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\"The Case of Elagin's Cornet\" is a work of the great Russian Nobelite Ivan Alekseevich Bunin, who himself ironically defined the genre of this work: \"it looks like a tabloid novel.\" The story of the insane love of an actress and a hussar, ending with a suicide, becomes a reason for thinking about the futility and devastation of life, interrupted by the nonsense of death. Stunning Bunin's prose with its lyricism and psychologism will appear in the brilliant scenicization of Mark Rozovsky - a master to make from a seemingly unparalleled literature a real super theater.
Mark Rozovsky about the play:
\"Passionate, leading to the insanity of the love of a hussar and an actress, ending with suicide with the help of alcohol and drugs, is an occasion to reflect on the voidness of human existence, the value of life and the meaninglessness of death, the worthlessness of pseudo-art, the passion for which comes from godlessness, from the loss of moral guidelines.
Two lost souls without support, without deep interpenetration, fly on the surface of feelings and, together with the search for love, they search for death, indulging each other in this sinister game and, playing in orgies, part with the life-likeness of their invented happiness. Bunin seems to lead the roll of his heroine Sosnowska with Tolstoyan Anna Karenina, whose end on the rails is no less terrible and symbolic. Life is believed in love, and love does not forgive a painful craving for suicide, for it is called to build happiness, and not destroy it. Our theatrical production is an attempt to present and analyze the origins of vice, to make visible the fates and characters of Bunin's prose - free and majestic, calling for pity and sympathy, even for those who have never found themselves in the confusion of life.
In our today's day, the same diseases bloom in a magnificent color - all kinds of temptations are tempted and dragged by weak youths into black holes of hopelessness, where glamor does not save, and timelessness (new \"cursed days\") asserts itself only in questionable forms of total enjoyment - the main substitute Meaning of life. Are not we like our unhappy ancestors? .. They are very much alike! ..
Reading and reading to Bunin today, we see his historical correctness and foresight: spiritual hell is deadly and truly dangerous to modern man. The philosophy of doom arises precisely in an EMPTY place - where the content goes from life, where the household diaboloid begins and the familiar bustle of everyday life and holidays - celebrations glitter and flashes in return for serving the Higher and everyday work for everyone's benefit. But Bunin does not moralize, he simply records the collapse of morality in Russia. No wonder, like Chekhov's \"In the Village of Grandfather,\" Bunin's novel reads: \"To Russia, cornet to Elagin\"
Death is not an option, even if life is empty. Death is withdrawal. And nothing else.
That's how the tragedy grows. His first \"Case of the Cornet Elagin\" is the first Russian writer-laureate of the Nobel Prize - Ivan Alekseevich Bunin warns us about it. So thanks to him! \"
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\"She then inflamed him, then poured cold water.\"
How much vicious beauty in this young woman!
Polish actress and Russian officer, hussar. She is six years older than him.
She is very pretty, with an excellent figure and a beautiful face. I liked reading and talking about the dark forces of evil.
She liked him at first sight, and he gave her his heart. But his father would never approve of this marriage. And she was not going to leave the stage.
The officer took off an apartment for her, beautifully left a love nest. I gave her gifts and flowers.
And she twisted and twisted it as she wanted. That was nice and kind, then cruel and indifferent.
He completely lost his peace. Hardly experienced the mood swings of a beloved woman, she was very jealous of her.
The girl insisted on the imminent death, mourned her death in advance.
And just one shot decided her fate.
Is it worth listening to a woman when she asks her to kill?
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Rozovsky invented something under a very simple title - \"Songs of Our Yard\", and this something turned out to be extremely contagious.
The spectators of this action not only watch and listen, but also sing along, suggest forgotten words, some - drink and have a snack ... Just because otherwise - in any way. The feeling of the authenticity of what is happening leaves. Some of these songs are remembered by everyone. Some sang themselves - in the courtyard or in the kitchen. This is not nostalgia. This is our life - in the Soviets, in the USSR, in the CIS ... In this yard there is a life with quarrels and reconciliations, with a small cloth hung on the ropes, a gramophone on the whole street, whistling pigeon bells, a trough on a bench, a mug of smoking men , Women in dressing gowns and hair curlers ... The common life is all in sight. One bottom at all.
