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\"IN THE SHAPES OF OWN HAPPINESS\"
Sincere evening on the works of Mikhail Zhvanetsky
The performance of Grigory Dityatkovsky \"In Shards of His Own Happiness\" based on the works of our contemporary Mikhail Zhvanetsky - thinking about \"today\", about how and with whom we live, about how we evaluate and overestimate the history of our country, its place in it. About what is the main thing for each of us today, and about such annoying concepts as conscience, honor, honesty and modesty. About how to live in an era of total ignorance and ignorance. And how did it happen that all the polls turned into middle managers who did not answer for anything? About dreams that ended and turned into projects ...
Magnificent aphorisms of the writer-satirist Mikhail Zhvanetsky already firmly entered our life, into our life. He is one of those authors who manage to give thought a laconic, sarcastic and absolutely complete form. And everyone in his sketches everyone recognizes himself. Many do not even guess who is the author of the \"popular proverbs\":
- You can not love - sit friends!
- The hardest thing for a person is given what is not given to him.
- How much do not steal from the state - you still will not bring back your own!
- Sorry, I'm saying when you interrupt.
\"If you argue with an idiot, then probably he does the same.\"
\"It's so hard to think!\" Therefore, most people prefer to judge
- If I tell you that you are a multi-faceted person - do not flatter yourself. It may be meant that you are a bastard, a bastard and a parasite at the same time ...)))
- Russia is a country of talents. Talents are mass, there is nobody to work for.
Even more surprising are the author's lines, filled not with irony and sarcasm, with genuine romanticism and with a feeling of bitterness for their people, for their country:
- And the values remain the same: honesty, decency, friend's feet, the shoulders of the child, conversation with the clever, silence with him, guests from afar, cicadas at night, the morning smell of the garden, the noiseless gait of a cat, books that make it impossible to live here and normal friendship , When both do not need anything.
- Life is short. Also it is necessary to be able. You have to be able to leave with a bad movie. Throw a bad book. To get away from a bad person. A lot of them. Things not going to throw. Even from mediocrity to leave. A lot of them. Time is more expensive. It's better to sleep. It's better to eat. It is better to look at the fire, the child, the woman, the water.
- And why do friends live so short? They will live, live, learn to themselves and disappear. Neither remains with you. Dying, leaving, turning into others
- Nothing hurts a man like fragments of his own happiness ... ..
The play \"Concert for ...\" (in our version - \"In Splinters of Your Own Happiness\") had practically no scenic destiny. In 1974, on the stage of the Comedy Theater, she was posed by M. Levitin. Beginning for rehearsals, director GI Dityatkovsky in his own way \"read\" the works of his contemporary Mikhail Zhvanetsky. Characters, going to the rehearsal of the orchestra, tell their stories, which are weaved into the capricious ligature of the life of our country: yesterday, today, tomorrow ....
The play, undoubtedly, will be interesting to the spectator of different age. The new performance of the theater seeks to show that Zhvanetsky's prose is not a momentary variety phenomenon, but a deep philosophical literature for all time, long since become a classic.
The author of the stage version and the director of the play - Grigory Dityatkovsky; Stage designer - Honored Artist of Russia Vladimir Fierer; The director of the lamentation - Honored Artist of Russia Sergei Gritsay.
The play features: People's Artists of Russia Georgy Korolchuk, Yefim Kamenetsky, Honored Artists of Russia Olga Belyavskaya, Evgenia Igumnova, Mikhail Samochko (MDT), artists Yegor Bakulin, Ruslan Meshchanov.
G. Dityatkovsky and in his new work continue the search for a modern theatrical language, relying not only on the skill and scenic expressiveness of actors and the artist, but also on the talent of the viewer to perceive art sensually.
All people are like books, and we read them, someone for a month, someone for two,
Someone after only a year we understand, someone is never read.
Someone we'll read and put on a shelf, the dust of memory will occasionally blow off,
And in the heart we store, but what's the use? It is not interesting to read the second time.
There are people-poems and people-novels, there are verses and prose-only you can choose,
Or maybe it's still too early for you to look through the magazine?
There are understandable, explicit books, some one needs to read between the lines,
There are notes - solid shades and leagues, from the sheet to read them not everyone would be able to.
Our world is filled with mystery and mystery, and life in it is only the longest lesson,
Nothing is superficial and not accidental, try to just look between the lines (Mikhail Zhvanetsky)
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People or musical instruments? Trombone, Flute, Contrabass, Trumpet, Cello are preparing for the concert. Soon the performance will begin, but before him each character has the opportunity to speak.
A series of monologues. In each - the story of an unpretty, but full of deep experiences of life.
Invariably meticulous, merciless in his insight statements of Mikhail Zhvanetsky gathered in the play. In it, as might be expected, there is a lot of wit and wit, but it gives little grounds for unrestrained laughter: where happiness turns out to be broken into fragments, there is room for accurate observations and subtle lyricism, but not for clowning.
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The rehearsals of the performance of “Oblomov” began
Theater named after V.F.KOMISSARZHEVSKAYA presents:
November 23rd
the premiere of the performance \"OBLOMOV\"
based on the novel of the same name by I. Goncharov
Production by Leonid Alimov
Set Designer: Vladimir Firer
In the title role - Egor Bakulin
The following people are involved in the performance: Honored Artists of Russia Natalya Chetverikova, Anatoly Gorin, Evgeny Ivanov; artists Elena Andreeva, Elizaveta Nilova, Elizaveta Falileeva, Igor Andreev, Konstantin Demidov, Alexander Makin, Rodion Prikhodko.
