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Dramatic improvisation
This performance is the view of the younger generation on the history of the country.
The main character is Venya, who was born in 1912, and died in 2010. He remembers the expropriation after October, as the family survived the Leningrad blockade of the Great Patriotic War. He watches as his relatives fight for life in modern times.
In the play by the young director Anna Gorushkina this hero-intellectual contemplates the entire twentieth century. He does not participate in history, but is an integral part of it. With his eyes we look at the world that is changing. How will his family survive, and what will prevail in the family: gross materialism or a quivering attitude toward the world?
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On his birthday he remembers his life. While his daughter is selling an apartment (whether a joke or an apartment in the center of St. Petersburg!), Venya gives herself over to memories. Here is his mother, a reserved, well-bred woman. But those girls and ladies who left an indelible mark on his soul.
To sweep the thought through the past, examine it through the eyes of a man who has seen the species, pay tribute to changes, indulge in nostalgia, admire the city on the Neva and its inhabitants - all this allows a spectacle in which the spring mood reigns, after all, it's the turn of April!
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Western for children
The play is based on the famous story of the American writer of the second half of the XIX century O. Henry. This is a story about two adventurers from the Wild West who kidnapped a boy to get a ransom from his rich dad. But baby Johnny, a real imp, declares himself \"leader of the Redskins\" and arranges his invaders a life from which their blood runs cold. Soon, unlucky robbers begin to realize that they are not able to cope with the violent childhood fantasy, and dream of getting rid of Johnny in any way.
To the country music unfolds a funny story, in which there is everything that children like: Indians, bandits, fights and jokes.
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Wanted two unlucky thieves to put money together, that's the son of one rich colonel who stole. Redemption, of course, requested a rather big one.
But they did not know that, in their misfortune, they abducted the insufferable sorceress. There is nowhere to hide from such a little boy: if he really imagines himself to be the leader of the Redskins, then the matter is serious.
After all, these leaders, redskins, and vigorous, and cruel can be, and, among other things, terribly curious: explain to them, and this, and this, and the fifth and tenth.
So there was not such a gift as a gift, and when the colonel agreed to pay any money for such a leader, the kidnappers were happy. They already thought that such a robber-sorceress would not be back!
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Western for children
The play is based on the famous story of the American writer of the second half of the XIX century O. Henry. This is a story about two adventurers from the Wild West who kidnapped a boy to get a ransom from his rich dad. But baby Johnny, a real imp, declares himself \"leader of the Redskins\" and arranges his invaders a life from which their blood runs cold. Soon, unlucky robbers begin to realize that they are not able to cope with the violent childhood fantasy, and dream of getting rid of Johnny in any way.
To the country music unfolds a funny story, in which there is everything that children like: Indians, bandits, fights and jokes.
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Wanted two unlucky thieves to put money together, that's the son of one rich colonel who stole. Redemption, of course, requested a rather big one.
But they did not know that, in their misfortune, they abducted the insufferable sorceress. There is nowhere to hide from such a little boy: if he really imagines himself to be the leader of the Redskins, then the matter is serious.
After all, these leaders, redskins, and vigorous, and cruel can be, and, among other things, terribly curious: explain to them, and this, and this, and the fifth and tenth.
So there was not such a gift as a gift, and when the colonel agreed to pay any money for such a leader, the kidnappers were happy. They already thought that such a robber-sorceress would not be back!
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The history of life of a common man against the backdrop of the history of our country. You can laugh, and sink, and think. After all - it's about us, about our parents, grandmothers. grandfathers. A low bow to the actors and creators! Great chamber and warm atmosphere in the hall, full immersion in action. 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Fantasy in two parts based on the play of the same name by Danila Privalov
There is one heavenly place in the world ...
No, this is not a sun-drenched beach with snow-white sand and palm trees, but a cozy wooden house in a snow-covered forest. Quiet here, good. Here you can spend an eternity sitting by the warm stove, tasting fragrant potatoes with butter, singing songs to the guitar in the company of good people who have become angels.
There are no problems, no diseases, no time, no death. And nothing new, important - will not happen. Maybe this is Freedom?
So why does everyone who lives in this heavenly place dream to return to where wars are, where they cry, hate, fall in love and part - where does Life go?