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Favorite songs of our Soviet past. Well, if among them will be your favorite.
Most, of course, about love.
\"Where the maple rustles over the river wave, we talked about love with you. Noisy that maple, the field is haunted by the haze, and love, like a dream, passed by. \"
But there are also hooligan-table women: \"Bells-bells are ringing. Our horses raced for two hours in a row. Our horses have become tense - the long journey. Is not it time for us to wave a glass? \"
The broken songs of the time when the Moscow residence permit was almost an unattainable dream.
\"Mom, I love the janitor!\" Mom, I'll go for the janitor! Janitor without problems and risk
In a moment will make a residence permit. That's why I like janitors! \"
And of course, compassionate, touching the soul: \"Stand by the locomotive, do not rush, wheels. Conductor, press the brakes. I hasten to see my mother's mother with the last greet to appear on the eyes. \"
But the mischievous, of course, more. Among them, an unforgettable \"Chicken roasted\".
Come! You will not regret.
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“ I watched this performance twice. Musical, bright, with an amazing live violin. The performance is based on Kuprin's story, but it feels like a concert performance. Perhaps I'll go to the third.
“ The play looks in one breath, Good actors, emotions, feelings for the heroes, Be sure to see everyone.
“ The performance, in which there are no goodies .... You do not even know how to perceive it. Very, very sad performance. They came out with a sense of hopelessness of life, because nothing has changed since then. The prostitute has become more glamorous, and the hooligans are cooler. Actors have shown this talent. But people always have a choice how to live. I really liked the performance, we go to this theater regularly. Thank!
“ Were on the formulation of 14.11.2018. Great! The whole performance was a breeze, Almost 3 hours without a break. We got great pleasure from the performance and the great acting. Mark G. Rozovsky - BRAVO!
“ This is a lovely essay! Classic theater, the highest acting skills of the main character! It is necessary to be in our days in such a space of purity and love!
“ Woe from the mind, like all the interpretations of the classics prepared by M. Rozovsky, leave the impression of topicality and originality of reading. The viewer can easily be convinced from the first minutes of the play. I note that even if you looked at other versions of this comedy in the Maly Theater, on Malaya Bronnaya, on Taganka or in Sovremennik, go to the Nikitsky gate. Griboedov's text is carefully preserved, director's searches do not undermine the writer's ideas. At the same time, everything is new and fresh)
“ A colossal impression! Interesting, vital, relevant, philosophical material ... The performance was held in one breath, the time "flew". From the stage it was impossible to look away. Everything is very capacious, dynamic. The artist did not work, but he lived his role. The combination of the time of the performance (1 hour), a small auditorium and the gift of a talented artist is an ideal ... And a deep semantic load. One phrase "vanity of vanities", filed in the context of what is happening on stage, is worth a lot! At the performance there were four of them - two married couples. Everyone liked it!
“ Oh, what a spiritual show! At the final scene, they wiped away tears from the memories of youth ..... Vysotsky's songs with a guitar. Great play of the cast. Director and production work at the height. Thank you for your work.
“ The performance is stunning, in some places the truth is hard - Vysotsky is still - the naked truth of life without a beauty, therefore yes, in places to tears. Many of Vysotsky's songs have been performed that are not heard, some have never heard, but they are so piercing, trembling ... The actors involved practically all singing, the voices are all great, especially touched by the performance of the main character - actress Victoria Korlyakova and performer Alexander Kuleshov - Artist Denis Yuchenkov. We were sitting on the folding places - there simply was not any other people when we were buying - a sold-out, and not a bit tired, the time flew by very quickly! a lot of improvisation and interlacing with our time. I really liked the game of Sergei Sholokh and Olga Lebedeva! In general, all the actors involved were given the maximum possible - such a return of oneself and living in a role, as if they were the people who survived in the postwar period. Huge Gratitude for Work and Talent!
