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Stanislavsky Electronic Theater

Feedbacks from viewers
Marina was 10 march on Bacchante

Overall I liked it, although I can not say that I will immediately go to another production. This should be used in a small dosage. Difficult, intrusive, nervous - in a good way. Very hard physically, the actors play, you wonder how they do not fall off the fatigue on the bow. At such performances it is necessary to go to real fans of the theater, people who can "keep a nerve". For those who simply want "a good time to spend" it is better to look for an alternative.

Sergey was 15 january on Anna in the Tropics

Suddenly it turned out to be a very pleasant statement. The actors were able to create the right atmosphere. Despite the very complex scene, the performance turned out to be dynamic and exciting.

Filipp was 30 october on Bernard's House of Alba

Women, ah, these women! With difficulty I was led to this performance by my woman. Along the way, she told me a lot about this play and that the production of director Alisa Seletskaya will definitely be aimed at women! So, Women, this performance is very masculine! Incredible impression, amazing! Now I understand women much better!

Mariya was 30 october on Bernard's House of Alba

I really liked the combination of a serious female theme about power, love, morality and humor, some kind of ease. Another zombie - it was very funny))))))))))) Diana Rakhimova - incredible! Lyudmila Rozanova - powerful! Anya Dubova is a genius! All the girls are good! I finally understood what is called an ensemble) Director - bravo, collected some unreal team!

Oksana was 25 jule on Blue bird. Travel.

I liked the play, a wonderful play of actors. Be sure to go to the continuation in the new season.

Only for children
Only adults
Москва, Тверская ул., 23
02 h 00 min


The premiere took place on February 27, 2020.

Translation: Irina Lake
Stage author: Marfa Gorvits
Director: Marfa Gorvits
Artist: Maria Tregubova
Costume Designer: Evgenia Panfilova
Lighting Designer: Sergey Vasiliev
Video artist: Ilya Starilov

The "cricket" of Martha Gorvits and Maria Tregubova is a story about how suddenly everyone in this world became ill: both to humans, to animals in the forest, and even to trees.

The central image of the performance is a forest after an atomic explosion, in which everything mutated and no one else, not one animal, not a single plant, can fulfill its original and natural purpose. The squirrel can no longer fulfill the purpose of the squirrel, and the cricket is the purpose of the cricket.

In this story, the cricket, which prefers inaction, has no alternative: there is always a skewed “effective” elephant that cannot stop in its “effectiveness”.

All animals living in this fantastic forest were covered by human addictions and phobias - identifying ourselves with them, we can also look at how far gone from nature. Tolstoy wrote about a similar feeling in the novel Anna Karenina, where Levin longed for harmony and calm, useful work. It is when the simple and necessary work passes away from life that the Great Depression rolls on mankind.

The revitalized nature reflects on its depression, thereby reflecting a loss of integrity in the modern world. Fantasy becomes reality: what to do after you have ceased to feel holistic and happy? You can cry, you can laugh, but the best thing is to try to find a way out.

The Dutch writer Thon Tellegen is known for his absurd tales, melancholy and sharply dissecting the time in which we live today.

On the image: sketches of costumes Cricket and Elephant. Costume Designer - Evgenia Panfilova


No tickets 03 march wed 20:00
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