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Mikhail Vasilievich Krechinsky is a gambler. The game for him is the meaning and purpose of existence, he is accustomed to bet on his fate and honor and, it seems, will easily sacrifice his passion for the fate of provincial lady Lidochka Muromskaya.
Krechinsky leads his game to grab in a duel with the world, which has become for him a field of miracles, covered with green cloth, where everyone makes bets. And that the wedding with Lidochka took place, Krechinsky decided on the most sophisticated and risky Game in his life.
The creators of the play:
Director-producer - Gulnara Galavinskaya
Production designer - Evgenia Shutina
Choreographer - Arthur Oschepkov
Lighting Designer - Taras Mikhalevsky
Musical design - Gulnara Galavinskaya
OPERATING PERSONS AND ARTISTS
Krechinsky: Anton Khabarov
Lidochka: Anna Tsang / Vera Shpak
Atuyeva: Galina Bokashevskaya / Elena Petrova
Muromsky: Grigory Firsov
Tishka: Eduard Aitkulov / Sergey Burlachenko
Petrushka: Eduard Aitkulov / Sergey Burlachenko
Fedor: Nikolai Baskanchin / Sergey Medvedev
Rasplyuev: Stepan Kulikov / Oleg Kurlov
Schebnev: Sergey Kunitsky / Alexander Frolov
Back: Andrei Isaenkov / Andrey Umnov
Nelkin: Alexander Anoprikov
Varravin: Sergey Kunitsky / Alexander Tyutin
Tarelkin: Mikhail Shilov
Actors-songwriters: Eduard Aitkulov, Alexander Frolov
The six bureaucracies: Eduard Aitkulov, Nikolai Baskanchin, Sergei Burlachenko, Andrei Isayenkov, Sergei Medvedev, Andrei Umnov, Mikhail Shilov, Andrei Shchetkin
Razuvaev: Vladimir Baldov
Very important person: Sergey Kissa
Police officer: Nikolai Baskanchin / Andrei Umnov / Andrey Shchetkin
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Plundered, cheated inveterate gambler Krechinsky. Cards - his passion and illness, without a game he does not think of his life.
Even married, he gathered, in trust to the rich father of the bride vtursya due to the fact that in debt is mired. But even here he could not resist: as soon as the opportunity presented itself to the business with the appearance of a profitable turn, immediately took up this risky venture!
But nothing came of him this time, the deception was revealed, the betrothal was upset ... But the story did not end!
Nobody is happy with the way things turned out: the bride was compromised, Krechinsky left without money ...
That's what happens when a person has the desire to cash in on simple and honest people! And all ineradicable excitement is to blame, irrepressible craving for the game!
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Of the merits - a large parking and orchestra during the intermission, the rest is not talented, not interesting. Does not capture either the fifth, twentieth, or sixtieth minute. The transfer of the action to the present is a very complicated device and it was not possible for the director absolutely. The infernal musical mix, musical numbers in places of the level of amateur performance creates the impression of an actor's skits, and the reference to the \"Field of Miracles\" for young spectators in general was not understood (because they do not look), but more adult because ... it is not clear. The director's techniques are monotonous and tiresome. When one, two or even three times there is a rearrangement of furniture in front of the viewer is still nothing, but when it is done constantly, obsessively and irritatingly quite tiresome and disappointing. The longest (and strange) choreographic insets and film projection unbearably lengthen the performance. 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The action of \"Energetic People\" takes place in the 70s of the last century. The heroes of the play are adventurers, speculators and \"improvisers\" of the era of social realism. They call themselves “energetic people” - and indeed, their energy, inventiveness and enterprise can be envied. And, in general, they are not bad people, as Shukshin himself says about them, - just all their boiling energy is spent on arranging their own wealth and abundance, which cannot be achieved by legal means. And everything in the life of the protagonist Aristarkh Petrovich Kuzkin and his associates went very well - until something happened that no one expected ...
Conceiving the production, Sergei Bezrukov deliberately did not endure the action in our day, on the contrary, he emphasizes the well-known signs of that time, from scarce furniture and carpets to fashionable hairstyles and pop songs. But still, a performance based on a work by Vasily Shukshin is not just a nostalgic stylization of that era, it is an attempt with irony, humor to look at its past and see in it the features of our time.