“ Great! I read the work and I was waiting to see what you had. Well done, good performance! The actors played wonderful! I will definitely come to other performances. Thank you for the pleasure! Nadezhda Vladimirovna, 70 years old
“ Were with my husband. The performance is excellent, the actors' play is simply amazing! I recommend unequivocally.
“ The play is very interesting, modern, it ridicules human vices. Fashionable actors play inimitably, the director's skills are felt. We really missed it! We love to go to this theater!
“ Yesterday I visited with my husband this wonderful theater. This we did not expect! Brilliantly! Go and see! Gambrinus! Young actors are great! And the older generation is simply delighted! Thanks Rozovsky for the wonderful moments, because the play was held in one breath.
“ The performance is very naive, cheerful, not suitable for the demanding viewer, but for those who are in a hurry to recharge themselves in a good mood and relax a bit, it is quite suitable. Therefore to go or not to solve to you. Artists try in every possible way to amuse the spectator and support the intensity of emotions.
“ Was on the 3rd of December. Valery Sheyman was the most impressed. the staging is strong, even tears welling up.
“ We watched the play "Mirandolina" in the theater "At the Nikitsky Gate." A double impression. I think that we should take it as modern variations on the theme of Goldoni's work. The performance is suitable to pass the evenings without special claims and delights. But the very new premises of the theater left a very pleasant impression - this kind of salon. Not for nothing that many years there was a repair!
“ Very much ponravilos.Spasibo actors for a wonderful evening
“ Only yesterday, March 15, 2016 were with a friend in this play. The hall would be full. Songs were sung from the heart. The actors are magnificent, They played themselves without a trace. We are delighted. We advise everyone to go. The pleasure is great. Thank you for the performance.
“ I liked it very much, I recommend it to everyone! Thank you!!!
“ I liked the performance very much.
“ The performance really liked! A particularly great game of actors - in particular Victoria Korlyakova. Be sure to come to this theater again. Thank you so much!
“ I liked the performance very much. We enjoyed and rested at the same time. The actors' game at altitude. We will come to this performance necessarily more, more and more
“ Thanks, I liked it
“ Great performance, thank you!
“ A wonderful performance ... I enjoyed myself. Throughout the performance, she scrolled moments of her life in her head and realized that the story of the two sisters would be very close. I highly recommend this production to everyone without exception!
“ The play did not like, it seemed that the actors do not understand what is playing
“ Thank you, wonderful performance.
“ I write with pain in my heart over the dying, apparently irreversibly, domestic art. The performance is frank hack-work, for which one should be ashamed to take money. Actor play? I wonder what all these people studied for five years? Or they were typed on the ad? Had they heard about the stage speech? Hardly. None of them can speak, only crying angrily - in the case and not in the case. Plastic surgery? Director's plan? All the way, suffering, battered Blanche? Where is the dignity of a lady of noble birth? Where is the brilliance in the eyes? She really looks like a teacher from the periphery, from the Russian outback. The same look is hunted. Sister? Yes, it suits her daughter! Stanley does not pay any attention to the partners on the stage, he came out to admire himself. It shows through in every movement. About the rest and say nothing. Blanche's direct eye contact with the viewer throughout the action is an extremely unfortunate decision, all the more, she says on one note and frankly bad. And so, it seems, inadvertently, in the finale we are told the words of the feelings of heroes, which the actors are unable to play. Or we idiots can not understand? The play is really wonderful, but it just requires surgical precision. It has a very fine line between vulgarity and grotesque. You have to be the director's sniper to target Tennessee Williams. And this is the trouble almost all the capital's theaters. What, are the directors transferred to Russia? Do not be a Ginkass or Tuminas, they are geniuses - this is clear. But to feed the people with shit, sorry. Why do you think the viewer is a fool, respected artists? Why admit such a hack? And what right have you to call yourself directors?
