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Stanislavsky Electronic Theater

Feedbacks from viewers
Marina was 10 march on Bacchante

Overall I liked it, although I can not say that I will immediately go to another production. This should be used in a small dosage. Difficult, intrusive, nervous - in a good way. Very hard physically, the actors play, you wonder how they do not fall off the fatigue on the bow. At such performances it is necessary to go to real fans of the theater, people who can "keep a nerve". For those who simply want "a good time to spend" it is better to look for an alternative.

Sergey was 15 january on Anna in the Tropics

Suddenly it turned out to be a very pleasant statement. The actors were able to create the right atmosphere. Despite the very complex scene, the performance turned out to be dynamic and exciting.

Filipp was 30 october on Bernard's House of Alba

Women, ah, these women! With difficulty I was led to this performance by my woman. Along the way, she told me a lot about this play and that the production of director Alisa Seletskaya will definitely be aimed at women! So, Women, this performance is very masculine! Incredible impression, amazing! Now I understand women much better!

Mariya was 30 october on Bernard's House of Alba

I really liked the combination of a serious female theme about power, love, morality and humor, some kind of ease. Another zombie - it was very funny))))))))))) Diana Rakhimova - incredible! Lyudmila Rozanova - powerful! Anya Dubova is a genius! All the girls are good! I finally understood what is called an ensemble) Director - bravo, collected some unreal team!

Oksana was 25 jule on Blue bird. Travel.

I liked the play, a wonderful play of actors. Be sure to go to the continuation in the new season.

Only for children
Only adults
Москва, Тверская ул., 23
03 h 00 min
PREMIERE Producer: Philip Grigoryan In the lead roles: Lera Gorin / Victor Terelya, Yuri Duvanov, Irina Grineva / Irina Savitskova , Elena Morozova The great comedy of Moliere is one of the key texts of the world theater, a play with a grandiose scenic history and a turbulent prehistory, which includes a scandal and a two-fold ban. Tartuffe in the play of Philip Grigoryan is not a vulgar fool, as Belinsky wrote, and the universal evil that does not hide its deadly, vampirical nature, Orgon (Yuri Duvanov) is not a comic monster, as stated in the preface to the 1954 play, but a good man, deeply and Hopelessly infected with a virus of fear. Characters surrealistically multiply - the themes and subjects of Moliere travel in time and space (the costume designer Galya Solodovnikova). But no matter how fantastic this trip is - the monstrousness of evil, which does not remember itself, and the wonderful ability of decent and decent people to self-deceit - all this in the performance of Philip Grigoryan is absolutely genuine. That's exactly what happens. Olga Fedyanina, the playwright of the project: "Director Philip Grigoryan has built a kind of parallel worlds in which the same people, phenomena, objects look different. And this means that viewers will see in the evening not one performance, but two different ones - or, if you will, one with a multiple perspective. And the characters, in turn, will make several trips in time and space. " Roles are played Tartuffe: Lera Gorin / Victor Terelya Orgon: Yuri Duvanov Elmira: Irina Grineva / Irina Savitskova Ms. Pernel: Tatiana Mayst Cleant: Oleg Bazhanov Dorina: Elena Morozova Mariana: Julia Abdel Fattah, Ekaterina Andreeva, Anna Daukaeva, Anastasia Fursa Damis: Yevgeny Kapustin Valer: Dmitry Chebotarev / Anton Filipenko Officer: Lyudmila Rozanova Bailiff:   Azamat Nigmanov Cossacks: Dmitry Myagky, Mikhail Sokolov


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