Sergey Bezrukov: “I started the rehearsals of the performance based on the story of Vasily Makarovich Shukshin“ Energetic People ”, the work is already in full swing. The main characters are speculators. Someone will say that the topic is outdated, there are no speculators now, this is not true! There are speculators, they just call them differently now, and their field of activity is much wider than that of the Shukshin \"energetic people.\" We carefully recreate in our performance the atmosphere of those years, the bourgeois life, of which there are many references in the text of Shukshin. There will be a set of \"Ramona\", and other scarce things: caviar, champagne, brandy, elite varieties of sausage - everything that characterizes the era of the 70s. This is the time of my childhood, about which the memories are the brightest and most nostalgic - although in my family, of course, there was not all the deficit that energetic people are rich with. I was born in 1973, and I remember that time well: it is in the old photos of parents, where mother with closed eyes in the then fashion style, these are hairstyles with chignons, and shirts with a sharp collar, flared pants - for me all this is childhood memories .
It will be a bright, musical, energetic performance. A lot of humor, satire, vivid images, types, and favorite songs of all, without which no feast of the 70s could do. I came up with a new genre for this production - karaoke performance. The genre originated from the title itself. Energetic people - energy, drive ... They are not just grabbers - they are very creative, inventive people, sort of modern Benders, \"great improvisers\". They live energetically, driving, and therefore the idea arose to make an ensemble - the VIA \"Energetic People\", which sets the action rhythm, drive. It is important for me that they are in principle quite good people. But, like Bulgakov, “they were spoiled by the housing problem.” The energies are mass, they would really invent, improvise and earn honest money on it - but the way of life itself forces them to live exactly the way they live. 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“ The performance has everything - laughter and tears, melancholy and joy ... But, most importantly, throughout the entire performance it is somehow unobtrusive, as if questions about the complexity of being arise by themselves, and they do not let go for a long, long time .... "They cannot die, but there is no place to live there anymore" "Everything has already been negotiated" ...... What about us? Do we have "where to live"? The same routine ... And what about us? Do we always find a topic for conversation? Alas, we are more and more silent, buried in the TV, in the computer, at best in the book ... Life goes on, and we all wait - just about it will happen and we will be happy ... But, as the author of the play Danila said Privalov "" We must appreciate what we have here and now. Because it may not be better. Even THERE. "
“ Beautiful Far Away is a Beautiful Job
“ I liked the performance very much !!! A touching story. Both funny and sad. Bravo to all !!!
“ A wonderful performance! Makes you think about a lot and appreciate what we have !!!
“ It was very cool, a range of different emotions, thank you!
“ On June 3, we attended the performance "Beautiful Far Away" at the Moscow Provincial Theater. A very interesting production, and the small hall of the Moscow Provincial Theater made it possible to feel like a participant in what was happening on the stage. Thank you so much!
“ I liked the play very much, good production, good acting
“ Merry pre-New Year's performance-skit in the style of S. Bezrukov. I liked it very much, although the authors advice to earn some script (a bit primitive). phones! We went out in a good festive mood, thank you!
“ The performance is beautiful, bright, colorful. The child was 8 years old. The hall is small, well visible.
“ Wonderful setting of a magnificent work! Son of 5 years was not very impressed, unfortunately. But his young mother was delighted with emotions !!! Thank you!
“ 06.07.18 visited with the granddaughter of the play "The Book of the Jungle." Mowgli "Wonderful production! Bright, colorful, musical. The game of actors is amazing. Well done! Before the performance in the foyer entertained the audience, danced Indian dances, told the children about the country of India. We really enjoyed. The next day, the granddaughter (6 years old) retold the whole play to her parents. I liked the theater. New, comfortable chairs, it is clearly visible. We will definitely return there. Thank you.
