“ Was on June 3rd for Cultural Invasion. And on the way home, I thought how to make it a rule not to put off life and do everything in full force, without drafts. This performance turned out to be such a powerful, sober, real and uplifting invasion for me. All the performances of the theater itself are amazing, and this new work of theirs is definitely. All the same, and all the same. And each time it is like a psychotherapy session, with a guaranteed effect. I know that poetry is not for everyone, but if you want to give yourself and her a chance again, do it with YOURSELF -theatre. Because in a moment you will cease to distinguish between poetry and prose, but you will hear music and meanings that will awaken something in you, and maybe even you. I admit, I first of all go to Sergei Chonishvili. And it's always not enough for me. It seems to me that if he was talking about quantum physics, I would know it. He speaks and everything without barriers penetrates inside, into the soul, heart, head - totally. Honest, real poems told by talented actors to the live music of the wizard Alexei Aigi made my evening! And also incredibly I wanted to go to Peter. Such a sudden plunge into the St. Petersburg atmosphere happened. For this, Daniil Strakhov is more responsible than others. And how tasty, frankly and beautifully Sergei Shnyrev spoke about love and women .. mmm .. Natalia Semyonova "conducted" all these beautiful men and history without beginning or end. The magic happened again. The magic of music, the magic of the word.
Irina
was 15 june on Cultural invasion
“ "CULTURAL INVASION" - a musical and poetic production. “As a little girl I got on a strange train, I sang a ringing song and my friends were with me. Where I was yesterday, there today is not to be found, This is how my life passes, every day on the road. "- once sang the diva Irina Ponarovskaya ... Life is often compared to a train. And what, a beautiful allegory - "the train of our life" ... So, having come to the musical performance "Cultural Invasion", we first find ourselves in the waiting room: waiting for the performance and waiting for the "train" (in front of us is the train schedule board). I look at the schedule - choose any direction, you want Paris, you want St. Petersburg, you want Voronezh ... you even want "St. Petersburg-Leningrad". Yes, yes, there is such a route! And I thought - where will the "train" of the Cultural Invasion take us? And how serious will this "Invasion" be in my life? The music of Alexei Aiga performed by the ensemble "4'33", specially written for this project, and three beautiful male actors, each with their own charisma and charm: S. Chonishvili, D. Strakhov, S. Shnyrev, are playing on the stage. They perform verses of poets of the 20th century. Sergei Chonishvili had the most character and I remember them most of all. I even wanted to know the author of each poem. I don't know if this information was in the programs, and whether there were programs, I flew into the hall at the very last moment, like on a departing train. Here, again, a comparison with the "train". Such a stage solution for the performance (waiting room, station) is very successful. After all, poems are about life, love, friendship. We either meet someone, then wait, then say goodbye to someone. This is what our life consists of. For an hour and a half I immersed myself in the living of these stories in verse, periodically projecting onto my experiences and events, finding in many ways an echo of my own feelings, even though these were “men's stories”: “..... He jokingly put me in an empty carriage, I jokingly left on the train at night ... ”The performance left a pleasant aftertaste of good music and poetry, and the joy of contemplating talented actors and musicians. Therefore, I even "googled" about the creators of the project, it became interesting to me. This is the "Commonwealth of Actors, Musicians and ..." (SAMi) - a creative team, the name of which was born after the release of several similar projects. Now I will be happy to watch their other performances.
Elena
was 09 june on Cultural invasion
“ As soon as you enter the hall and see on the screen the image of the train departure board, which is familiar to all travel lovers, you understand that the evening will not be quite ordinary. For an hour and a half, together with this wonderful creative team, according to the idea of director Natalya Semyonova, we traveled "along the waves of memory" of poets of the 20th century. This time there were many St. Petersburg ones among them, so we visited both the Palace Square and Vasilievsky, and even looked into Pavlovsk. By flight 905 "St. Petersburg - Leningrad" the audience, together with the actors, rushed from the present to the past and returned back by flight 5010 "Sverdlovsk - Yekaterinburg". We lived meetings and partings with them, plunged headlong into the restless, rich in impressions life of Russian poets. And at the same time, stations, roads, trains flashed on the screen all the time ... The tuning fork of this evening I would call Sergei Shnyrev, whose talent as a reader I never tire of admiring! And if Daniil Strakhov still appears here in the romantic image of a lyricist, and Sergei Chonishvili is a charming cynic (well, he succeeds very much in this image!), Then Shnyrev easily and naturally passes from lyrics to civil poetry and even to a “poem built on blood ".... The music for the project was written by Aleksey Aigi, it is still cosmic, taking you to another dimension, but less expressive, this time there are more sad notes in it, which is consonant with the theme of memories of the past youth chosen for this performance, friendship, love. The violin of Alexei himself and the cello of Denis Kalinsky and the performance took place in the Theater Hall of the Moscow International House of Music, which I am very happy about (on March 30, 2020 I was supposed to watch its premiere at Svetlanovsky). The intimacy of this hall adjusts to a different perception, you feel your involvement in what is happening on the stage, as if you are on the same train ... sometimes they almost cry ... The performance took place in the Theater Hall of the Moscow International House of Music, which I am very happy about .. The intimacy of this hall adjusts to a different perception, you feel your involvement in what is happening on the stage, as if you are traveling on the same train ...
