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State Actor Theater

Feedbacks from viewers
Anna was 20 february on The Taming of the Shrew

⠀ “The Taming of the Shrew” is probably one of the most popular and favorite plays. A performance with such a name will be found in the repertoire of almost every theater. ⠀ I went to the State Theater of Film Actor, since I wanted to see exactly the director's version of Igor Yatsko. ⠀ Action moved to Wild West. Here, at every turn, you can meet a cowboy, or a bright beauty, and endless sounds of shooting are heard. There are many unexpected and interesting directorial finds. One artist can perform several roles. The action itself is very dynamic. ⠀ Interestingly resolved scenery. On the huge white canvases, we see video projections, sometimes quite unexpected. ⠀ In the performance, all conditions are created so that the artists can show themselves from all different sides. I really liked the scene in which Sergey Khachaturov turns from a young boy into a respectful Mr. Vincencio, and he even has a dialogue with himself). ⠀ Artists are very actively interacting with the audience, constantly turning to it. ⠀ I was able to impress two artists. Anastasia Privalova, who played the role of Tranio, servant of Lucentio. I have been watching her play for a year now in a variety of theaters. And every time she surprises me. Bright, dynamic, lively. I can not explain with words, I just want to look at it. ⠀ And I liked the way Anton Strelyaev played, who played the role of Petruccio, Katharina's fiancé. Among all the artists involved, he has the best diction. He is very charismatic and emotional. ⠀ The performance left a positive impression) I was able to see one of my favorite works in a completely new way.

Tat`yana was 29 december on Metamorphosis III: Enemies of the Premiere

I really liked it, but a little damp, I think that I simply didn’t have enough time for rehearsal, the quality of the sound from rehearsals cut a little, and the ending fell out of general context. something new in the long-known.

Evgeniya was 29 december on Metamorphosis III: Enemies of the Premiere

Looked before I and II Metamorphosis - staged with the soul! This one - categorically did not like. Bunin look "not comfortable." The final scene is a separate horror (for me personally, of course)! Although, the nephew remarked: "This is the superfluous one" ... Came out with the thought: for whom is the performance? Those who are close to the sound of bells announcing the beginning of the church service and home prayers will not appreciate the last sketch, and vice versa. After all, the point is not in contrast, as such, but in the flow - and it is vulgar. But this, I repeat, in my opinion. After these performances do not expect to continue, to regret! I respect N.S. Mikhalkov, but did not understand.

Evgeniya was 01 october on Metamorphoses II: Wives of artists

Excellent! Bravo! As N.S. Mikhalkov: "The Energy". Indeed, energy, music, words - you feel everything and pass through yourself! Vysokub plank put and directors, and actors. After performances of this quality it is difficult for us and the audience to find something worthy of this! Thank you! "We will seek" (c).

Evgeniya was 17 april on Metamorphosis I: Light breathing

Great performance! You can see the huge work done. Thanks to all! I would not call this an "open rehearsal". Quite a quality full-fledged performance-collage. It's just not for everyone. Thank God that there are SUCH people: actors, directors, artists ... Once again, THANKS.

Only for children
Only adults
117393, Москва, Академика Пилюгина ул., 2
03 h 20 min

The production is a kind of established tradition that is embodied in the Academy on the basis of the works of the great classics of A.P. Chekhov and I.A. Bunin. The performance-designer is a literary and scenic collage consisting of nine works of great classics ("Kuma", "Muse", "Autumn", "Ida", "Misfortune", "Princess", "Joke", "Ms NN Story "," Wives of artists "), demonstrated to the viewer in an unusual format of open rehearsal.
"Metamorphosis" is a certain kind of brand of our Academy. This year we are releasing "Metamorphoses-II" and again we are dealing with the great Russian prose of Chekhov and Bunin. Every year we appeal to these writers, trying to express on the scene the entire atmospheric depth, so inherent in their creativity. We deliberately do not take dramaturgic works, in which a certain premise of the plot and the plot was originally laid. It is more interesting for us, as it were, from the air, out of nowhere, to materialize and stage the subtle strings of relationships between the characters and the character of the relationships between the Buninsky and Chekhov heroes. Despite all the transparency of this prose, but rather for this very reason, this task is articulate, but extremely fascinating, and most importantly - incredibly useful for actors trying to find new opportunities and shades of acting, "notes the director of the play Nikita Mikhalkov.
Directors of the thesis: Honored Artist of Russia Igor Yatsko, teacher of the Academy Vera Kamyshnikova, actor, director Alexander Koruchekov. Production designer - Yuri Cooper. The credits shown in the play were created by the Honored Artist Alexander Adabashyan, sound design by Pavel Doreuli. Choreographers: Victoria Skitskaya, Lasha Maryhuba. The artistic director of the course is Nikita Mikhalkov.
"The performance is unusual and the fact that we created titles that are shown to viewers on the screen during the performance of the performance. We had to work through literally every word of the work to try and convey the true language of that time. Of course, when adapting to the Old Russian orthography, Dahl's dictionary was used, as well as unique lifetime editions of LN's works. Tolstoy ", - says the creator of the credits of the production Alexander Adabashyan.
In the play, graduates of the second stream of training play a one-year course at the Academy of "Actor's Art in Modern Conditions," and the production itself is one of the creative results of the training. The main feature for the viewer is the form of the play, combining not only 3D scenery, video sketches, but also giving birth to the atmosphere of a truly "live movie".
"For me, it is very important that we try to follow the form of scenic minimalism that we initially took, in order to put as much of the burden on the actors and their play on the stage. But in fact, the most joyful and inspiring metamorphosis is the metamorphosis that takes place inside our Academy. Metamorphosis of comprehension by our students-actors of new methods and methods. Every year professionals come out of the Academy walls who can solve any creative tasks, can compensate for any vacuum of director's professionalism. Our graduates do not just perfectly master the acting profession, but they are absolutely self-sufficient - I see in this the main meaning and achievement of our Academy of Cinematographic and Theatrical Art ", - summed up Nikita Sergeyevich.


No tickets 27 january wed 19:00

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