Reviews

Thriller with cabbage filling.

Once in the KVN I heard American blues about Little Red Riding Hood. Since then, I am smiling at her mention ...

This, of course, what should be a brave girl to scratch one. Through the forest. Yes, and with pies. Nobody argues, granny is sacred. But, it seems, Mama does not care at all that her wolf can take a snack.

But then went to a psychological thriller. A sophisticated assassin (besides a wolf) cunningly tries to find out the path for the girl and ... even a patty, a bastard, begged.

Eats the grandmother entirely (just imagine now the size of this monster - the grandmother something to swallow), but the further attention ... disguises (!) In her clothes and remains to wait for the Hood ...

In my opinion, the poor girl is waiting for a big surprise, after she "pulls the string."

Are you ready to please the child with a bright and juicy, musical and very funny fairy tale "Little Red Riding Hood"?

Sing songs with all your favorite Hats, think about how to outwit an evil wolf and save a grandmother. And recharge the most radiant energy of this wonderful musical.

He is just a soldier, especially one-legged, and fell in love with a beautiful ballerina. True, she also likes to stand on one leg!

How does he feel that the dancer will not respond to his tender feelings!

The toy was presented to a small boy, where he was in a box with other soldiers.

The story of the fidelity and staunchness of a brave tin soldier, who passed all the trials, but did not forget his first love.

The soldier is facing a dangerous journey on a paper boat. Then he fell into the water and barely escaped from the water rat, but was swallowed by a large fish.

The cook found the soldier and carried it to the nursery.

But he still has to cope with the machinations of the evil troll who lives in a snuffbox.

Troll also likes a pretty ballerina.

Kind children's performance on one of the best fairy tales of Andersen.

Oliver Sachs was a neuropsychologist and worked all his life with people suffering from various disorders and abnormalities: who stopped feeling his body, who curses and twitches without end, and someone, perhaps, does not even recognize his wife and accepts his hat! ..

But, probably, the world would never know about the incredible tricks that his brain can make with a man if Oliver Sachs did not have one more important talent - the ability to beautifully and breathtakingly describe all that he had seen as a doctor. Yes, he was a writer. According to his book, this performance was staged.

Freaks, crazy, strange, awkward people - all the characters here are special. They are touching and touching in their attempts to master this world, to understand which glove should be worn on which hand ...

This is the deep human message of the play, partly ironic, a little sad, but certainly kind, calling us to observe special people simultaneously and with the impartial position of the curious scientist, and from the deeply experienced, compassionate person.

"You can tell by eyes whether a person has money or not."

Zoe has a special scent for money. He knows everything at all costs and will not give himself up for offense.

She dreamed of making a lot, and then going to Paris. She saw this city only in a dream.

And in the Soviet Moscow of the thirties, the ladies do not live sweetly. Beautiful outfits in the afternoon with fire do not get - you can only sew.

So Zoya conceived in her cozy apartment to open a sewing workshop for sewing fashionable dresses and working clothes for the proletariat.

But this is for a diversion of eyes. A lot of money will be brought to her by the visiting house. And her assistants are one better than the other - a charming rascal and a former lover.

She organizes cheerful parties with them.

Scammers are always there. They reported to whom it follows that Zoya is a "socially dangerous type". Caring is full of mouth.

But trouble does not come alone. She's got a commercial director killed in her apartment!

Now she can not escape arrest. I cried her apartment!

"Seagull" A.P. Chekhov is widely popular and is often staged in theaters of the capital. In the production of Dainius Kazlauskas, the main emphasis is not on the history of the actress, unlucky, like many Chekhovian heroes, in love, but selflessly devoted to her acting role. On the contrary, the author puts Konstantin Treplev - unrequitedly in love with the writer.

Lacking affection from the narcissist mother-actress, who could not find peace, even in the glory that came to him as a writer, heard a refusal from the one he had long and faithfully loved, Treplev decides that for him there is no more reason to live in this world.

A fatal decision, an irreversible act ... The end of life, the end of fate ...

You never know what to expect from this bohemian. Creative people are freakish, cruel. They live by their own whims. One word is eccentrics.

They sit, drink tea on their verandah, grasshoppers chirp around, trains rustle. And I think about how to simply bring people into that "bright, kind."

