first - Pushkin text sounds great, not outdated at all. All household details and archaisms are discarded, left timeless and relevant. The second - the novel is not about what you thought about years ago, when you last read it entirely. And what is the reason - the stage interpretation or personal changes over the past years - I will not judge. Most likely, both. Suddenly, I realized that Onegin was a novel about the horror of idle life, without meaning, without purpose, without work. About how such idleness and laziness of the soul turns into tragedy and death. And the main line was Lensky, not Tatiana. There are four actors and eight musicians on stage. Pushkin - Sergey Chonishvili - wearily cynical. This is of course not Pushkin, but an appropriate and convincingly presented his hypostasis. Lensky - Sergey Shnyrev. In some places it is a young enthusiastic poet with the intonations of the early Yevtushenko, in places - a middle-aged actor, enthusiastically telling about his hero. Tatyana - Irina Pegova. Almost not at all Tatiana, often an actress telling about Tatiana. It is like. Onegin - Daniel Strakhov. The image was not understood, perhaps because Pushkin Onegin turned out to be very unexpected. The stage composition is for me five plus, although someone may be distorted by insertions (I think 10-20% of the text on the stage). The inserts seemed to me not only appropriate, but also contributing to the element of surprise: it is a pity that the sources of the inserts have remained unidentified. The music (Alexey Aigi and the ensemble 4'33) provides the emotional intensity of the whole action, and makes it more appropriate than the actors would have. But music was not enough for me. Most of all, I remember the moment when under the exclamation from the orchestra "intermission will not be" the musicians seem to be breaking free from the framework of the performance and soooo playing. Finally, the video sequence also carries part of the emotional load, Tatiana’s dream is amazingly resolved: not according to Pushkin’s text, but in accordance with its internal logic.

Arti Vey was 28 february on Onegin

The other day I visited the House of Music at the play "Onegin". In spite of the modern production and lack of scenery, four wonderful actors and the ensemble “4.33” made the performance unforgettable! Sarcastic author represented by Sergey Chonishvili with his unique timbre of voice, bored by Onegin performed by Daniil Strakhov, the exalted poet Lensky represented by Sergey Shnyrev and tender Tatyana played by Irina Pegovoy. Many are afraid to go on modern productions of classical works, because they believe that everything can be ruined. But, as you know, I love theatrical experiments. And I did not regret a bit! The SAM team was very careful about the Pushkin word, story and stories, and at the same time, the actors interleaved the story with their comments, inserted the famous quotes to the novel rather to the point - sharp, humorous, sometimes cynical. And you know, the performance has not lost anything from this, and I would even say that I won it very much! And the awesome music of Alexei Aigi and the ensemble “4.33” perfectly fit into the narration. If all this is combined, then we get a great performance “Onegin” - where the classics mixed with modernity, but it did it so neatly and imperceptibly that it absolutely did not cause rejection! Bravo!

Ekaterina was 28 february on Onegin

In a couple of words - this is such a sketch on the subject, quite original (solid cherries on the cake) and at the same time very laconic (just an hour and a half). So, if you are looking for something stylish, modern, rather short and conducive to a pleasant conversation to follow, then this is it. But keep in mind that if you have certain stereotypes in your head regarding the main characters of the story (and who do not have them), then for a start, the actors will bring down all the canons (well, almost everything) in terms of the image and character. When you (15 minutes later) get used to it, it turns out that you lack words first (Pushkin becomes more and more genius every year), then music (oh, here is SUCH music), then ironic remarks (because Sergei Chonishvili gives them out I want to listen endlessly), and in the end - in general there will be a little, and everything will end too quickly, and you just get a taste, and hang your ears, and your soul will tune in to the beautiful. Summary: Good. But a little. And I really want to reread Pushkin