“ At the play "Wedding Krechinsky" were a family on April 28, 2018. Of the merits - a large parking and orchestra during the intermission, the rest is not talented, not interesting. Does not capture either the fifth, twentieth, or sixtieth minute. The transfer of the action to the present is a very complicated device and it was not possible for the director absolutely. The infernal musical mix, musical numbers in places of the level of amateur performance creates the impression of an actor's skits, and the reference to the "Field of Miracles" for young spectators in general was not understood (because they do not look), but more adult because ... it is not clear. The director's techniques are monotonous and tiresome. When one, two or even three times there is a rearrangement of furniture in front of the viewer is still nothing, but when it is done constantly, obsessively and irritatingly quite tiresome and disappointing. The longest (and strange) choreographic insets and film projection unbearably lengthen the performance. The director does not know the auditorium. The outputs of actors with rather lengthy dialogues, sketches or monologues are not visible at all from the balcony. People sat on the balcony for 10 minutes, just rolled their eyes up and listened. Inexpensive tickets do not mean that the viewer will not see half of the performance. The cast is weak. Anna Tsang, in the role of Lidinsky, is simply terrible. For the final monologue, uttered with an eerie reprimand, it was just awkward. However, awkward for her was the whole play. Of the actor's work would have noted only Rasplyueva-Kurlova - a great actor, great work. Khabarov did not impress at all. Despite the increased advertising (which bought tickets), the hall is half empty. In general, the performance is not recommended. At one time three times was at the musical play "The Wedding of Krechinsky" by the Maly Theater with Vitaly Mefodyevich Solomin in the role of Krechinsky. That's where I wanted it to never end, and in the MGT I wanted it to pass quickly. I'll go to my favorite t. "Sphere", he never disappoints.
“ Were at the play on 11.03.18. Many thanks, very strong impressions left the play! Looked at one go! That's the way to tell about the war. Thank you!
“ If you do not want to think about anything, then you need to watch this performance. It's easy not to feel
“ Were on December 31 at the play, in ecstasy! Every year we go to the theater on December 31 and have already "seen enough" of various performances. "Christmas, Mystery, Ball" - perhaps, the best performance from "New Year's Eve". I am sure that on normal days he will cheer up, give a charge of emotion that will keep you in a state of holiday for a long time. A light story, beautiful singing actors, a live orchestra and songs are cool, time-tested, raznozharovrovye-that the audience is ready to sing along with the actors, which sometimes does. Super!! Thank you all for the wonderful festive mood and such an emotion !!! So they sang until the morning "... if the snowflake does not melt ..."))). We will come to other performances. I'm sure there are a lot of interesting things in this theater. Special thanks to S. Bezrukov for the theater. From the "hanger" to the repertoire, everything is cool!
“ Were at the show with the whole family, the child is 11 years old. Liked everything. The theater itself, the atmosphere, the actors' play, the scenery. Not when I was bored before the performance. Children were entertained with games. All on the topic. I advise you to bring classes to the theater.
“ The master of the artistic word and the live orchestra on the stage is very impressive. We, adults liked it! Surprised by the abundance of toddlers ....
“ Very touching and sincere performance! The history of life of a common man against the backdrop of the history of our country. You can laugh, and sink, and think. After all - it's about us, about our parents, grandmothers. grandfathers. A low bow to the actors and creators! Great chamber and warm atmosphere in the hall, full immersion in action. We watched with my daughter - 20 years old, and I 44) Went out with a feeling of light sadness and hope) Thank you from the heart!
“ Very touching and sincere performance! A piercing life story of a common man against the backdrop of the history of our country. Performance for not indifferent spectators. makes you smile and feel sad, and remember your parents, grandparents ... Very chamber and warm atmosphere of a small hall, full immersion in action. A low bow to the actors and creators of this performance! Went with my daughter, she is 20 years old, I'm 44. We left with a feeling of warmth, light sadness and hope)))
“ Went with my husband. The performance is ecstatic. And Mikhail Zadornov and actors and music, everything is fine!
“ Thank you very much for the performance.
“ Were at the play "Spring". Pleasant Modern Youth Performance. Very unusual scenery. It left a very good impression and the hour and a half of the performance flew very quickly, and although the clock was installed on the stage, which counted these half hours in real time, they looked at them only at the end! Recommended!
“ For the first time she was in the Provincial Theater and was very pleased. The scenery and the rotating part of the scene were struck (probably there is a special name for this, but excuse me, I'm an amateur). "The effect of the treadmill" on the stage suggested that everything outside changes around: fashion, architecture, and the person and his problems are the same as in the 18, 19 ... 21 centuries. Particularly pleased actor C. Vershinin.