“ Good afternoon! Was at the play Tram "Desire". The actors' game is magnificent, I enjoyed watching, I recommend it to everyone.
“ Were with my granddaughter in this play. Granddaughter 6 years old. I am delighted both with my granddaughter. Cheerful, very musical performance. Especially pike liked. The theater is very good. We have already reviewed all the children's plays in it. We are waiting for new ones. And on Emel we advise everyone to go, you will not regret.
“ Today we were at this beautiful play. My mother was delighted, and the son of 17 said that in order to fully enjoy this performance, you need to know a little history. Although the game actors above all praise. Thank you!!!!!!!
“ Thank you Mark Grigorievich for another wonderful evening in his theater. Bribes a rich palette of works in the repertoire, the inflorescence of young actors and sincere theatrical spirituality or something. Thank you!
“ The play is an emotional shake-up, especially in the second part. At times even it was forgotten that before us actors, playing roles - so all is alive. Vladimir Davidenko was amazed. Thank you!
“ A wonderful semantic performance! Many thanks to the director Mark Rozovsky! The performance is ambiguous, but this is fine, when there is something to think about! This is really a note in the footsteps of Z. Freud! All normal-crazy! To save a madman you need to love him and fall in love with him !!! I recommend that you watch the play and ponder .... Art and love will save life!
“ We really enjoyed! Chamber theater, the feeling that you are on stage! The performance itself and the work are excellent!
“ Alexander Masalov, Raina Proudina, Linda Lapinsh, who are so talented and beautiful in their game !!! Linda Lapinsh is perfection not only in the game, what is the addition of the body !!! I am a woman, but I admired her, it seems that I did not see such perfection in my life, although I'm not 40 or 50 ... I'm older, but believe me in this I understand! Alexander Masalov. Perfect in the game, it's fun to watch, but outwardly so enjoyable! Mark Rozovsky low bow for his talent, a beautiful play, the philosophy of life! I want to thank for a variety of repertoire! We are pleased to visit your theater, every performance is a discovery! I want to tell you BRAVO-BRAVO-BRAVO !!! Until next time!
“ The play was staged 23 years ago. On the one hand, such a time alarming - as it were not a "played record". And on the other hand, the venerable age allows us to hope that the viewer likes this production. Indeed, the Spectator is not mistaken! The musical looks with pleasure. Of course, Sasha's violin is incomparable and it costs in the future a separate concert of Sergei Erdenko and the ensemble "Loiko". But the performance itself, it seems, is the favorite child of Mark Rozovsky. The director came out to the audience and with pleasure he sang and danced :) I really liked the young actress Iana Pryzhankova. Unexpected was a combination of emotions over the long-forgotten rebellion of the Boers and the appointment of the newly-baked governor of Odessa. The performance seemed very cheerful, to tears, before I read Kuprin differently.
“ Were with my wife 06.03.16. We were not very satisfied, but very satisfied. A wonderful game of actors, each plays out its role on 5+. Three hours passed completely unnoticed. From the performance only positive emotions, despite the sad history. Definitely recommend to your friends.
“ What a pleasure!!! On the street the play and even a little rain did not stop us. The atmosphere is so warm. I gave my dad tickets for the birthday. He was very pleased with the songs of his generation. And I liked it. I recommend to everyone. A pleasant evening in a pleasant company.
“ Good mood to you all. Went to the play "The Master and Margarita." Impressions stunning! They caught every word. My mother did not read Bulgakov's book, she decided to read after watching. Good scenery. Tickets went to the balcony (there was a full hall), it's good that at least these people managed to buy, but it's audible and everything is seen well. The actors are well-chosen. Cat is irresistible!)) For the first time took an electronic ticket -very convenient. When in the course of the hall they just dialed the pin code. We were very satisfied.
“ This performance included everything you expect from the theater. Unforgettably!
“ The performance as usual with Mark Rozovsky is staged very soundly. The actors play wonderful. I recommend.