Mari was 28 february on Onegin

It was very unexpected to hear Onegin's letter to Tatiana at the very beginning of the performance, unexpectedly and well, the non-standard supply of non-linear presentation attracted attention from the first minutes, and interest only grew. This is in fact not a performance, but something that was widely practiced earlier on stage venues - a literary and musical composition with the reading of a literary work by one or several actors and actresses with musical accompaniment and, possibly, video frames and dance numbers. "Onegin" read: Author - Sergey Chonishvili. Beautiful timbre of voice, as if created for reading; ironic, intelligent, strong, liberated image, powerful energy. Sergey danced to the music of the orchestra, conducted, as if unable to restrain the author’s inner creative power, bursting out and putting on the words, now the musical theme. Onegin - Daniel Strakhov. Very beautiful and elegant in appearance; cold, disappointed in the life of a sociopath, has long lost its meanings and goals and brutally avenges unwitting victims for his boredom. Tatyana - Irina Pegova. Sincere, impetuous, open girl, more timid in his youth and extremely strong, strong-willed, intelligent princess, denying Onegin. Lensky - Sergey Shnyrev. A comic but kind parody of a young poet who reads deliberately theatrical with howls and switches to a natural manner of reading, talking about Lensky from the side. They read excellently, the images are thought out, each word is felt, that what, how, why, is not a mechanical reading, but a real game with a deep understanding of images. I was already familiar with Alexey Aigi's music, he is a popular modern composer, the ensemble "4" 33 "played beautifully. In some places it seemed to me that an energetic dynamic musical theme is not always suitable for illustrating this story, but on the other hand it’s fresh, interesting You can listen to Tchaikovsky in the opera house, and unusual music seems to build a bridge between the past and the present. The video sequence is funny, it’s pages with Pushkin’s painfully familiar handwriting, illustrations for Onegin, and scenes with actors, as if from strange x dreams. The epigrams of Pushkin himself and a few comments were added to the text, as if looking from today.In general, a very pleasant impression, was delighted with the work of the actors and director Natalia Semenova, who treated the great text with such respect and love, liver, makes discuss the deeds and motives of the characters, admire the extraordinary poetic lyric digressions, psychological depth, light humor and the irony of the "sun of Russian poetry."

Mari was 28 february on Onegin

Great acting, everyone loved it! Unusually, fresh, bright, new rethinking of the classics. The performance is accompanied by beautiful music and video. I would like to recommend your favorite Pushkin as a fresh reading!

Tatiana was 28 february on Onegin

I looked at the Moscow International House of Music, another project directed by Natalia Semyonova - the performance “Onegin”. It is nice to hear Pushkin’s novel in poems, known from childhood, in a modern way. There are no scenery, no costumes of the XIX century, and only four actors play: Author Sergey Chonishvili Onegin Daniil Strakhov Tatyana Irina Pegova Lensky Sergey Shnyryov But there is music by Alexei Aygi performed by him and his magnificent ensemble “4`33``”. There is a video specially made based on the novel, there is light music. All this together makes it necessary to live and comprehend this Pushkin story again. I really liked Daniel Strakhov as an empty and cynical Onegin. Indeed, such a polished handsome man could easily turn the head of a romantic country girl, such as Tatyana Larina. And quite differently perceived now, in adulthood, the story of the duel between Onegin and Lensky, which occurred because of such a trifle as Onegin's flirting with Olga. Only 200 years have passed since the writing of the novel, and how society has changed! It is now difficult to even imagine that a man, because of minutely courting his bride, voluntarily went to a deadly risk! After all, the duel of those times is not a joke, then they were shooting almost from ten steps, and at that distance only the blind would not get into the enemy! But, it is necessary to think, in those days, men of the noble class vouched for their words and deeds with literally their own blood, and even life. Sometimes you wonder if it is good that now everything has changed? I got a great pleasure from the performance, I even wanted to re-read Pushkin again.

Mariya was 27 february on Onegin

A brilliant acting game!

Tina was 27 february on Onegin

Perfectly! Amazing! It is necessary to present the classics to the Z generation in this way. I would be glad to see such a boring piece in my youth. And yes, it would be interesting to compare what is in the original, what was cut or added. Is it possible to call this event a full reading of a work? It is impossible. Concert? Not. This is a performance-concert, in which the actors read Pushkin's verses, and Aleksey Aigi and the Ensemble “4'33" "help our perception. And how the ensemble did it! Music is half the battle. It was also amazingly implanted music Emotions intensified: soaring up and galloping along the fields next to Onegin and Lensky on their horses. pompous suit They are here and not. Only the sounds of music and the voices of the readers. And from this symbiosis, the work, which of course is not fully read, the poem began to play, it came to life and became different. , not shaking the air. Honor was more expensive than a state, more than a passion ... Honor was an important component of the lives of women and gentlemen. Could they convey this actors? Did Irina Sergeyevna manage to bring something to the devs? Question. But I really want to believe that at least one of ten sank. Whether Chonishvili, Shnyryov and Strakhov were able to settle a grain of thoughts about honor in men's minds. There are no dull pink romantic notes in this reading. No romantic flyers of bored people. There is a sea of healthy skepticism, and subtle irony. And that is just fine!

