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Moscow
Saint-Petersburg
Anapa
Dmitrov
Kazan`
Korolev
Krasnogorsk
Lubercy
Nigniy Novgorod
Podol`sk
Pushkino
Ramenskoe
Saratov
Sochi
Tula
Fryazino
Shelkovo
EN
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Poster
Stanislavsky Electronic Theater

Feedbacks from viewers
Marina was 10 march on Bacchante

Overall I liked it, although I can not say that I will immediately go to another production. This should be used in a small dosage. Difficult, intrusive, nervous - in a good way. Very hard physically, the actors play, you wonder how they do not fall off the fatigue on the bow. At such performances it is necessary to go to real fans of the theater, people who can "keep a nerve". For those who simply want "a good time to spend" it is better to look for an alternative.

Sergey was 15 january on Anna in the Tropics

Suddenly it turned out to be a very pleasant statement. The actors were able to create the right atmosphere. Despite the very complex scene, the performance turned out to be dynamic and exciting.

Filipp was 30 october on Bernard's House of Alba

Women, ah, these women! With difficulty I was led to this performance by my woman. Along the way, she told me a lot about this play and that the production of director Alisa Seletskaya will definitely be aimed at women! So, Women, this performance is very masculine! Incredible impression, amazing! Now I understand women much better!

Mariya was 30 october on Bernard's House of Alba

I really liked the combination of a serious female theme about power, love, morality and humor, some kind of ease. Another zombie - it was very funny))))))))))) Diana Rakhimova - incredible! Lyudmila Rozanova - powerful! Anya Dubova is a genius! All the girls are good! I finally understood what is called an ensemble) Director - bravo, collected some unreal team!

Oksana was 25 jule on Blue bird. Travel.

I liked the play, a wonderful play of actors. Be sure to go to the continuation in the new season.

Show
Weekends
Only for children
Only adults
Location:
Москва, Тверская ул., 23/3
Duration:
02 h 00 min
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Author: Alexander Pushkin
Director: Vitaly Labutin
Artist: Julia Sheremetova
Composers: Vitaly Labutin, Eva Chervonenko
Video artist: Ilya Derzaev
Actors: Fedor Kokorev, Eva Chervonenko, Leyli Shikhaliva

A contemplative space trip over the seas and oceans in a barrel with generative art, the opera of Vitaly Labutin is built as an integration of sound and symbol into the space of the theater, stage reality - into the audience. Most of the play takes place in interdependent sound and digital layers, where each change in sound - frequency, voice strength, pause, notes, synthesizer sequences - entails a change in image parameters. The principle of a multi-genre performance connecting Pushkin's fairy tale with digital opera and electronic live concert is the appearance of sound and visual in the presence of the viewer. Music is born here and now from samples and a synthesizer; Ilya Derzayev’s real-time generative art is accompanied by Eva Chervonenko’s vocals, ranging from Slavic folk to gospel music. The fairy-tale world penetrates reality through a stream of electronic music of various styles, receiving a rethinking and confirmation in digital reality.

Before us is a complex network of images, in the center of which there is a woman-Queen, on behalf of whom the narration is being conducted, she is a mother, a bride, surrounding reality, which does not have a real body, but broadcast through chill-rave beat and unique vocals of Eva Chervonenko (Eva Chero), who acts both as a singer, and as a co-author of music, and as the author of the libretto, who laid the outline of the tale in thirteen tracks. In the mutual influence of everything on everything, a transition is recorded - digital art into a fairy tale, stage transformation - into reality, folklore - into modern music, audible into visible.

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