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Feedbacks from viewers
Tat`yana was 21 december on Overcoat

I didn't like the performance. I believe that theater, art in general, should raise the viewer to its level, and not fall for the needs of the crowd and for its empty entertainment. Gogol's "Overcoat" is a piercing thing, the tragedy of a little man, they made a funny musical with dances and songs out of it, and when a naked hairy actor jumped out of another overcoat, ran to the second floor and, turning, began to play the saxophone, which covered the causal places ... Well, you can't make a farce out of everything, you need the viewer, especially the young, to worry, experience certain feelings, and not look dismissively at the stage and grin, well, come on, make me laugh.

Ekaterina was 21 january on Overcoat

The theater is not in vain called "modern play". Therefore, even referring to the classics, directors play with the product both in the same way and that way. In 2016, the attention of art director I. Raykhelgauz appealed to Gogol and ... a very interesting production was born. Modern and ... classical. With jazz, vocals and even skating, Gogol's "greatcoat" is an ode to a small man who performed his duty with diligence, honestly and with pleasure. And, as is often the case in life, not receiving due respect. Not looking at the transfer of the plot into modern realities, during the performance you still find yourself in Petersburg of the 19th century. And the overcoat bought by Akaky Akakievich, which is present in the play and in the form of a modern down jacket, and in the form of a huge coat, becomes a bargaining chip of human life. In the production itself, everything is fine: the idea of ​​giving (especially the idea of ​​explaining certain words and certain life nuances characteristic of pre-revolutionary Russia), musical accompaniment (jazz music perfectly complements the performance), the actors' play and the main character's vocals, stage design. By the way, the musical accompaniment of the performance is based on variations of M.Dunayevsky's music.

Irina was 19 november on Overcoat

This performance allows you to move to that Petersburg, in which none of you were. Quiet streets, leisurely dance of snowflakes, bewitching snowstorm. And somewhere far away the desires of the protagonist are about to come true, but such an action is going on around him that you forget about him - the life of his mistress, his colleagues, his shadow, his greatcoat, but only himself. Is he so unattractive and pathetic? Be sure to watch this performance, excellent direction and the actors' play!

Шинель/Пальто

Шинель/Пальто16+

Purchased earlier: 127
Location:
Москва, Неглинная ул., 29/1
Duration:
02 h 00 min
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Review

Akaky Akakievich Bashmachkin dreams of one thing - that they will make a new coat for him ... a coat!

Yes, yes, a coat. And what else can you dream about in the modern world? That Akaky Akakievich was not alien to the cult of consumption. And after all, he is a modest man, in fact, a man, just a coat, and not a fur coat, he wants to get!

Only fate is unpredictable. And what if the hero loses his new clothes? Find, what to dream about, or will be grieved, and then will take revenge?

Songs, dances and dreams of a new coat - here it is, modern life, ready to pereate and beat Gogol in its own way!

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FeedBacks

Tat`yana was 21 december

I didn't like the performance. I believe that theater, art in general, should raise the viewer to its level, and not fall for the needs of the crowd and for its empty entertainment. Gogol's "Overcoat" is a piercing thing, the tragedy of a little man, they made a funny musical with dances and songs out of it, and when a naked hairy actor jumped out of another overcoat, ran to the second floor and, turning, began to play the saxophone, which covered the causal places ... Well, you can't make a farce out of everything, you need the viewer, especially the young, to worry, experience certain feelings, and not look dismissively at the stage and grin, well, come on, make me laugh.

Ekaterina was 21 january

The theater is not in vain called "modern play". Therefore, even referring to the classics, directors play with the product both in the same way and that way. In 2016, the attention of art director I. Raykhelgauz appealed to Gogol and ... a very interesting production was born. Modern and ... classical. With jazz, vocals and even skating, Gogol's "greatcoat" is an ode to a small man who performed his duty with diligence, honestly and with pleasure. And, as is often the case in life, not receiving due respect. Not looking at the transfer of the plot into modern realities, during the performance you still find yourself in Petersburg of the 19th century. And the overcoat bought by Akaky Akakievich, which is present in the play and in the form of a modern down jacket, and in the form of a huge coat, becomes a bargaining chip of human life. In the production itself, everything is fine: the idea of ​​giving (especially the idea of ​​explaining certain words and certain life nuances characteristic of pre-revolutionary Russia), musical accompaniment (jazz music perfectly complements the performance), the actors' play and the main character's vocals, stage design. By the way, the musical accompaniment of the performance is based on variations of M.Dunayevsky's music.

Irina was 19 november

This performance allows you to move to that Petersburg, in which none of you were. Quiet streets, leisurely dance of snowflakes, bewitching snowstorm. And somewhere far away the desires of the protagonist are about to come true, but such an action is going on around him that you forget about him - the life of his mistress, his colleagues, his shadow, his greatcoat, but only himself. Is he so unattractive and pathetic? Be sure to watch this performance, excellent direction and the actors' play!

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