Larisa was 18 february on Hamlet Story

Visited "Hamlet STORY" January 16. An incredible impression, I will try to tell you why, Three heroes - a showman (Sergey Chonishvili), an intelligence officer (Alexei Kravchenko), a businessman (Sergey Shnyrev) - sometimes funny, sometimes ironically talk about the eternal and try on the image of a hamlet, communicating from the scene as razor the verses of the great Russian poets: Joseph Brodsky, Boris Ryzhy, Arseny Tarkovsky, Dmitry Prigov, Sergey Chonishvili, etc. The fourth hero - Alexey Aigi and ensemble 4'33 ”- breaks into every monologue with a violin that carries away the heart and soul, which the structure of each of Hamlet on stage. It is difficult to call "Hamlet Story" a classic performance. Here, the charisma of popular Russian actors, brilliant musical accompaniment and a video series that tells us between the lines the fate of each of the characters on the stage came together. Here we meet a businessman who comes to the office every day, but thinks of saying goodbye to life; here is the “other hamlet” of Alexei Kravchenko, who has long lost the orientation of the game, in which he has to play the main role; but the cynical showman, that for him life is a game? There is, of course, an appeal to Ophelia. Each hamlet has its own way, as it should be .. The performance was a breeze: the sign poems “Don't leave the room” (Joseph Brodsky), “The tram turned onto Titova street” (Boris Ryzhiy), Alexey Aigi’s favorite music and crazy charismatic readers. The moral is that the search for answers to the questions of the Shakespearean hero is still significant for each of us. The performance makes one think about the eternal, what price are willing or not ready to pay in order to be ourselves ...

Ol`ga was 13 february on Hamlet Story

This is not the traditional Shakespeare's Hamlet, which many of us, and perhaps not even once, have been seen on the theater stage. This is the story of Hamlet. Reflections on Hamlet. Trying to understand who he is, this Hamlet! Attempt of each of the actors to try on this role. And an attempt to show us the modern Hamlet, even the four modern Hamlets at once. A very successful attempt, I tell you. And yes, which of these Hamlets will be the most-most, each of the spectators decides for himself. Not only Shakespeare sounds from the stage, but also Joseph Brodsky, David Samoilov, Arseny Tarkovsky, Bakhyt Kenzheev, Boris Red, Dmitry Prigov, Sergey Chonishvili .. Wherever and in what place people live, they are tormented by similar experiences, thoughts, emotions. That is why Shakespeare's play does not lose its relevance. That is why it is brilliant, because it is timeless. And the poems of modern poets for a reason are incredibly consonant with Shakespeare. "We are all in the same boat." And yes, with every minute of the performance, you become more and more convinced that they are modern Hamlets. And they not only exist, but live among us. Businessmen, showmen or even security officers. Every day one can, voluntarily or involuntarily, end up in a very similar life situation, facing the same problem of choice as the Shakespearean hero. Everyone can one day (or more often) ask themselves the question: to be or not to be? And each sets it in its own way. With its intonation, its meaning, its internal settings. And the actors ... How do they play! However, do they play? After all, to play the role of Hamlet is like the enduring dream of every actor. So you just look at their faces, listen to the voices, and it seems that you even dance and throw chairs. And after them, too, as if trying on the "skin" of Hamlet. And music ... Music, it seems to be pulling you to the surface, giving you the opportunity to catch your breath, switch, but in fact only throws up on a new round of this emotional spiral. Spirals, moving along which you are resonating more and more with what is happening on stage. And it even seems that you are no longer you, but just a part of the scenery of this ingenious story of Hamlet. But at the same time you really want to be yourself, at least the best part of yourself. Thank!

