Театр времен Нерона и Сенеки.16+
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The voice of the king, the voice ... the executioner.
Shining gold of the palace against the black sky. But imperial luxury becomes a magnificent setting for a circus performance.
The owner of the circus is the emperor. And he's in a mood for philosophical discussions today.
Bring the philosopher to the arena. And not some, but the best.
A decrepit old man and a strong warrior, a wise man and a talker, a thinker and a clown have come together in a cruel duel, in which power and power do not solve anything.
He is the only one who is not afraid to tell the tyrant the truth in person. And he is possessed only by the desire to morally crush the old man. Because of stupid despair and awareness of the meaninglessness of one's own life.
He killed his mother. He killed his brother. The senator is not a senator. He's just a horse. The last step is to the madness.
The way to the throne was not even on his head. In dense rows it is lined with corpses. The point of no return is passed. Now what? What's next? You, the philosopher, give the answer!
He taught him to love. But he brought up the murderer.
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“ I liked the performance! It is a great honor to see A.Dzhigarkhanyan, despite the fact that the main role is not his, but Nero in the brilliant performance of Cyril Anisimov. I had no special difficulties in understanding the plot, although I did not read the works about that historical period.
“ October 31 were at the play "Theater of the times of Nero and Seneca." Very strong staging of the director Dmitry Isachev, costumes, choreography, musical accompaniment are harmonious with the content of the play. The play of actors immerses in the era of ancient Rome, especially I want to note the magnificent game of Cyril Anisimov in the role of Nero, who in two hours was able to show the whole tragedy of Nero's personality, cruel, dissolute ruler, but at the same time unhappy, because he is the product of his society and era: "from the wolf And she-wolf can only be born a wolf cub "! The role of Seneca in the performance of Armen Djigarkhanyan may not seem as bright as we used to see the master, but this is the staging: here is an old, wise teacher and his bubbling pupil Nero. A very strong performance, which for several days has not let go, makes you remember and think.
“ If you want to get to Dzhigarkhanyan, then this is not the performance. Here the main character is young Nero (Semyon Steinberg). Read reviews about the vulgarity of the play. Gentlemen, the play was staged according to Radzinsky's play, and he always strove to be as close to the historical truth as possible. Let's remember all that we read about Nero ... A profoundly philosophical thing, good director's work, which Semen Steinberg perfectly embodied
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“ I liked the performance! It is a great honor to see A.Dzhigarkhanyan, despite the fact that the main role is not his, but Nero in the brilliant performance of Cyril Anisimov. I had no special difficulties in understanding the plot, although I did not read the works about that historical period.
“ October 31 were at the play "Theater of the times of Nero and Seneca." Very strong staging of the director Dmitry Isachev, costumes, choreography, musical accompaniment are harmonious with the content of the play. The play of actors immerses in the era of ancient Rome, especially I want to note the magnificent game of Cyril Anisimov in the role of Nero, who in two hours was able to show the whole tragedy of Nero's personality, cruel, dissolute ruler, but at the same time unhappy, because he is the product of his society and era: "from the wolf And she-wolf can only be born a wolf cub "! The role of Seneca in the performance of Armen Djigarkhanyan may not seem as bright as we used to see the master, but this is the staging: here is an old, wise teacher and his bubbling pupil Nero. A very strong performance, which for several days has not let go, makes you remember and think.
“ If you want to get to Dzhigarkhanyan, then this is not the performance. Here the main character is young Nero (Semyon Steinberg). Read reviews about the vulgarity of the play. Gentlemen, the play was staged according to Radzinsky's play, and he always strove to be as close to the historical truth as possible. Let's remember all that we read about Nero ... A profoundly philosophical thing, good director's work, which Semen Steinberg perfectly embodied