“ I liked the performance very much. Bright, colorful, an amazing actor's play Dmitry Dyuzhev, certainly beyond competition. Particularly pleased with the songs in his performance.
“ An interesting decision to staging Astrovsky's "Bezpreedannitsy" is combined with "Mad Money". Overall I liked the actors played well, in the second part of the play we played even better, young people. The only thing I did not like, especially my wife, is the allusion to the stupidity of ALL women, Where the saying why women can have few wrinkles - they think little. But this is purely my opinion. It is true that Bezrukov at the end bowed for only a few seconds, perhaps so he shows modesty. I liked the idea of a living arkestra.Dyuzhev sang great, as I understood in a live, well done. Thank you all for the performance.
“ The play "Found a scythe on a stone" as a whole was pleasant. The theatrical performance took place. Dyuzhev in the role of Vasilkov is good (the granddaughter called him nyasha .., she is 12 years old, she generally enjoyed everything, although the performance is very long). For me, it was the superfluous heroes of "Bride", who, in my opinion, were not here all right. The hand of S. Bezrukov was felt in the production: but let's the gypsy, and let's bother the spectators with Ogudalova ... Ostrovsky seems to me so good in every play and in the finished plot and in the set of characters that two plays in one are a bust, Vinaigrette ... From the actors like Karina Andolenko (the main female role), Sergei Vershinin (just bravo!). In the Moscow Provincial Theater was the first time: from the audience the impression is good, it is comfortable, designed in a classical style. Apparently, you hear well enough. The spirit of the theatrical is present. The actor's troupe pleased. Interesting composition. The theater is next to the metro, which is important. Foyer ... although the orchestra played, but the comfort in the foyer was not enough. But the theater begins with a hanger. Rather goes on with the buffet .. Disgusting buffet, the feeling was that I was not in the theater, but in a bad circus. In general, after work, we tasted there before the performance, and in a break after 2 hours of action, the benefit of a break of 30 minutes, went out into the street, and next to it was a French bakery. That's where the cards are accepted, everything is stylish and tasty. It is worth to go to the play. Scenery, actors, action, noise, din, music, gypsies, romances, beautiful costumes ... But keep in mind that the duration is 3.5 hours (it ended at 23-30)!
“ Were at the presentation of 18.10, the birthday of Sergei Bezrukov. The performance is excellent, the actors are simply shaking. The atmosphere gives so much insight into what is happening that we ourselves become participants in the scene. Thanks for the splendid setting!
“ Miracle of the play. Everything is good from the director and artists to dressmakers and decorators. Everything is just great. Bravo to all. One minus, which does not belong to the performance - bad acoustics of the hall.
“ In general, I liked it. An interesting Provincial idea of the theater. The organization, the actors' play, the decorations, the interior of the theater at a high level. Djuzhev is super cool. Security guard at the entrance no.
“ Successfully mixed "Mad Money" with "Dowry". A lot of music, excellent dekaratsii, actors perfectly play. Three and a half hours passed unnoticed. Got a lot of fun. The only negative - on the balcony ventilation was turned on, the first act was frozen, interrupted during the intermission. The first time in this theater, I hope, not at the last :)
“ Thank you. All liked it.
“ The performance really liked! Excellent actors, scenery, costumes! The only thing, sometimes on the balcony was hard to hear (2 rows), especially if the music.
“ A stunning performance. Have taught great pleasure. Thank you .
“ Acoustics are not very good :( It was not very well heard in the 10th row of the stalls, and the seats are comfortable! :)
“ Stunning performance)) will not regret)) all go
“ Very good and beautiful performance! Liked very much! All actors are good fellows, everything is beautiful!
“ Thank you very much for the holiday! The play of the artists, the production, the theater itself, the fair in it - all very much. And such scenery for a long time did not see, though in theaters we go very often.
“ Good afternoon! For the first time, I, my friends, visited the Moscow theater. And we were in great ecstasy. The play left a mark in our hearts. Thank you very much!!!
“ Great performance! We wish you new creative successes! Elena.
