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Stanislavsky Electronic Theater

Feedbacks from viewers
Marina was 10 march on Bacchante

Overall I liked it, although I can not say that I will immediately go to another production. This should be used in a small dosage. Difficult, intrusive, nervous - in a good way. Very hard physically, the actors play, you wonder how they do not fall off the fatigue on the bow. At such performances it is necessary to go to real fans of the theater, people who can "keep a nerve". For those who simply want "a good time to spend" it is better to look for an alternative.

Sergey was 15 january on Anna in the Tropics

Suddenly it turned out to be a very pleasant statement. The actors were able to create the right atmosphere. Despite the very complex scene, the performance turned out to be dynamic and exciting.

Filipp was 30 october on Bernard's House of Alba

Women, ah, these women! With difficulty I was led to this performance by my woman. Along the way, she told me a lot about this play and that the production of director Alisa Seletskaya will definitely be aimed at women! So, Women, this performance is very masculine! Incredible impression, amazing! Now I understand women much better!

Mariya was 30 october on Bernard's House of Alba

I really liked the combination of a serious female theme about power, love, morality and humor, some kind of ease. Another zombie - it was very funny))))))))))) Diana Rakhimova - incredible! Lyudmila Rozanova - powerful! Anya Dubova is a genius! All the girls are good! I finally understood what is called an ensemble) Director - bravo, collected some unreal team!

Oksana was 25 jule on Blue bird. Travel.

I liked the play, a wonderful play of actors. Be sure to go to the continuation in the new season.

Show
Weekends
Only for children
Only adults
Location:
Москва, Тверская ул., 23/3
Duration:
02 h 00 min
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Photos

The performance of Anastasia Knyazeva
Artist - Arseniy Poleshchuk
Lighting Designer - Nikita Chernousov
Composer - Peter Galkin
Choreographer - Aisylu Mirhafizkhan

The play of the French playwright XVIII Pierre Marivo is part of his dystopia, dedicated to the freedom and vicissitudes of fate that accompany its search and upholding. According to the plot, two masters and two of their servants are shipwrecked and find themselves on an island inhabited by the descendants of ancient Athenian slaves who no longer want to endure violence against themselves. The servants are invited to try on the roles of masters in order to get rid of excess pride. This transformation leads to unexpected consequences.

Marivo, who, on the one hand, inherited the Italian comedy of masks, and on the other, stepped into modern times with his value of human personality, writes the play rather sharp and modern. It does not soften, but aggravates the problems associated with hierarchies within society and human attempts to fight them.

The play was first staged in 1725 in Paris by Comedy Italien, then already in 1939 she got into the Comedy Frances repertoire, and in the 2000s she was staged in Piccolo di Milano by Giorgio Strehler. The production was brought to Moscow by the Chekhov Festival, and it was almost a political statement, and not just an old costume drama. In the Russian theater, Marivo's play was not staged.

The debut work of the young director Anastasia Knyazeva on the professional stage is based on the beautifully written, light but serious play by Marivo, which raised the question of the essence of human stay in society and the roles that accompany it, and which are relevant in our time.

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