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Poster
Theater of Music and Poetry by E. Kamburova

Show
Weekends
Only for children
Only adults
October2023
Капли датского короля
Purchased earlier: 833
from 3500 rubles
Location:
119435, Москва, Пироговская Б. ул., 53/55
Duration:
01 h 40 min
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Dedication to Bulat Okudzhava "One wise man said: if you go for a long time, not knowing where, do not be surprised if you eventually get to nowhere. Today you went to the theater, and got on a visit, "the actors inform the audience at the beginning of the performance. However, the term "performance" in the familiar sense of this word to "Drops of the Danish King" has no direct relationship. In the Theater of Elena Kamburova, the basis of the dramatic action is always a song, "Drops" is not an exception. The audience is seated at a table, actors are placed opposite, prayerfully fold their hands and begin to sing "Grape Stone". "Drops of the Danish King" - an evening of memories of Bulat Okudzhava, the event is chambered and almost intimate. Excerpts from the autobiography of the bard are read with the expression that all those present belong to Bulat Shalvovich relatives. Familiar since childhood, the songs are supplemented with small dramatizations: the actors amicably posing "Against the background of Pushkin", marching to the song "On the Paper Soldier" and handing over the toy "Moscow ant". By the end of the action, the audience starts actively singing along, some secretly wiping the runaway tear. Because it is already painful to visit the Theater of Music and Poetry: "Sentinels of Love" are sung so that it sounds like you yourself suddenly became a hero of the "Pokrovsky Gates", which means that in the yard there is always April, according to which God himself ordered to be on duty.
Tell about the biography of Bulat Okudzhava, but not pathetic, not in a pathetic tone, but simply, sincerely, at home, they say, such a person lived, was a poet, a musician ...

To sing all the favorite songs of Okudzhava, but, again, without unnecessary pathetic and declamations - to sing at the table, as they are sung today: people invite each other to visit, get a guitar ...

The performance does not make Bulat Okudzhava a grandiose figure, an idol, an unreachable genius. Here everything is created in order to simply experience these songs once again, to be imbued with their liveliness and humanity, and, sighing, rejoice that Okudzhava's work is still important and relevant.

Tickets

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