Chatters, of course, but willing to people of good. They will suffer, posokrushayutsya about the fate of the motherland and go to play cards.

Taking on the role of the builder of human souls, the soft-baked writer himself can not keep track of his women.

His wife is ready for everything for him, even to close his eyes to his betrayal. She, of course, forgives, but she always gets a handkerchief out of her pocket.

Writers generally have an amnesty for adultery. What to do, these are the costs of the profession - the muse is always necessary.

It is desirable with a pretty face, tight curls and a slim figure. By the way, the groom of the muse is a revolutionary, and such people do not live long.

Wife - husband - mistress ... but the classic love triangle instantly crumbles and turns into a square when a new woman appears, young and inexperienced.

Fiction is you. The only truth is happiness ... Will he find his restless literator, Lovelace?

Each production of Vladimir Pankov is becoming an extraordinary event of Moscow theater. Although even in the whole whole country.

Perhaps, because this director manages to not only talently embody on the stage any works. In addition, he created his own - an amazing direction called "saundrama." "Morphine" - the first in this series, brought him a few theater awards and has been on the stage for nine years already. And created for the Festival. Chekhov "War" continues to conquer the metropolitan public.

And now, a new performance in the same amazing style, combining music, plastic, text. When all this, even simple noises, merges into a single whole, forming the space of the inner world where the characters live, help them to immerse themselves completely in the atmosphere of their life, to feel them at arm's length.

And what will he tell us about this time? About such a strange and at the same time very Russian concept as "zilovshchina." About where the truly Russian yearning comes from and what it does to a person. And that a person who has lost himself in this melancholy, who has lost the opportunity to love, and maybe even a belief in what he is capable of loving, does with the people around him.

It would seem that the war is over, it's time to establish and equip a peaceful life. What does not allow to forget the past, to lick wounds? What prevents if you do not start living anew, at least worthy to continue what is?

Maybe the fact is that the mother and father are not tired of waiting for the eldest son, who is missing. They still believe and hope that he will return.

Or maybe his father secretly gnaws at the wine: did not he, the owner of the plant, produce defective parts for aircraft engines? But the missing son could suffer from this: he was a pilot ...

Meanwhile, the younger son is in love with the bride of the elder. But parents do not approve of this love, they do not want to betray their eldest son.

That's what the couple wanted best, they thought about their benefits, and then it turned out that because of their decisions, their children die or become unhappy ...

Here Hamlet wanders around the stage with a volume in his hand. He, the actor giving a presentation in Elsinore, the prince only on the stage. But, as befits an actor, Hamlet lives his role to the end. So, learning that the present king, Hamlet's uncle, treacherously killed his brother-king, Hamlet's father, in order to deceive the throne, Hamlet decides to take revenge on his uncle. In his decision, however, he is not sure, and he constantly fluctuates between the notorious "to be" and "not to be," and only in the final, dying, dares to pierce his uncle with a deadly rapier.

So, the story line is true to the Shakespearean text, full of questions and insoluble mysteries. However, the fact that Hamlet is actually a lyceum and fulfills his role without parting with the book makes it possible to say that one truly Shakespearian problem is particularly prominently displayed and grotesquely explicated in the production: do we choose the role that we will play? If not, can we even stage it, arrange accents, creatively beat events, scenery, costumes? Or all that remains for us is to act, frantically giving in to the fact that we live, and asking as little as possible about the question, but who has invented all this, if, say, we fell for revenge for our father and die in the finale of our tragedy?

Something from my childhood ...

Here you run, you run, you gasp. And then the child's help: "I'm in the house!" And that's all, no one will besiege.

A Tale of Poor Relatives. Do not have time to start a separate living area, like here: "I can drink water from you, otherwise I want to sleep that night!"

Mouse housewarming celebrated. To her there and then the brother-hedgehog with a frog, a foxy-sister with a wolf, Petka-cockerel. Relatives can not refuse!

But one was superfluous. I do not understand how the bear could have thought that it would fit in the mouse's house ?!

Very kind, very dear to the heart of the fairy tale "Teremok".

Childhood is the most wonderful time for kids, and the most important is for parents.

Teach children to distinguish between good and bad, spending weekends with them in the theater - a pledge of happiness in a tenement called Family.