“ "False Note" is one of those few performances that do not require reviewing. Even with a strong desire to say something, it is very difficult to clearly formulate a thought, you need to see and feel it. However, I will try to comprehend at least a small part. Firstly, I, surprisingly, have nothing to complain about: neither the acting, nor the script, nor the production, nor the concept itself. This performance gives odds to many feature films about the Second World War, because, unlike them, it is not pretentious and has room for the viewer's thought, giving him a choice, thereby making him a direct participant in the action. The idea of castling the executioner and the victim may not be so original, but the way it is shown is commendable. There is a decision to create a casual comedy style first for the sake of emotional contrast, as was done in Roberto Benigni's Life is Beautiful. As for the historical context, I did not find any obvious blunders, and the story of the main character about his stay in the camp looks convincing, and even too much (perhaps this is the best part of the play). I was pleased with the small number (they are inevitable) of manipulations and speculations on this topic, inscribed organically. Summarizing all of the above, we can say that the performance will not leave anyone indifferent.
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