Kogda_Leto was 08 february on Hamlet Story

The Moscow International House of Music is a completely magical place: an airy, as if floating in the air, a building and, I think, it is very suitable for the action that awaited the audience on one of Moscow evenings. It is very difficult to call one word with what the audience saw. Hamlet Story is a state, I would even say, a mood of soul and body and the most correct thing is to surrender to the elements of incredible music, poetic lines and the endless charm of Hamlets. "To be or not to be? That is the question!" It seems that this phrase is erased to the holes, battered by time, and indeed was there any real Hamlet. But what to do: it is important after all now! And everyone asks himself this question, maybe not in such a categorical and literary form, but still ... And having received the answer, you can even reach the cozy chamber number 6. .... There are four Hamlets on stage: three actors and a musician. So different and not similar, but between them there is some invisible connection in the movement of the hand, in the turn of the head, in a friendly look. Sergey Chonishvili. His baritone is able to enter into a trance and drive the viewers crazy in the radius of hearing. The sonic weapon with a huge destructive ability))) The spectators saw him in a performance in different images: either “the Bible does not help with depression”, it “lights” on stage to the beat of music, it shouts verse lines into the hall and deservedly ” rips "screams" Bravo! ". BRAVO! Alexey Kravchenko. There was genuine interest and anticipation: how will it be? After all, Alexey is familiar to most viewers in a certain way, badly, it seems to me, combined with poetry, prose and music. And it turned out interesting! A kind of mountain man, whose jacket is experiencing from the pumped up biceps, reads touching poems about childhood, tenderness and love)) Bravo! Sergey Shnyrev. Tightened and elegant, "like a dandy in London," ironic and sometimes hooligan. A darling of all ages and my own board for all men. His wonderful voice, reading the magic lines, could be listened to for a long time and with pleasure. BRAVO! Alexey Aigi. His violin solo part always evoked constant excitement among the audience; crazy drive and positive energy. The music of Alexei Aigi performed by his ensemble "4'33" is not an addition to what is happening on the stage and not filling the pauses between the verse lines, but an important part of the action is mood, passion, and elements. Solo on the violin and solo on the trombone (I couldn’t even imagine that you can master this instrument so masterly!) - above all praise !! BRAVO! In my humble opinion, "Hamlet STORY" is the case when it’s better to see once than to hear a hundred times. You can write a lot of things about the magic of symbiosis of music, poetry and prose; about the incredible atmosphere in which you immerse for 1 hour and 40 minutes and from which you don’t feel like getting out at the end; about the great charisma of actors and musicians who gave such joy to the viewer; BUT it is better to see-dive-get it all in person)))) Come!

Natal`ya was 07 february on Hamlet Story

Three Hamlets in an hour or forty!?! I do not believe!!!!!! :)

Anastasiya was 13 december on MAGIC OF MUSIC MAGIC OF WORDS

I really like poetic evenings, I listen with great pleasure to both Pushkin and Brodsky, and modern poets. But the concert “The Magic of Music, the Magic of the Word” exceeded all my expectations. There were many poems that I either did not hear, or very rarely come across the Internet. I was amazed by the team of Alexey Aigi - the ensemble “4:33”, especially the solo parts of the cello and trumpet. I have never seen such an emotional game on the Conservatory scene. The final of the first part of the concert just won. I am very sorry that I did not buy the program, I can not imagine how to find what they were playing. The music was an excellent accompaniment to the verses sounding from the stage - both what was played in separate pieces and what sounded like a photon to the verses. The organ followed by Konstantin Volostnov sounded great too. Poems sounded from the scene different - from the lyrics to the passion. The actors are different in character - open and cheerful Yevgeny Strakhov, caustic and caustic Sergey Chonishvili and severe and strict Sergey Shnyrev. Yevgeny Strakhov performed poems by Boris Ryzhy, Alexander Kushner, Gennady Shpalikov. Very soft verses were chosen for the program. Sergey Shnyrev read poems of Joseph Brodsky, Bakhyt Kenzheev, Vladimir Gandelsman. The familiar lines of Brodsky sounded new. The brightest impression of the evening is the voice of Sergey Chonishvili, his manner of reading. And his dancers on the musical inserts - it was so soulful. But the choice of poems is the most provocative, especially “The Effect of Eroticism on Organisms”. In general, it was a wonderful evening, for me it is a great pleasure to plunge into the magical world of poetry and music.