“ Thanks to all the actors great! Stunning scenery, the atmosphere is warm, the theater building is favorably different from other Moscow theaters. A large hall on the 2nd floor has a cultural rest. A separate Respect Dima Dyuzhev and actress who played Lydia! Sergei and Irina Bezrukov great fellows - a wonderful creative couple, keep it up!
“ Wonderful performance !!!! The production, the scenery of music, the actors, everything is simply delicious!
“ Thank you very much, I liked everything. The only comment on the duration of the play. It is hard for a weekday, considering the theater's location. Liked the action in the lobby. Good luck!
“ Great play of actors. Dyuzhev is amazing! But the performance is long, some scenes seem to be drawn out.
“ Beautiful setting, gorgeous costumes and scenery! A wonderful cast! Thank you for the delivery. pleasure! Tatyana.
“ Thank you very much for the most wonderful emotions and impressions !!! The whole play is in one breath! Funny, beautiful and original for all time !!! Thank you, thank you to the actors, thanks to Sergey Bezrukov!
“ 04/22/2014, Great performance! Great acting game! Thank you for the interesting statement. I advise everyone.
“ Thank you! A wonderful game of actors! I liked it very much!
“ We got great pleasure! It's unbelievable! I liked everything and the actors' play, and the atmosphere in the theater and the staff! In the near future, we will definitely visit again! Thank you!
“ Found a scythe on a stone - this is a very interesting mixture of Ostrovsky. A love story that will not leave one person indifferent. The brilliant composition was chosen: both the hero Dyuzheva Vasilkov, and Lydia and Glumov and Telyatiev deserve such applause that the palms hurt! The game is at the highest level. The play looks on one breath! Some phrases are taken up for quotations, especially Telyatiev! Once again I want to go to this play and I advise everyone!
“ A delightful performance and a play of actors.
“ I liked the performance very much. Thank you!
“ A brilliant performance, it looks in one breath. Music, scenery, costumes - everything is fascinating and fascinating. And of course, the amazing plasticity of theatrical actors - Stanislav Bondarenko and Katerina Spitsa. Bravo!!!
“ 10/16/2016 visited the premiere performance of the Provincial Theater "Krechinsky's Wedding". We have never been here before; Somehow before this seriously did not expect that here you can count on a high level of directing and acting. But the result surpassed all expectations! Already from the threshold it became clear that the building of the theater on one side - modern and comfortable, on the other - fully corresponds to all the traditional ideas about the church of Melpomene. Pleased with the production, scenery, costumes, the dynamics of the scene. Actors - both young and older generation - work with full dedication, light, music, stage equipment - all without any overlap. All three (!) Hours with a half-hour intermission the action takes place brightly, dynamically, emotionally, accompanied by the remarkable musicians of the Governor's Orchestra. The action goes out into the auditorium. In the break - a special surprise. The Governor's Orchestra meets the audience in the foyer of the second floor with music that makes them forget about the buffet and, sorry, about the toilet. Incendiary jazz compositions force the audience to dance until the third bell. The cost of tickets is quite democratic even in the first row, there are practically no empty seats (with the exception of seats in the first row involved in the course of the performance). Thank you for the pleasure!
“ Thank you !!! We were delighted !!! Really liked!
“ Excellent production, emotionally rich, with a great sense of humor, with good play and songs, beautiful dekaratsiyami and effects. It is equally interesting for both children and adults.
“ "Cyrano de Bergerac" 07-03-2017, although the second lineup (I wanted to see how plays Bezrukov), but the guys gave all 100%. Young, fervently, talented
“ The production is just wonderful, what bright and appropriate costumes. The artists worked harmoniously, which means that everyone is friendly in this team, for which the director of the Moscow Gubernskogo Theater, Sergey Vitalievich Bezrukov, is so thankful !!!
“ Were at the play "The Book of the Jungle." Mowgli. Bright, colorful performance. Stunning scenery, very interesting costumes, just for such a theme. Thanks to everyone, everyone for the excellent production :)))
“ 4.01.15g I made a gift to an adult son (26-year-old) and his girlfriend, having presented 2 tickets. Visiting the play "The Jungle Book", they were delighted with the play of actors, scenery fantastic, the ability to keep children interested ... After the performance the children waited for the continuation. My son recommended us parents to see it. Thanks !!!!