Performance based on Ivan Vyrypaev's play
Director Viktor Ryzhakov on the play: "Drunk - this is some special condition. When a person gains the ability to talk to the world about what he really thinks about. When conscience wakes up and people begin to ask themselves frank questions about themselves and frankly respond to them. At some point in our lives we say to each other: "Are you drunk or something?". Drunk - this man is not himself. Our story - about people not in themselves. About those who violate the usual rules, they spit on conventions and, overcoming the prohibitions, talk about the most important thing. Drunk - this is when the "sea knee-deep". There are no prohibitions, so the conversation will be very serious. The heroes of the play try to find a simple answer to the main question: what to do? "
Two friends argue about who is God.
An absurd conversation? They joke? Yes they are - drunk in the insole!
All the heroes of this performance drink bitter, who is bigger, who is less.
And then they find out the relationship with each other and talk about the meaning of being, faith in a miracle and true love.
Well, can a modern man, witty and ironic, seriously talk about this? They think that he is reading morals, and this is boring and trivial. Drunk the same sea knee! He wants what he wants, he does what is on his mind, then on the tongue.
Sober is ashamed to say that he loves someone more than life and is ready for anything for this feeling. But sometimes a person so wants to say these words!
They are so different. Girl model and director of the bank, a modest employee and prostitute, director of the festival and a rich loafer. Only after drinking they can hug and cry on the chest of an accidental acquaintance, and then fight over a trifling matter.
A sad and funny performance based on the play by Ivan Vyrypaev about clowns, jesters or wise men who talk about the most important thing.
How I want to reveal my soul to someone, so much pain and longing in her! It is necessary to get drunk, otherwise they will not listen and will not believe.
“ I liked the performance very much, the very Inna performance is very good. The humor is good, but in the second half of the play, I already somehow wanted to think and think and laugh stopped Bravo Bravo All is well in the play, the play, the actors and the production for me all came together
“ The jubilee of the jeweler is an amazing performance! With what love and delicacy he was posed by Constantine Bogomolov! What actors! The real benefit of Tabakov, the unbeatable game of Tenyakova, Darya Moroz is second to them, and even K. Bogomolov himself appears briefly on the stage. And the opportunity to watch their emotions through large screens is worth a lot.
“ The play "Drunk" by Ryzhakov on Vyrypaev in the Moscow Art Theater is the strongest. Despite the cut out for the most part from the text of the mat (not the whole was cut out). In many respects thanks to the actual text (but not only - drama, the work of the artist and actors are incredible). And in general I again fall in love with Vyrypayev. After several years of esotericism and some high-gravity weightlessness, he again with us - the recent premiere of "The Summer Wasps Bite Us Even in November" in the Fomenko Theater is also a masterpiece. I wonder if I'll ever be lucky enough to watch the tug of Vyrypayev + Bogomolov? =) Perhaps after this the theater can be canceled
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