Elena was 05 december on MAGIC OF MUSIC MAGIC OF WORDS

Pasternak, Brodsky, Mandelstam, Samoilov - the names of the poets on hearing, even if you have not read the works of these authors. Lovers and connoisseurs of poetry can easily remember which of the famous poets belong to certain lines. Though not the most popular poems sounded in the summer July evening from the stage of the Moscow Tchaikovsky State Conservatory. But Boris Ryzhy, whose poems fell a little from the canvas of the even flow of familiar poetry, in the musical-poetic project “The Magic of Music is the magic of the word,” few people know. BORIS RED'S "ME DOESN'T ENOUGH TENDERNESS IN VERSES ..." I do not have enough tenderness in verses, but I want to get tenderness - as inevitability or as negligence. And I kiss you in a hurry, O stupid my muse! You, turning away, hide tears. And I roar from this pathetic prose, not hiding the face, not melting my heart. Boy, I'm stuck to your cheek. As old people, as angels, as children, we will live alone in the whole world. You sob, I rhyme "sob." Alexei Aigi’s violin mourned Ryzhy shrilly, gently whispered with Kushner, laughed with Prigov, missed Blok, recalled with Gumilyov. Which instrument makes you cry and empathize more than a violin ... Violinist Alexei Aigi, head of Ensemble 4'33 ", the audience applauded standing. a church. Forgetting that assessment requires at least one author’s works, and these connoisseurs probably do not know that "... in 1900 at the Paris World Exhibition he was recognized as one of the best organs of the world. "The audience, of course, deserves a separate story. I tell the whole story about the play with photos and videos in my blog.

Ol`ga was 30 november on MAGIC OF MUSIC MAGIC OF WORDS

None of the actors, neither Sergey Chonishvili, nor Daniel Strakhov, nor Sergey Shnyrev even tried to convince the audience that all this could be written by him. That is, they do not play the role of poets. They simply fill with sound and pronounce ingenious words and lines written by others. The lines of Gumilyov, Blok, Mandelstam, Pasternak, Brodsky, Samoilov, Kushner, Ryzhy, Prigov and others. But they are pronounced as if each of them is the author. Sincerely, sincerely, carefully. Thus, only people who know their price very well can relate to words. And yes. This word! It `s Magic! The magic of the living word! And this effect is easy to explain, because in this unusual project, each of the actors chooses what he will read. The most resonant, close and aching. Moreover, from concert to concert texts can change, as well as the internal state of each of the actors. Today is closer one, and tomorrow something else. And this is life! Our feelings and emotions change. Our inner self is constantly transforming. And if suddenly your own “waves” coincided in frequency with the state of at least one of the actors, then the “magic of the word” will cover you with your head. And each text will knock at the temples and ache in the hypochondrium. However, the poetry of the Silver Age leaves few people indifferent, regardless of the emotional state. How to remain indifferent, for example, to these lines: I was lucky to be a Russian poet. I had the honor of touching victories. I had the grief of being born in the twentieth, In the cursed year and in the capital cursed. (c) David Samoilov What thick skin should one have in order not to feel what these lines are about and what depth is in them? Hall felt. And froze. And so all the first part and sat. Stunned and silent, unable to even applaud. Because the words sounded for silence. About fate, about the motherland, about life. It was possible to inhale and relax only when the words came to be replaced by music. The explosive music of Alexei Aigi and the group “4:33”. Or unhurried sounds of the organ performed by Konstantin Volostnov. The colored spots with which the organ was whimsically highlighted during the game acted psychedelic. As a result, unimaginable emotional swings were thrown back and forth, so that at some point I even suddenly wanted everything to end abruptly! Here it is right this second! Another pair of chords played by the violin, and so a sharp break! Because "the kettle has already boiled." And then there was the second branch. About love. Every, every word about love. To the woman, life, God. In Russia, parting forever. Put another piece of ice in the cold verse. ... And the trains go downhill, ... And the planes, reaching as far as the stars, burn in them. (from) Boris Ryzhiy Oh, how passionate and sincere it was! Poems, poems. The actors replaced each other, but the poems remained. And love remained. It hung like a cloud above the stage, above the hall, above all of us. And music, music. I listened to Sergei Chonishvili’s voice with my eyes closed, for Yes! There is also a video series! On a huge screen. And helps to catch the "wave". And in the final, huge thanks! To all. To these people who gave us a wonderful evening, to the authors, whose verses sounded, to the universe, to the universe, to God! To all. For everything, for everything. During the muddy dawn. For the bread. For the salt. The warmth of homeland. For thanking you all, for not hearing a word. (c) Boris Red But you still hear!

