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Premiere of the Dmitry Pokrovsky Ensemble
In the Moskontsert on Pushechnaya (Ballroom)
metro Kuznetsk bridge, Lubyanka
st. Cannon, d. 4, p. 2.
Dedicated to the 75th anniversary of the Great Victory.
The program includes songs from the war years of composers: L. Bakalov, A. Novikov, V. Solovyov-Sedy, A. Lepin, M. Tabachnikov, I. Luban, S. Katz, I. Morozov, M. Fradkin, I. Dunaevsky, the Pokrass brothers, T. Khrennikov, V. Gusev, M. Blanter, B. Mokrousov, A. Aleksandrov,
N. Bogoslovsky, A. Novikov, K. Listov to the poems of poets M. Isakovsky, S. Alymov,
Y. Shvedov, A. Churkin, A. Fatyanov, S. Fogelson, V. Lebedev-Kumach, P. Shubin, M. Kosenko,
A. Sofronov, I. Frenkel, E. Dolmatovsky, L. Oshanin, I. Lisyansky, S. Agranyan, Ts. Solodar, B. Laskin, A. Surkov, V. Lebedev-Kumach, V. Agatov, N. Labkovsky
The epigraph to the program of the Ensemble of Dmitry Pokrovsky \"Oh, the path is the front-line path!\" lines from the song “Only at the Front” by A. Lepin to verses by V. Lebedev-Kumach could serve:
“Who said you need to quit songs in the war?” After the fight, the heart asks for music doubly! ”
Despite all the bloody horror of that monstrous war, it was there, at the front, that the music did not let the soul harden, it helped the person to remain human. Exactly where the best feelings and human qualities of people were tested, the song with its warmth, warmth, sometimes light humor, heartfelt simple words, an intimate native melody warmed the soldiers in the short minutes of respite between the terrible battles, inspired them with confidence that they were loved, remember and wait. Listening to these songs, the soldier could race for several minutes with his heart into that distant peaceful, bright life for which he now fought in mortal combat. This clear difference between good and cruelty, between mercy and hatred, between life and death strengthened strength and hope. After all, our grandfathers and great-grandfathers fought and won for our common future.
And the song - she was always there. Nearby - in the trench and on the front line, near a campfire, nearby - in a dugout dugout, nearby - in the cab of a front driver, nearby - in a tank, in an airplane, on a ship, nearby - on all front roads. The Soviet soldier-liberator walked with the song along all the front-line paths - the paths to Berlin itself.
The program will include both familiar and beloved by all, and Soviet songs of the war years forgotten today.
They give us the opportunity, today, to mentally go through the same front-line roads of the Great Patriotic War and gratefully bow our heads before the daily hardest feat of the winners.
Musical Director - Maria Nefyodova
Director - Olga Yukacheva
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An interactive musical based on the works of K. Chukovsky, S. Marshak, D. Harms and others.
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Musical hooligan performance based on Harmful Advice by G. Oster. A tomboy - a baseball cap on her head, rollers on her feet, her favorite phrase \"I won't!\" Her mom wears a white raincoat (shouldn't I paint it cherry?), And when dad's, slow down so gently if you ride a bike. Her friends are a fearless \"parachutist\" who checks what will happen if you jump out of a window with an umbrella, and a brooding romantic.
The life of a teenager in many respects consists of prohibitions: \"Stop it!\", \"Don't touch it!\", \"Don't you dare!\" However, observing certain rules, you can make your life and your loved ones very interesting. Although ... unsafe.
“I am not giving advice in order to use it in the literal sense of the word. Bad advice acts as a vaccine against stupidity. What is vaccination? This is when weakened microbes are introduced to a person - they cannot cause illness, but the body learns to resist them.
And when I give bad advice, the child hears what someone is trying to impose on him from the outside, or what sometimes comes to his own mind. But he hears it in a funny, stupid, that is, weakened form, and it does not occur to him to use such a recommendation. The child immediately understands that this is nonsense. \"
G. Oster
Performers: Children's Theater \"A-Ya\"
A ticket is purchased for each spectator, regardless of age!
Children under 12 years old can attend the performance only when accompanied by adults!
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The performance takes place in a small hall, the audience sits next to the stage and can feel like participants in all the events: here the flood is moving to Africa, and King Leo convenes his subjects to hear their suggestions. The ostrich offers different ways of escape, Antelope believes that only beauty and art will save the world, Zebra believes that it is necessary to look at troubles philosophically, and a white stripe will follow the black stripe. And only the Monkey decides to act and is sent to the mysterious underwater kingdom, inhabited by luminous jellyfish, dark sharks, colorful fish, lobster and a real dragon.
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A musical tale based on the story of Lewis Carroll. The play, played for little Alice: Queen, Jack, March Hare, Hatter, Cheshire Cat, White Rabbit - all these characters are played by two actors. Our young viewers assume that this is Alice's mom and dad telling her stories about wonderland on her night.
It is worth falling asleep - and you're in wonderland. There is no boring school and no strict parents. You can do anything you want - even stand on your head. However, I do not want to repeat my “feats” after waking up. After all, in a dream, children grow up ...
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The Ballet Theater of Classical Choreography, which celebrates its 30th anniversary this year, presents the premiere - an evening of one-act ballets!
Carmen
The one-act ballet of the famous Cuban choreographer Alberto Alonso, based on the opera by Georges Bizet “Carmen” (1875), orchestra specially for this production by composer Rodion Shchedrin (1967).
