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\"The Old House\" - the production of the memory of Alexei Kazantsev and the expression of gratitude to the new house of SounDrama - the Central Democratic Republic. The premiere is scheduled for September 5, 2017, the day of memory of Alexei Nikolaevich. The play \"The Old House\" is not only a sad story about the fate of a Soviet man, but also a symbol of the unquenchable pursuit of happiness, the pursuit of an \"old home\" where one can always nostalgic about a lost paradise.
Head of the production: Vladimir Pankov
Artist: Maksim Obrezkov
Costume Designer: Sergey Agafonov
Choreographer: Ekaterina Kislova
Musical Director: Sergei Rodyukov
Lighting Designer - Nikolay Surkov
12+
The premiere will be held on September 5 and 6, 2017.
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Premiere of Philipp Vinogradov, participant of the first Acoustic Reading Laboratory (2017/2018).
The play “That's All She”, based on the play of the same name by the modern Belarusian playwright Andrei Ivanov, tells the story of the relationship between a mother and a teenage son.
Heroes perceive every event of their life from diametrically opposite points of view, not finding understanding in each other. Two such different characters - two stage spaces, two musical lines. Spectators have to go along with the heroes their path towards each other in order to find out what a desperate desire to overcome the conflict can lead to.
The Center for Drama and Directing presents the play directed by Philip Vinogradov, a participant in the Acoustic Chitka, the first international music-composing laboratory of the Central House of Arts. The opportunity to release independent work was given to the director based on the results of the final shows of the laboratory. The composer of the project will be Anna Pospelova, who also took part in the Acoustic Reading Laboratory and in this work composed the creative tandem with Philip Vinogradov.
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Children's play on the book of the Dutch writer.
\"Bird\" - a fairy tale about a little girl with wings instead of hands. Parents who have found a baby in the forest try to raise her as an ordinary child, to hide her peculiarities from those around her. However, the nature of Birds is stronger, and one day it flies away from her family. Mom and Dad, hotly loved by a unique daughter, go in search of her.
The creators of the play by Joke van Leeuwen “Pip!” Ask the viewer a difficult question: what is a child to be different? And show the brightest answer to it. On the stage, the magical nature of the Bird will be embodied in the image of a beautiful doll, which will be controlled by all the heroes of the story, and the musical and dramatic action in the soundtrack will be performed by graduates of the CDR laboratory “Acoustic Reading”.
Taisiya Kanygina - director, actress. Graduated from the RATI-GITIS, pop faculty, workshop VB Garkalina, 2014. He works at the junction of dramatic and musical art, is the author of the musical show “The Soundtrack of a Big City”, as well as the director of children's performances: “Chuchuber and the City of Lost Things”, “Tales of Coms”. Since 2018, the director of the film project # STIKHOZ. Participant in the laboratory of the Central Acoustic Reading Center 2019.
Joke Van Leuven - writer, illustrator. Repeatedly received various literary awards, including the Golden Owl, was also nominated for the Anderson Award. According to the book “Pip!” A feature film was shot that was included in the program of the 2010 Berlin International Film Festival. The writer's works are translated into English, French, German, Danish and other languages.
Posted by: Joke Van Leuven
Director: Taisiya Kanygina
Composer: Lev Turner
Production Designer: Ekaterina Vitkovskaya
Doll artist: Viktor Platonov
Choreographer: Ekaterina Kislova
Performers and musicians: Danila Rassomakhin, Victor Sapelkin, Rita Kron, Ekaterina Krivko, Ivan Derendyaev, Margarita Melnikova.
Duration: 1 hour without intermission
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Problems with sleep affect everyone, however, only well-informed ones know how to cope with this ailment of the 21st century and re-enjoy dreams, Academicians of Zevot, Magisters of Snoring and other serious sleep researchers. How to properly yawn, which tales contribute to a sound sleep, and which lullabies are better lulling - to solve these issues must be approached from a scientific point of view. The audience will be able to participate in this master class on falling asleep, during which they try all the techniques offered by professionals, on personal experience, because instead of boring seats in the hall there will be one big bed. The results of the experiments are kept by scientists for the time being in strict secrecy. It remains only to yield to the experiment.
