For correct operation of our site you must enable cookies
Moscow
Saint-Petersburg
Anapa
Vladimir
Dmitrov
Korolev
Lubercy
Nigniy Novgorod
Podol`sk
Pushkin
Pushkino
Ramenskoe
Sochi
Tula
Chehov
EN
Вы смотрели
How to get a ticket?
+7 (495) 648-38-38
Contact us
Register
Feedbacks from viewers
Ekaterina was 10 october on "Venetian"

Great performance! Easy, funny, bright. An unexpected symbiosis of arts, styles, eras and texts. BRAVO! Igor Nevedrov! BRAVO! Actors!

Mihail was 20 june on "Venetian"

TROUBLE AND FUNNY) THANKS! BRAVO! Igor Nevedrov - actor and director of the Theater of the Novel Viktyuk, staged a play that may seem ridiculous show, but behind all humor lies the same pressing problem of the CREATOR OF THE CREATOR IN THE WORLD OF CIVILIZATION! As Roman Viktyuk himself says, "this is for the smart, they will understand." BRAVO! Laughter is needed only that the spectator can survive the tragedy.

Uliya was 20 june on "Venetian"

Like any, perhaps, the performance of the Viktyuk Theater, it is more likely that he will touch those spectators who know at least a little about the theater, in which they came, about the building, about the director - or at least read the description of the play. Although, in my opinion, interesting scenery, bright colors, strong, charming artists in themselves charge with energy and hide behind laughter serious thoughts that the viewer discovers in himself at the end of the play. For several months she waited for the opportunity to go to the "Venetian", so she managed to read the original work: a funny, sometimes even a hilarious comedy about the boy Julio, who chooses between the married lady Valery, whose location he sought initially, and the widow Andzeloy, who fell in love with him "herself" . How does this relate to the theme of filmmakers, innovators, teachers and students? I did not understand this all the time of my expectation and the first half of the performance. But when, laughing at the charming antics of the actors (especially Andzela in the performance of Stas Motyrev), you correlate the conflict that arises on the scene and the dialogues of Valery and Julio that follow the text of the play ... It's brilliant. How could you even think of it, see it, notice it ?! Bravo! The final "Venetian" in the play and in the play left completely different emotions, and it's very cool and interesting.

Венецианка

Венецианка18+

Purchased earlier: 81
Location:
Москва, Стромынка ул., 6
Duration:
02 h 00 min
close

Story

Comedy of Masks

The long-awaited premiere!

Three epochs on one scene: the Renaissance, the Silver Age, the present age. Three geniuses in one play - director Vsevolod Meyerhold, artist Kazimir Malevich, architect Konstantin Melnikov. That same Melnikov, gave us the "house of light." And the fourth is another genius, without which there would not have been this light, - Roman Viktyuk.

Before us is the studio theater of the first quarter of the XX century, in which the play of the unknown author of the 16th century "Venetian" is being prepared for staging. The eternal dispute of the disciples with the Teacher - and unconditional acceptance of the Teacher's ideas - by the Disciple, unconditional acceptance of secrets, understanding of art and the light of the Master's Teacher who grew stronger in the Disciple.

With this performance, his director Igor Nevedrov pays tribute to the time in which the origins of the Theater of Novel Viktyuk were formed, when the subtle sprouts of innovative art only began to germinate in the souls of the most sensitive and receptive.

"Venetian" is our offering to the innovator directors. To all pioneers in art. Vsevolod Meyerhold, Alexander Tairov, Nikolai Evreinov, the studios of the first half of the XX century. Brave ones who are not afraid to make their revolution in art every day. Convinced of its necessity. Extremely thirsty - the air in the theater.

Against the resurgent and emerging horrors, against fear and darkness, when any exhortations, explanations and beliefs are powerless, in our hard age, when everyone is accustomed to everything, only the most natural and primordial laughter works. Only to get used to it is impossible, this universal means. And for what? Everyone will understand this in their own way.

Read more

Review

The beginning of the twentieth century. In theatrical studio the play of the unknown author "Venetian" is rehearsed. Not a modern one, but an old play written in the sixteenth century.

The aesthetics of the Art Nouveau era, which broke into art in the twentieth century, must somehow get along with a story told at a different time and place. How to combine what seems incompatible? ..

So they looked for new theatrical principles, so they developed innovative moves and techniques, so they came up with a new stage language for the theater's coryphaeus, which is dedicated to this performance: Vsevolod Meyerhold, Kazimir Malevich, Konstantin Melnikov, Roman Viktyuk.

The troupe rehearses. Creative people argue about the principles of theater. New and old interact, giving birth to unexpected director's moves and combinations. What kind of play will come out as a result? Unknown. So far they are probing the soil, preparing. Looking for among the flooded avant-garde means and opportunities to say and express their own. And be sure to find.

Read more

FeedBacks

Ekaterina was 10 october

Great performance! Easy, funny, bright. An unexpected symbiosis of arts, styles, eras and texts. BRAVO! Igor Nevedrov! BRAVO! Actors!

Mihail was 20 june

TROUBLE AND FUNNY) THANKS! BRAVO! Igor Nevedrov - actor and director of the Theater of the Novel Viktyuk, staged a play that may seem ridiculous show, but behind all humor lies the same pressing problem of the CREATOR OF THE CREATOR IN THE WORLD OF CIVILIZATION! As Roman Viktyuk himself says, "this is for the smart, they will understand." BRAVO! Laughter is needed only that the spectator can survive the tragedy.

Uliya was 20 june

Like any, perhaps, the performance of the Viktyuk Theater, it is more likely that he will touch those spectators who know at least a little about the theater, in which they came, about the building, about the director - or at least read the description of the play. Although, in my opinion, interesting scenery, bright colors, strong, charming artists in themselves charge with energy and hide behind laughter serious thoughts that the viewer discovers in himself at the end of the play. For several months she waited for the opportunity to go to the "Venetian", so she managed to read the original work: a funny, sometimes even a hilarious comedy about the boy Julio, who chooses between the married lady Valery, whose location he sought initially, and the widow Andzeloy, who fell in love with him "herself" . How does this relate to the theme of filmmakers, innovators, teachers and students? I did not understand this all the time of my expectation and the first half of the performance. But when, laughing at the charming antics of the actors (especially Andzela in the performance of Stas Motyrev), you correlate the conflict that arises on the scene and the dialogues of Valery and Julio that follow the text of the play ... It's brilliant. How could you even think of it, see it, notice it ?! Bravo! The final "Venetian" in the play and in the play left completely different emotions, and it's very cool and interesting.

Give feedBack

Tickets

No tickets 10 november tue 19:00

tickets for other dates

Buy List 09 april tue 19:00

Invite friends

Related events

Based on thousands of feedbacks, Teatronet defined events that are "close in spirit to the times and tastes"

by the way!!

According to statistics and audience who have bought a ticket for«Венецианка», we recommend to see