For the brilliant lover of Casanova, the intoxication of passion is boundless, and fleetingly, for its victims it is instantaneous - and forever.

The notorious Casanova, firmly settled in the hearts of many women, but not remaining with any of them, comes to Russia. Only one victory in his Russian love account. About his attitude to the beautiful girl Zoe we learn from the memoirs of an inveterate heartthrob, where he is scrupulously and ironically, although not without cynicism, will describe, among the notes about his glorious adventures, his acquaintance with Russian life and Russian morals.

The musical, however, unfolds us to an unexpected point of view, offering to look at the intrigue from the position of a seduced girl. Young and inexperienced, in the hands of the irresistible Chevalier Zoya is just a toy. To oppose love is not in her power, and this brings her and Kazanova together. It can not betray love, and it's up to tragic break them.

All that remains that is no longer desired is to cry out in songs, weep in sorrow, and her song will be light and gentle, like the love of a truly and primordially Russian woman.