“ This is an amazing reproduction of the era, not yet forgotten in our minds and hearts. Great performance. Cheerful, dynamic, realistic and so straight all of "our". I will definitely go to him again.
“ Thank you for the pleasure! Thanks to your performance, you managed to touch the life of your grandfathers and parents, to feel the special color of that era. Yours faithfully and gratitude, Tatyana.
“ The performance is wonderful, fun and heartfelt! I watched it five times, with my parents, my teenager's son, my friends with foreigners and everyone is always delighted! Highly recommend!
“ Thanks for the spectal. The game is beautiful, the theme is amazing. In my opinion - the best performance of the season.
“ Thank you. Great performance!
“ A wonderful performance, I had great pleasure
“ Stunning spectacle-sparkling, sometimes comedic, and sometimes painfully piercing in places! Memories of the Soviet past are captured, but as if it was not with us, and we somewhere already saw it! Was with a friend, she, too, in full delight. Now I'll lead my husband :)
“ A wonderful performance and a great scene, can be seen from all places. The production is uncommon, sometimes touching, sometimes tragic! I recommend to see it all!
“ The actors are simply gorgeous! I recommend to everyone!!!!
“ The performance did not impress. Expectations were not justified.
“ Good, good performance.
“ In the deaf village of Georgia, after the war, grandmother Olga (Raina Prudina) is raised by grandson Zaliko Vashalomidze (Konstantin Ivanov), in which she is "helped" by neighbors Iliko Chigogidze (Denis Yuchenkov) and Nosy Illarion Shevardnadze (Yuri Golubtsov). Zuriko has a chemistry teacher (Mark Vysotsky), bugger friends, classmates, Mary (Vera Desnitskaya), in which he is happily in love, and Murad's dog. And life happens, funny and sad at the same time. This is the novel "I, Grandma, Iliko and Hilarion" Nodar Dumbadze. Novels and stories by Nodar Dumbadze are more to me than favorite books. The river Gubazouly and the small river Lasha, on the banks of which the events of Nodar Dumbadze's books take place, and the "most beautiful and fun village in Guria" Khidistavi are the very places where my grandfather and mother grew up, where my sister and I were taken to the village to my great-grandmother, The same river, which is the student in the strongest heat. Many years ago, once again re-reading "I see the sun" and "I, grandmother, Iliko and Hilarion," I could not help feeling that I actually know almost all the characters in books. I know not the memory of what has already been read or seen in the cinema, but the memory of childhood. Seeing my surprise and bewilderment, my mother laughingly explained that this is actually so, and my memory does not deceive me. And that Nodar-tadpole in one of the stories is my grandfather, who since childhood was friends with Nodar Dumbadze, and Dumbadze's characters are our neighbors from the village of Khidistavi, aged, but not losing their taste for life and open hearts. It was very important for me to show my son this performance, to show him the naive, slightly sentimental and ironic world of Dumbadze, where the most important thing is the ability to enjoy life with its simple joys. And let the famine and the cold, and many did not return from the war, but there is a romantic youth Zuriko, the first love, faithful friends and native land. Zurikela Shalopay will grow up, go to study in Tbilisi, become an economist, and after studying will return to her village, where "Grandma, Iliko, Illarion and Mary are waiting". He will live and work in the countryside, he will have a house, and in the yard - Murad's dog. And Mary will be next to him and twelve children - eleven sons and one daughter - a beautiful blue-eyed Cyrus. And nothing more for happiness and do not. The performance "I, Grandma, Iliko and Hilarion" at the Theater at the Nikitsky Gate turned out to be easy and wise. Iliko and Illarion all the time sorriatsya, arrange tricks to each other, but as soon as Illarion happens misfortune - Iliko will substitute his shoulder and help the "opponent" in difficult times. The grandmother Olga, performed by Raina Praudina, is incredibly native, vocal and affectionate, mischievous and sad. After the performance, the son, smiling, said: "Mom, you know, our grandmother is just like grandmother Olga -" My lips curse and my heart bless you. .. "" Yes, son, the heart always blesses ... "