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Poster
Theater of V.F. Komissarzhevskaya

Feedbacks from viewers
Dmitriy was 09 january on Estimate that you are God

I liked it very much, Excellent performance. A wonderful game of actors.

Ludmila was 05 december on TWELVE MONTHS

A wonderful children's play, beautiful costumes. Of the minuses, the first act is delayed, about 1 hour and 20 minutes, the children have already begun to lose interest. Children liked it and this is important.

Show
Weekends
Only for children
Only adults
Location:
191011, Санкт-Петербург, Итальянская ул., 19
Duration:
02 h 00 min
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"IN THE SHAPES OF OWN HAPPINESS"

Sincere evening on the works of Mikhail Zhvanetsky

The performance of Grigory Dityatkovsky "In Shards of His Own Happiness" based on the works of our contemporary Mikhail Zhvanetsky - thinking about "today", about how and with whom we live, about how we evaluate and overestimate the history of our country, its place in it. About what is the main thing for each of us today, and about such annoying concepts as conscience, honor, honesty and modesty. About how to live in an era of total ignorance and ignorance. And how did it happen that all the polls turned into middle managers who did not answer for anything? About dreams that ended and turned into projects ...

Magnificent aphorisms of the writer-satirist Mikhail Zhvanetsky already firmly entered our life, into our life. He is one of those authors who manage to give thought a laconic, sarcastic and absolutely complete form. And everyone in his sketches everyone recognizes himself. Many do not even guess who is the author of the "popular proverbs":

- You can not love - sit friends!

- The hardest thing for a person is given what is not given to him.

- How much do not steal from the state - you still will not bring back your own!

- Sorry, I'm saying when you interrupt.

"If you argue with an idiot, then probably he does the same."

"It's so hard to think!" Therefore, most people prefer to judge

- If I tell you that you are a multi-faceted person - do not flatter yourself. It may be meant that you are a bastard, a bastard and a parasite at the same time ...)))

- Russia is a country of talents. Talents are mass, there is nobody to work for.

Even more surprising are the author's lines, filled not with irony and sarcasm, with genuine romanticism and with a feeling of bitterness for their people, for their country:

- And the values ​​remain the same: honesty, decency, friend's feet, the shoulders of the child, conversation with the clever, silence with him, guests from afar, cicadas at night, the morning smell of the garden, the noiseless gait of a cat, books that make it impossible to live here and normal friendship , When both do not need anything.

- Life is short. Also it is necessary to be able. You have to be able to leave with a bad movie. Throw a bad book. To get away from a bad person. A lot of them. Things not going to throw. Even from mediocrity to leave. A lot of them. Time is more expensive. It's better to sleep. It's better to eat. It is better to look at the fire, the child, the woman, the water.

- And why do friends live so short? They will live, live, learn to themselves and disappear. Neither remains with you. Dying, leaving, turning into others

- Nothing hurts a man like fragments of his own happiness ... ..

The play "Concert for ..." (in our version - "In Splinters of Your Own Happiness") had practically no scenic destiny. In 1974, on the stage of the Comedy Theater, she was posed by M. Levitin. Beginning for rehearsals, director GI Dityatkovsky in his own way "read" the works of his contemporary Mikhail Zhvanetsky. Characters, going to the rehearsal of the orchestra, tell their stories, which are weaved into the capricious ligature of the life of our country: yesterday, today, tomorrow ....

The play, undoubtedly, will be interesting to the spectator of different age. The new performance of the theater seeks to show that Zhvanetsky's prose is not a momentary variety phenomenon, but a deep philosophical literature for all time, long since become a classic.

The author of the stage version and the director of the play - Grigory Dityatkovsky; Stage designer - Honored Artist of Russia Vladimir Fierer; The director of the lamentation - Honored Artist of Russia Sergei Gritsay.

The play features: People's Artists of Russia Georgy Korolchuk, Yefim Kamenetsky, Honored Artists of Russia Olga Belyavskaya, Evgenia Igumnova, Mikhail Samochko (MDT), artists Yegor Bakulin, Ruslan Meshchanov.

G. Dityatkovsky and in his new work continue the search for a modern theatrical language, relying not only on the skill and scenic expressiveness of actors and the artist, but also on the talent of the viewer to perceive art sensually.

All people are like books, and we read them, someone for a month, someone for two,

Someone after only a year we understand, someone is never read.

Someone we'll read and put on a shelf, the dust of memory will occasionally blow off,

And in the heart we store, but what's the use? It is not interesting to read the second time.

There are people-poems and people-novels, there are verses and prose-only you can choose,

Or maybe it's still too early for you to look through the magazine?

There are understandable, explicit books, some one needs to read between the lines,

There are notes - solid shades and leagues, from the sheet to read them not everyone would be able to.

Our world is filled with mystery and mystery, and life in it is only the longest lesson,

Nothing is superficial and not accidental, try to just look between the lines (Mikhail Zhvanetsky)

People or musical instruments? Trombone, Flute, Contrabass, Trumpet, Cello are preparing for the concert. Soon the performance will begin, but before him each character has the opportunity to speak.

A series of monologues. In each - the story of an unpretty, but full of deep experiences of life.

Invariably meticulous, merciless in his insight statements of Mikhail Zhvanetsky gathered in the play. In it, as might be expected, there is a lot of wit and wit, but it gives little grounds for unrestrained laughter: where happiness turns out to be broken into fragments, there is room for accurate observations and subtle lyricism, but not for clowning.

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