Theater \"Trikster\" was founded by Vyacheslav Ignatov and Maria Litvinova. In all the performances, their corporate style can be traced, created at the intersection of various theatrical genres: the shadow theater, the puppet theater, the artist's theater and performance. Trickster's performances are always interactive and work directly with the imagination of the viewer, giving him the opportunity to become an equal writer of the play. The creators of the theater are almost annual nominees for the Golden Mask Award and twice proved to be its laureates for the performances \"Epic about the Lilac\" in 2010 and \"Journey to the Land of Jambles\" in 2016. One of the most striking recent productions of \"Trickster\" is the play \"Beware, Elves!\" At the Theater of Nations.
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“ He is alive and glows. I perceive performances as different substances. Quite often as drinks. After one, the soul is cheerful and tickles in the nose, like champagne. From the other, the head becomes heavy, since the bust with the strength, breathes with the consistency of an oak barrel. The third, like a petrol puddle: entertaining drawings that can be looked at with interest, but cannot be consumed inside. Here is the VGIK graduation performance “Timur and his team. Stories about that "based on the story of Arkady Gaidar, for me I felt fresh water from a pump on a sultry summer evening. With water, which you wash off the dust adhering to your face and, folding your hands in a ladle, you try to get drunk. You take one, two, three sips, and the thirst seems to slowly recede. But you drink everything because the water is so delicious! I am very glad that I saw this miracle. I would like to invite all my friends and friends of friends. How well the guys conveyed the atmosphere of that almost calm pre-war summer. And then the story began, or rather stories. The story of how Zhenya and Olya were going to the dacha. The story of how Olya came to the dacha, and Zhenya stayed in the city to finish household chores and send a telegram to dad. The story of how Zhenya did not send a telegram in the city, but tried to find a post office in the village. And there are many, many different stories that fill the entire space of the performance with bright pictures. Gaidar talked about the boys and girls who lived in his time. It is possible that he came up with a lot, but his dreams became a reference point for young people. I would like the current younger generation to have similar examples to follow. The performance is both nostalgia for those ingenuous times and a compass showing the correct direction of movement. Such performances cannot be lost. Great takeoff. I would like to wish you a long flight.
“ For the first time, we visited the theater of the Central Department of the Arts, on the recommendation of a friend chose the play “Old House”. The performance left a complex impression. On the one hand, the brilliant Elena Yakovleva, the wonderful game of all the actors without exception, live music that accompanies the entire performance, an interesting solution to the stage space, the simultaneous presence of heroes on the stage at different ages. From what was not pleasant: the performance was too delayed, often the music did not allow to hear the speech of the actors at the other end of the scene. For some reason, they did not feel shrill nostalgia for a bygone youth, for old Moscow. I thought about the movie "Pokrovskie Gate". A play by L. Zorin "The Pokrovskie Gates" on the same topic as the "Old House", but the impression is different, there is no sense of hopelessness from the clumsy fates of the residents of the communal "Old House"
“ Very strong non-classical performance, where there is no logic at all, but it is very fascinating. I advise those who want to "change their clothes" to recharge
“ I liked the performance. I and my daughter (10 years old) were delighted. About unconditional love, about loneliness, about true friendship and how insignificant words for adults can hurt the soul of children. In short, the play is about everything that may worry teenagers. The feed is awesome. The children sat holding their breath. The optimal age for viewing 10+
“ A beautiful, very lyrical musical performance. Bravo to the director!
“ The duration of this event is not an hour as stated, we left at the interval after the start has already passed 1:40, so that in total it takes about 3 hours. I absolutely did not like Mandelstam's verses trying to sing, with almost one motive. And it's even hard to call a song, continuous howls, at times words were not even intelligible. In my subjective opinion this is a disgusting sight and it is not worth the time spent on it.