Moscow
Saint-Petersburg
Anapa
Dmitrov
Kazan`
Korolev
Krasnogorsk
Lubercy
Nigniy Novgorod
Podol`sk
Pushkino
Ramenskoe
Sochi
Tula
Fryazino
Shelkovo
“ I was in this theater for the first time, it seems that the opera and chamberiness are incompatible concepts, but the performance as a whole looked very organic. The orchestra was able to fit into the tiny stage and use all the possibilities of light so that the objects would disappear and appear as if by magic and expand the space of the performance at the expense of the auditorium (actors play and sing in the aisles and small balconies on the sides of the miniature auditorium ). The production is very good, really fond of what is happening on stage and in the hall, everything is easy, fun, there is no need to decipher the plans of the new-fashioned directors buried deep into incomprehensible scenery, nothing distracts from the music of Mozart. Of course, this is not a place to go for, to enjoy singing, I can not say that I was impressed by the vocal performers. Of the shortcomings, I note a tight feeling room, part of the doors in which was blocked, starting from the 10th row can only go out from one side of the series, bypassing the metal railings, blocking the passage. Unfortunately, here, just as in other small theaters, only one intermission was envisaged, which, of course, is not enough for such a long and demanding work.