In 2019, the Oblomov novel turns 160 years old. Why does the topic of \"Oblomovism\" arise again and again today? Why are we again concerned about Ivan Goncharov’s novel today?
The main characters of the novel are two young men and a girl who falls in love with one of them, but eventually marries the other ... Nevertheless, the novel is not about that at all, although he breathes love, is pierced and fastened with love. The author of the novel is looking for answers to questions of life’s purpose, trying to reach the meaning of the existence of each of us ...
One of his friends - an active, energetic Stolz, calls for action, arguing that \"Man is created to arrange himself and even change his nature\"; the second - Oblomov - does not dare to create, act. Why does Oblomov want nothing, do nothing? Why was even mutual love, which struck like a sunstroke, so frightened him and made him finally flee from the \"world of the living\"? Who is he - an infantile “sofa expert”, a person contemplating or disappointed, not wanting to “participate” in the “abominations” of this very life?
The riddle of the novel \"Oblomov\" arises very sharply today, in the modern world of the so-called \"freelance\", remote \"communication\" and neurotic thinking. Together with us, we invite viewers to look into the “theater mirror” in order to better understand themselves, their surroundings, their world and release their own thoughts and feelings into free swimming ...
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The play \"Today or Never\" is the study of modern marriage in the form of a brilliant comedy, bitter and very funny. Sparky humor, a dose of positive, an acute dialogue reveal the deep design of the play by playwright Valentina Krasnogorova. The life story and sparkling ironic dialogue provides her with continued success. Many viewers will recognize themselves in her characters.
Director: V. Glazkov
Author: V. Krasnogorov
Actors: A. Vartanyan, N. Popova, E. Bakulin, D. Pianov
Duration: 2 hours.
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Based on the novel of the same name by Somerset Maugham in two acts
Director - ZA of Russia Margarita Bychkova
Artist - Alexander Khramtsov
Costume Designer - Nick Velegzhaninov
Musical design - Z. r.kultury Russia Vladlen Neplokh
Choreography by Maria Korableva
Director of the video series - Christina Kutcher
Stylist - Sergey Sirin
The usual life of actors and the theater \"from within\" always intrigued the audience. A subtle, ironic story of a brilliant, intelligent actress who celebrates the \"middle-of-life crisis\" novel with a beautiful young greedy person. Even a love affair for her becomes a stage in the perfection of acting skills ... In the end, Julia has to admit that her main novel is theater ...
The premiere was held on April 12, 2015.
The duration of the performance is 3 hours with an intermission
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Everyone who loves the theater, but does not work in it, probably for once in his life was concerned with the question - how do they live - actors and actresses, directors of theaters, costumers?
Here's Julia. How, you have not heard of it? But this is impossible! Julia is a star, she is a real theater star. The best actress, able to reincarnate in anyone.
She, however, is a bit capricious, slightly windy, but all this is redeemed by her talent.
Although, nevertheless, she loves her husband in a special way, but, perhaps, in their marriage the notion of \"honesty\" has long evaporated.
But the son is quite another matter. For his sake, Julia is ready for almost anything.
And for yourself, too. For example, twist the affair with a young, calculating handsome man. He gives her flowers, goes with her to restaurants. But, what is it, he dared to ask her about a role for someone?
What kind of a young, unfamiliar actress who is so eager to get her role?
And maybe not her any more? After all, age is not very much and allows you to play \"young\" heroines. Or ... for a real actress there is no concept - age and \"main\" role?
For Julia does not exist. Oh, no, she's not going to put up with the fact that her time is supposedly leaving, with the fact that she is preferred to a younger person. No and no again.
Julia will come on stage again, allowing her to play the main role, but only to prove the scale of talent from the role does not depend, because this is a theater. And in it, any role can become the main one.
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S. Buranov's play in two acts
Statement by NA of Russia George Korolchuk
Artist - Kristina Koshkina
Music design - з.р. Culture of Russia Vladlen Neplokh
Lyrical comedy from modern life, the circumstances of which often breed generations in different countries, and each other's understanding is given to each with difficulty and not immediately.
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Sometimes, in order to evaluate the past time, we must stop and, turning around, look carefully back.
What's left behind? Maybe a wonderful time, which now will cause a light, full of weightless sadness smile, when they lived to their fullest. Did not drive the mobile version, did not create virtual counterparts, and looked into the eyes opposite. When confessions, feelings - everything was real, and the wall separating people seemed the least of the problems.
Yes, maybe it was then, it is very difficult. I did not even live ... I had to survive. Minor pensions, work as cleaners and loaders. But life values were real. And patriotism did not seem superficial and ostentatious. Even if they were not nice, they loved their homeland.
And watching the living and close fate of the main characters who suffer there, on the stage in the bright beams of the spotlights, does not at all seem to be looking at some seedy, inferior retro. No, on the contrary, what is happening causes a mild nostalgic sadness, which can make you look at many things differently.
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“ I liked it very much, Excellent performance. A wonderful game of actors.
“ A wonderful children's play, beautiful costumes. Of the minuses, the first act is delayed, about 1 hour and 20 minutes, the children have already begun to lose interest. Children liked it and this is important.