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The story was written in 1892. And since then earned a reputation as a difficult, complex, gloomy work. A cloud, in a word, not a story. To read it, it is necessary to expend enormous spiritual efforts. And if you look ...
Nevertheless, the story, which takes place:
but in Russia
b) in a madhouse,
enjoyed immense popularity. How could it happen that the head doctor of the hospital, a respectable citizen, turned into a mentally ill person. Has turned himself? Or helped him? And is he really crazy? Or not? \"In Chamber No. 6\" our miniature depicts our common orders and characters. Everywhere there is Chamber No. 6. This is Russia ... \", - this is how Nikolai Semenovich Leskov answered these questions.
The performance “Ward No. 6” was staged by director Vlad Furman, whose productions in classical prose: “Oblomov”, “Golovlyov's Lord”, “Kreutzer Sonata”, “Dead Souls”, “Forty-first” by B. Lavrenev are always up-to-date. In form and content.
Already the second performance (after \"Gentlemen Golovlevykh\") the director rehearsed without classical performance, right in the text of the story. Etude method. In the course of the rehearsals, the actors were also clarified.
What unites the artists involved in the play, and director Vlad Furman? They are all the same blood type. Their creative style is prone to stage sharpness.
“Chamber 6” today at the Andrei Mironov Theater is not a “dark requiem”, but a psychological play of contrasts, logically brought to a stage “boiling point” - a grotesque emphasized by the stage decoration of the artist Oleg Molchanov.
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“ Very strong setting. One of the best. The game of actors at altitude.
“ One of my favorite classical performances. A minimum of scenery and an amazing play of actors. Very magnetic production. I was sitting under hypnosis all the time. It is impossible to break away from what is happening on stage.