In the center of the ballet is the tragic fate of the gypsy Carmen and the soldier who fell in love with her, Hose, whom Carmen leaves for the young Torero. The relationship of heroes and the death of Carmen by the hand of Hose are predetermined by Rock.
A ballet libretto based on the Prosper Merimes short story was written by its director, Alberto Alonso. The premiere of the play took place on April 20, 1967 on the stage of the Bolshoi Theater in Moscow (Carmen - Maya Plisetskaya). At the same time, the character of the production, extremely passionate and not alien to eroticism, caused rejection of the Soviet leadership, and in the USSR Alonso's ballet went in a censored form ...
Walpurgis Night
Walpurgis Night is a ballet scene that Charles Gounod prepared for the second edition of his opera Faust, which was created after the tragedy of Johann Wolfgang Goethe.
According to the plot of the opera, the Walpurgis Night scene unfolds in the possession of Mephistopheles, when he seeks to distract Faust’s thoughts from Margherita and invites him to enjoy all the benefits of the world ...
The episode was first shown on the stage of the Paris Opera in 1869 and has since become an independent one-act ballet and a universally recognized masterpiece of world ballet art.
In the XIX century in Russia “Walpurgis Night” was staged by Marius Petipa.
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“ Shrovetide songs, dances, games and rituals and the atmosphere of fun folk festivals on Shrovetide. Wonderful live action! Thanks to the Dmitry Pokrovsky Ensemble!
“ I watched the program with my grandchildren last year. The Pokrovsky ensemble pleases with its professionalism. Special thanks for the respect for folk traditions! The grandchildren are delighted. We bought a season ticket this season! Let's go again!
“ A fun, interesting and educational program about the traditional farewell to winter. The children really liked it. Thanks to the Dmitry Pokrovsky Ensemble!
“ This is an extraordinary program and a very talented team. I got great pleasure from this concert.
“ I liked the performance, the son of almost 4 years was fun almost from the first minute, the actors actively attract children during the performance. The performance itself lasted 1 hour without intermission, which is convenient for children of 3-4-5 years old, they looked, played and did not have time to get tired! Unfortunately, there are very few scenery and three chairs and a screen, the actors' costumes are not bad, but for some reason they didn’t have time to stroke them, and since the hall is not big, all the folds and wrinkles were visible, I think it is not respect for the audience. Especially the dress of the princess, well, how so, well, very mellow, and the princess seems to be always an example for girls ... And the cloak of the king, where the "courtiers" look !!! But the cat was inimitable!
“ The Nutcracker Ballet performed by the Moscow State Ballet Theater of Classical Choreography. you know how we love ballet and especially classical, which made the glory of Russian art. This time we watched the famous Nutcracker Ballet on Tchaikovsky’s music, staged by choreographer Kovtun, based on the choreography of Marius Petipa, The Nutcracker. It was especially pleasant that the ballet took place in a very intimate, cozy historical setting. In the very center of the capital, in the Mos room, on the Pushechnaya street, in the former Alpine Rose restaurant in the wonderfully preserved mirror hall, on a small but cozy stage, the action of a fairy tale unfolded. I was pleased that the scenery and costumes were made very authentically. The curtain opened, and the tale began. With their bright eyes, the children looked at the guests of the ball, the brave Marie, the noble Nutcracker, the evil mouse king and, of course, the wizard Drosselmeyer. I really liked the fact that the dancers involved the auditorium. So, the guests gathered at the ball, running along the aisle between the rows and up the steps to the stage. The effect of this has become even more realistic. I would like to note the amazing expressiveness not only of dance, but also of dramatic play of artists. How well the emotions are transmitted. Capricious, malevalnaya, a little stubborn and whimsical, but very kind Marie. Her parents are a wonderful duet who conveyed indulgent parental love in hand movements. Each character was very authentic and realistic. Like the dance of the Mouse King. These jumps, hands - and it seemed that he would defeat the Nutcracker. I would also like to mention his costume and make-up - I was very impressed with the children in the hall. I want to say that the choreography is somewhat simplified compared to the usual to us. But the kids liked the ballet. Perhaps the greater expressiveness of the characters allowed them to better understand the plot and characters. The scene of transforming the Nutcracker from a toy into a handsome prince is solved in a very interesting way. Even I did not manage to understand how this happened, and the children saw a real fantastic miracle. I liked very much that during the intermission it was possible to be photographed with ballerinas in the lobby. Yes, and just want to note that everyone who worked on this day, were attentive and friendly. And at the end of the performance all the small spectators were in for a surprise. Ballet dancers invited children to the stage and gave them balloons.
“ Friends, I have some kind of personal YEAR of the Theater) I compiled a personal poster, I go about 3 times a week to my favorite and new (for me) performances) And the other day on the recommendation together with the children and friends, and the children of friends went to the performance Illusions ", this is a Mosconcert show on the stage of the former music hall now Mosconcert Hall on Kalanchevka) OOOO!) As in that cartoon:" What a pity that you were not there " , an illusionist in one person) Well thought out tricks. "How do they do it?" - the hall whispered almost in unison between applauses) The magician and his assistants conquered everyone and children and adults! Between the preparation of tricks and tricks, luxurious dance numbers, costumes, choreography - all at the highest level) I highly recommend) No one will remain indifferent) Thank you so much! Edward, we are your fans from now on)
“ Not bad.