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Poster
Theater of Dramatic Improvisations

Feedbacks from viewers
Anna was 19 april on A happy ending. Premiere!

I would work on the mise en scene and the emotional component) but thanks for the interesting experience

Sergey was 12 may on Stormy days

The performance was fun and very much.

Anna was 29 december on NEW YEAR'S CELEBRATION

I liked both the performance and the clockwork clown before the performance. At the presentation of a good atmosphere, a wonderful grandfather Frost, beautiful Snow Maiden, daughter liked the fox Ludwig. Thank you very much for the New Year mood!

Alena was 31 october on Cat in the Boots

Many thanks to the cast! My daughter and I were delighted. Everything is great, I liked everything.

Aleksandr was 04 january on Cylinder

Thank you, I liked it, thanks for the interesting performance, there is something to think about

Igor` was 22 march on Room for a lonely man

I liked it, especially the role of Lyudmila. Thank you.

Oksana was 30 march on A meeting in the suburbs

I really liked the performance, a great game of actors, I highly recommend it!

Uliya was 16 march on Warsaw melody

Great performance! Very lyrical and beautiful. There remains a good aftertaste.

Elena was 15 march on The Little Humpbacked Horse

The performance is excellent, the actors play superbly, naturally, fervently, give all 100! Very positive, life-affirming, really liked, looks at one go, creates a holiday atmosphere. My son was also ecstatic (he was 20), although he went to the play with skepticism, he thought that the children's tyagomotina, but later did not want to leave, so we plan to go to the next play at the Moscow Art Theater.

Show
Weekends
Only for children
Only adults
Location:
Санкт-Петербург, Стачек пр-кт., 72
Duration:
01 h 40 min
close
Family-household drama "Children of Vanyushin" based on S. Naydenov's play. The play tells about the cruelty of the closest, cruelty, engendered by indifference and selfishness. The fate of Vanyushin recalls the tragedy of King Lear of William Shakespeare. A large family in abundance is a symbol of stability and confidence in the future. This is exactly the impression produced by the house of merchant Vanyushin: the case is in order, and the children are arranged. Someone already has their own families, someone else is studying, all together, everything is close. But take a closer look and you will see that ... "Scandalous Vanyushin's house is not in the whole city, only here everything is done shit and covered"! Children grew up and turned out to be completely strangers, who do not need the efforts and care of their father. And is it possible to call emotional emotional coldness and assault? Here live the children of Vanyushin "without saying a word, silently oppress and dry each other." Apparently at first glance philistine, the drama of the merchant family grows into the history of the Russian King Lear. This is the drama of fathers and children, where the generation of "former" - albeit naive, limited, is replaced by a generation of depraved and unprincipled. In one house there are co-existing characters, called a family, but the further the action develops, the more acute are the moral and property contradictions between them, as well as the depressing loneliness of everyone. The collapse of the family, the hopes of the parents, the disappointment of the children. Will the family stay with their families, what should parents hope for and what should children hope for, what kind of love is the first love of children, how much dishonor in Moscow, why do relatives become distant? In the play actors of different generations play, and the play gives them an enviable opportunity to show their abilities. In the roles: Alexander Anisimov, Ekaterina Viktorova, Andrey Petrov, Olga Tsvetkova, Ekaterina Averyanova / Ksenia Pilipenko, Marina Seregina, Ekaterina Balashova, Andrei Reztsov, Sergey Smirnov, Tatyana Alexeeva, Lidia Tsvetkova, Gennady Lushnik, Denis Semenov, Marina Gerts, Kristina Krotova / Angelica Plakina Director Pavel Podervyansky. Define the language Azerbaijani Albanian English Arabic Armenian Afrikaans Basque Belorussian Bengali Burmese Bulgarian Bosnian Welsh Hungarian Vietnamese Galician Greek Georgian Gujarati Danish Zulu Hebrew Igbo Yiddish Indonesian Irish Icelandic Spanish Italian Yoruba Kazakh Kanada Catalan Chinese (Trad) Chinese (Traditional) Korean Creole (Haiti) Khmer Lao Latin Latvian Lithuanian Macedonian Malagasy Malay Malayalam Maltese Maori Marat And Mongolian German Nepali Dutch Norwegian Punjabi Persian Polish Portuguese Romanian Russian Cebu Serbian Sesoto Sinhalese Slovak Slovene Somali Swahili Sudanese Tagalog Tajik Thai Tamil Telugu Turkish Uzbek Ukrainian Urdu Finnish French Hausa Hindi Hmong Croatian Cheva Czech Swedish Esperanto Estonian Javanese Japanese Azerbaijani Albanian English Arabic Armenian Afrikaans Basque Belarusian Bengali Burmese Bulgarian Bosnian Wa (English) Chinese (Simplified) Chinese (Simplified) Chinese (Traditional) Chinese (Simplified) Chinese (Traditional) Croatian Czech Danish Dutch English French German Greek Hungarian Vietnamese Galician Greek Georgian Gujarati Danish Zulu Hebrew Igbo Yiddish Indonesian Irish Icelandic Spanish Italian Yoruba Kazakh Kannada Chinese (Trad) Chinese (Traditional) Korean Creole (Haiti) Khmer Lao Latin Latin Latvian Malay Malay Malay Malay Malay Malay Malay Malay Malay Mari Norwegian Punjabi Persian Polish Portuguese Romanian Russian Cebu Serbian Sesoto Singal Slovak Slovak Somali Swahili Sudanese Tagalog Tajik Thai Tamil Telugu Turkish Uzbek Ukrainian Urdu Finnish French Hausa Hindi Hmong Croatian Cheva Czech Swedish Esperanto Estonian Javanese Japanese Sound function limited to 100 characters Settings: History: Help: Feedback

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