“ If you go to the theater to take a break from everyday life and the surrounding routine, then this performance is not for you. Here you will be taken by the scruff of your neck and stuffed into the dirt to the ears, forced to look at the scum, and all this will be spiced up with a feeling of hopelessness. This performance is not for you if you do not like to leave the theater with a feeling of disgust. This performance is not for you if you prefer a good mood of melancholy. If you like the feeling of pseudo-intellectual congestion a la an intellectual of the Soviet poshiba or depressive psychosis gives pleasure - you will like the action.

“ Awesome performance! Beautiful, bright and understandable, which is very important for allegorical productions. Actors well done, all to one! I would love to see it again.

“ Great performance! Easy, funny, bright. An unexpected symbiosis of arts, styles, eras and texts. BRAVO! Igor Nevedrov! BRAVO! Actors!

“ Awesome, deep performance. Incredible actors and atmosphere. The performance is not easy, but NECESSARILY for viewing! Viktyuk, BRAVO!

“ Great performance! Both children and adults were thrilled! I highly advise everyone to cheer up.

“ Were with a girlfriend for the first time in the theater of RG Viktyuk, ambiguous emotions from viewing remained .... My friend definitely did not like it: nakedness, statements about God, love and relationships .... For me, this is an opportunity to hear opinions and interpretations about eternal concepts different from mine. If you are not ready to make extravagant decisions, then this theater is not for you. Go and decide for yourself at least once. Thanks RG Viktyuku for a bold, different from many, view of the truths of society.

“ Very good, deep performance, with meaning. The game of actors (Stanislav Motyrev, Anna Nakhapetova) at the height. Pride and love, compatibility is doubtful and a lot of interesting things, especially interested inserts from Plato "Pir". I recommend those who like to think after the performance))

“ The performance is wonderful, the second day I comprehend what I saw. Bravo to artists! Bravo to the director!

“ The iron beam in front of the balcony, of course, interferes. But the performance is beautiful, I used to not take the style of Viktyuk before, but this production opened up a lot for me. Yefim Shifrin, of course, is a genius!

“ certainly. not an entertaining event, .. there is something to think about. for example, about the Motherland, ..

“ Do not share previous reviews! I did not like the production at all. I come to the theater to get aesthetic pleasure, and not to listen to the matershin, which is combined with insanity. Yes, and places on the balcony are not provided for viewing. We were sitting on the front row and an iron beam passed right in front of our eyes. In general, horror. I will not come to this theater anymore ...

“ I was in this legendary performance for the second time after a five-year break. As for the first time, it was something incredible! The performance is not ordinary and for an intelligent spectator. It is an exciting, sensual, integral action, everything is sharpened to trifles, everything is perfect. Definitely a favorite theater! Thanks to the artists for this pleasure!

“ The performance is very good)) The new life of the theater in the new building and the ever-brilliant Roman Grigoryevich))

“ Roman Grigoryevich is a genius! The performance is so multi-layered that you do not understand how it can be at all, how you can convey so many things in such a short time .. Everything is brilliant! As always music, scenery, light, capacious images, heroes feel, you do not notice how you put yourself in their place, you do not even put yourself, but you realize that you were there ... It's so keen feeling of living, absolutely living poets, not played, and lived so that I left after the performance, knowing what they were not informative, as before, but as if I got acquainted with each of them. And even a terrible, disgusting tyrant is not served in the form of a fresh, ready and long familiar, frozen image. He is also a living person, mad and sick, shown incredibly thin and so scary. Beautiful, masterly actor's work, all without exception! I especially want to mention I. Nevervedov, A. Dzyuba and E. Karpushin. Perfectly! Bravissimo !!! I would put this performance into the literature course for senior pupils, to understand how the classics and their immortal lines can come alive for themselves !!!!

“ "Mowgli. Good hunting! "Viktyuk Theater People in cages are an amazing visual find! Not the only one - there are many of them. In general, the picture of the spectacle is amazing! And the folded rings, also initially like cages, and these ropes, and the deity lowering the horns - whether observing whether interfering ... And the multiplying Bagheera, and the "collective" Kaa ... And what kind of wreaths have Dryads! There's a lot of time-bleached bone on stage. Thoughts are covered for many more days. They overtake. Probably, for someone it's all lying on the surface and for a long time realized, I had everything just after the consciousness of the scene ascended in the cages of people. Impossibility to throw off the strangers are locked, decisions, will - not free. The bars of the lattice bend them, they do not allow them to straighten up ... Any laws, any faith, having lost touch with life, ossified, turning into dogmas and prejudices, become a cage that does not allow to breathe and move. But, what about the common interests? We can not live together without rules. In a free pack there are also laws. True, this does not prevent the wolves from substituting the best fighter, and then reading on his own epitaph. But only when knowledge and ideas about this world are implanted inside, are tested on themselves, sometimes even confirmed by spilled blood, they become a spiritual skeleton, on which it is possible to build up already meat, skin and skin. The core, the frame. A skeleton! The one that only makes it possible to breathe and move. Outside is a cage, inside is a support. Light projections will once again remind us that we step on the bones of our predecessors - both ancestors and enemies. Their experience, their mistakes, their findings. And every day - whether you want or do not want, remember this or do not remember, do you understand or not - you have to answer the question: "Who are you?" What do I choose? What will I take, what will I accept, what I will reject, what I will give to oblivion, what will I destroy? What kind of ridge will I grow? Only mine. What is my freedom? Where's she? Where I am? Is it a flock? Or people? And the main question - who will win today in me, beast or man? And for what.