Венецианка18+
Review
The beginning of the twentieth century. In theatrical studio the play of the unknown author "Venetian" is rehearsed. Not a modern one, but an old play written in the sixteenth century.
The aesthetics of the Art Nouveau era, which broke into art in the twentieth century, must somehow get along with a story told at a different time and place. How to combine what seems incompatible? ..
So they looked for new theatrical principles, so they developed innovative moves and techniques, so they came up with a new stage language for the theater's coryphaeus, which is dedicated to this performance: Vsevolod Meyerhold, Kazimir Malevich, Konstantin Melnikov, Roman Viktyuk.
The troupe rehearses. Creative people argue about the principles of theater. New and old interact, giving birth to unexpected director's moves and combinations. What kind of play will come out as a result? Unknown. So far they are probing the soil, preparing. Looking for among the flooded avant-garde means and opportunities to say and express their own. And be sure to find.
FeedBacks
“ Great performance! Easy, funny, bright. An unexpected symbiosis of arts, styles, eras and texts. BRAVO! Igor Nevedrov! BRAVO! Actors!
“ TROUBLE AND FUNNY) THANKS! BRAVO! Igor Nevedrov - actor and director of the Theater of the Novel Viktyuk, staged a play that may seem ridiculous show, but behind all humor lies the same pressing problem of the CREATOR OF THE CREATOR IN THE WORLD OF CIVILIZATION! As Roman Viktyuk himself says, "this is for the smart, they will understand." BRAVO! Laughter is needed only that the spectator can survive the tragedy.
“ Like any, perhaps, the performance of the Viktyuk Theater, it is more likely that he will touch those spectators who know at least a little about the theater, in which they came, about the building, about the director - or at least read the description of the play. Although, in my opinion, interesting scenery, bright colors, strong, charming artists in themselves charge with energy and hide behind laughter serious thoughts that the viewer discovers in himself at the end of the play. For several months she waited for the opportunity to go to the "Venetian", so she managed to read the original work: a funny, sometimes even a hilarious comedy about the boy Julio, who chooses between the married lady Valery, whose location he sought initially, and the widow Andzeloy, who fell in love with him "herself" . How does this relate to the theme of filmmakers, innovators, teachers and students? I did not understand this all the time of my expectation and the first half of the performance. But when, laughing at the charming antics of the actors (especially Andzela in the performance of Stas Motyrev), you correlate the conflict that arises on the scene and the dialogues of Valery and Julio that follow the text of the play ... It's brilliant. How could you even think of it, see it, notice it ?! Bravo! The final "Venetian" in the play and in the play left completely different emotions, and it's very cool and interesting.
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“ Great performance! Easy, funny, bright. An unexpected symbiosis of arts, styles, eras and texts. BRAVO! Igor Nevedrov! BRAVO! Actors!
“ TROUBLE AND FUNNY) THANKS! BRAVO! Igor Nevedrov - actor and director of the Theater of the Novel Viktyuk, staged a play that may seem ridiculous show, but behind all humor lies the same pressing problem of the CREATOR OF THE CREATOR IN THE WORLD OF CIVILIZATION! As Roman Viktyuk himself says, "this is for the smart, they will understand." BRAVO! Laughter is needed only that the spectator can survive the tragedy.
“ Like any, perhaps, the performance of the Viktyuk Theater, it is more likely that he will touch those spectators who know at least a little about the theater, in which they came, about the building, about the director - or at least read the description of the play. Although, in my opinion, interesting scenery, bright colors, strong, charming artists in themselves charge with energy and hide behind laughter serious thoughts that the viewer discovers in himself at the end of the play. For several months she waited for the opportunity to go to the "Venetian", so she managed to read the original work: a funny, sometimes even a hilarious comedy about the boy Julio, who chooses between the married lady Valery, whose location he sought initially, and the widow Andzeloy, who fell in love with him "herself" . How does this relate to the theme of filmmakers, innovators, teachers and students? I did not understand this all the time of my expectation and the first half of the performance. But when, laughing at the charming antics of the actors (especially Andzela in the performance of Stas Motyrev), you correlate the conflict that arises on the scene and the dialogues of Valery and Julio that follow the text of the play ... It's brilliant. How could you even think of it, see it, notice it ?! Bravo! The final "Venetian" in the play and in the play left completely different emotions, and it's very cool and interesting.