Una was 27 november on MAGIC OF MUSIC MAGIC OF WORDS

My husband and I were at the Conservatory at an amazing concert-performance "The Magic of Music The Magic of the Word". What to say? First of all, I would like to thank the creators of this event by name: Director: Natalia Semenova Masters words: Sergey Chonishvili Daniil Strakhov Sergey Shnyrev Music Masters: Alexey Aigi and group 4.33 (these guys are gods!) Konstantin Volostnov, who created a fantastic atmosphere playing the organ. These people managed to create something unique and truly magical, combining into one whole the music of the highest level and energy, the works of poets of the 20th century performed by great professionals and artistic and light installations. Music is beyond praise, captures and entails from the first moments. It disturbs, hurts, stirs, heals ... The intensity of emotions in the hall is mad. Looking at Alexei Aigi is a separate pleasure, and his group breathes with one breath, lives on the stage as a single organism! Subtle strokes, wide strokes create the image of the actors of the past century, which is woven from destinies and poems. And their voices! Sometimes I caught myself being fascinated by the fact that the music of the voice is no less than the music of Aigi. The timbre of Daniil Strakhov's bitter chocolate, the wise winter wind in Sergey Chonishvili's voice ... The first act as if by a razor blade, at the limit. Answers to questions give rise to new questions. Existential loneliness, the search for self, god, country, love ... Feeling of understatement and impending drama. The second part is about love. Different. Passionate. Tired Sincere to the pain. Love for a woman, country, god ... Words of gratitude. The look of the Father from heaven. Here, yes. This performance is like a look of God in the soul and a look of the soul in heaven. Handsomely! Thank you

Lubov` was 22 november on Onegin

She was going to go to the Kremlin for a concert on her mother’s day with a friend, but decided to stay a good mother and go with her 16-year-old son to Onegin. I never regretted it! Modern, unusual, beautiful play of actors, fascinating live music. Not reading a son instead of the usual "norms" convincingly said "I liked it!" Even recognized himself in Onegin. Then they discussed, argued, read at home passages that were not included in the performance. In my opinion, for the sake of it all was started. Thank you for the wonderful evening and bright impressions!

Oksana was 02 october on Onegin

Seen. We know. Would go again! To hear and recognize what is sometimes said at too fast a pace. And again to have fun. Minus only one - in the device of the Mayakovsky Theater's hall - a very small angle of inclination, and in front of sitting large people close the viewing area. And this is still a performance! But there's nothing to be done, if only overhaul. :) And the performance is wonderful! Go! And the school program has nothing to do with it. Go for yourself! Leave the children at home. Let them read. :)

Ekaterina was 17 august on Onegin

I really liked the play. The game of actors, music, video story. It is difficult to single out one or one person. Actors well done, this ensemble! And the music of Alexei Aigi is amazing

Irina was 17 august on Onegin

Onegin show - a classic in the modern rhythm. Familiar lines .. and unfamiliar characters characters. I wanted to read Pushkin again.

Tat`yana was 26 june on Onegin

I liked the performance. Original, modern, rhythmic and effective! It was nice to see your favorite actors on stage. And Sergey Chonishvili's voice was simply fascinating! June 18, Irina Pegova also had a birthday - the spectators overwhelmed her with flowers and gifts))) The ovations did not stop for long! Thanks to everyone who worked on this show !.

Only for children
Only adults
115035, Moskva, Kosmodamianskaya nab., 52/8
01 h 30 min
a play based on a novel in the poems of Alexander Pushkin,
composer Alexei Aigi
director Natalya Semenova

Sergey Chonishvili
Daniil Strakhov
Irina Pegova
Sergey Shnyrev
Alexei Aigi and the Ensemble "4:33"

Brilliant text, fascinating plot, ambiguity and depth of characters - such is he, the Pushkin "Eugene Onegin". And yet - it's a surprisingly modern story.
In our version of "Onegin" are interesting actors and musicians - Sergei Chonishvili, Daniil Strakhov, Irina Pegova, Sergei Shnyrev. Music was written by Alexei Aigi, who comes on stage with his Ensemble "4:33". Specially for the project, a movie was shot.
We tried to take care of Pushkin's word as carefully as possible, to save the story and history, adding to it famous commentaries on the novel-acute, paradoxical, modern. The text also includes hooligan and funny epigrams of Alexander Pushkin himself. All this flawlessly and subtly play 4 characters - Onegin, Lensky, Tatiana, Author. Pushkin or, in this version, the author, as it decomposes into three favorite of his character, which, in fact, is assigned the action. Sometimes the characters interpret the plot, sometimes, on the go, - comment. And then, it would seem, the truer truths of the Pushkin novel, driven into the head from school, cease to be so. The text begins to live its own life. And the actors enter into a casual and actual game with a "canonical" and "untouchable" TEXT.
It is impossible to present our Onegin without the music of Alexei Aigi. Music is a separate, special hero of this story. It is not a background or an atmosphere, it is this story itself, its engine, its energy. Having created his own music score "Onegin", composer Aleksei Aigi thus enters into a tense dialogue with great interpretations of the past.


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