Was on June 3rd for Cultural Invasion. And on the way home, I thought how to make it a rule not to put off life and do everything in full force, without drafts. This performance turned out to be such a powerful, sober, real and uplifting invasion for me. All the performances of the theater itself are amazing, and this new work of theirs is definitely. All the same, and all the same. And each time it is like a psychotherapy session, with a guaranteed effect. I know that poetry is not for everyone, but if you want to give yourself and her a chance again, do it with YOURSELF -theatre. Because in a moment you will cease to distinguish between poetry and prose, but you will hear music and meanings that will awaken something in you, and maybe even you. I admit, I first of all go to Sergei Chonishvili. And it's always not enough for me. It seems to me that if he was talking about quantum physics, I would know it. He speaks and everything without barriers penetrates inside, into the soul, heart, head - totally. Honest, real poems told by talented actors to the live music of the wizard Alexei Aigi made my evening! And also incredibly I wanted to go to Peter. Such a sudden plunge into the St. Petersburg atmosphere happened. For this, Daniil Strakhov is more responsible than others. And how tasty, frankly and beautifully Sergei Shnyrev spoke about love and women .. mmm .. Natalia Semyonova "conducted" all these beautiful men and history without beginning or end. The magic happened again. The magic of music, the magic of the word.
A true cultural landing will land on March 30 on the stage of the Svetlanov Hall of the Moscow International House of Music. Aleksey Aigi and the Ensemble 4'33 ”, actors Sergei Chonishvili, Daniil Strakhov, Sergey Shnyrev will present a new work of the SAMI community - the Cultural Invasion project.
The idea of a transformer project - a large musical and poetic show with a video installation and a short meter - arose at the Red Square 2019 book festival. And now - its continuation.
Already in the title - the scale and our own angle of view - we are really sure that art can conquer the world, and people - both on the stage and in the hall - are worthy of serious conversation and high genres - poetry and music. Out of this confidence the work was born - bright, biting, dynamic. In order for the viewer to feel - the conversation from the stage touches him, touches, pushes the boundaries, and the music completely carries it to another dimension.
Alexey Aigi wrote the music for the project and goes on stage with the 4'33 Ensemble. ” And the Russian poets of the twentieth century again forced the actors to follow their winding paths and "back door to the future." To you. To our viewer. We hope that discoveries await you - undeservedly forgotten names of poets, new music, new acting faces.
“
Was on June 3rd for Cultural Invasion. And on the way home, I thought how to make it a rule not to put off life and do everything in full force, without drafts. This performance turned out to be such a powerful, sober, real and uplifting invasion for me. All the performances of the theater itself are amazing, and this new work of theirs is definitely. All the same, and all the same. And each time it is like a psychotherapy session, with a guaranteed effect. I know that poetry is not for everyone, but if you want to give yourself and her a chance again, do it with YOURSELF -theatre. Because in a moment you will cease to distinguish between poetry and prose, but you will hear music and meanings that will awaken something in you, and maybe even you. I admit, I first of all go to Sergei Chonishvili. And it's always not enough for me. It seems to me that if he was talking about quantum physics, I would know it. He speaks and everything without barriers penetrates inside, into the soul, heart, head - totally. Honest, real poems told by talented actors to the live music of the wizard Alexei Aigi made my evening! And also incredibly I wanted to go to Peter. Such a sudden plunge into the St. Petersburg atmosphere happened. For this, Daniil Strakhov is more responsible than others. And how tasty, frankly and beautifully Sergei Shnyrev spoke about love and women .. mmm .. Natalia Semyonova "conducted" all these beautiful men and history without beginning or end. The magic happened again. The magic of music, the magic of the word.
“
"CULTURAL INVASION" - a musical and poetic production. “As a little girl I got on a strange train, I sang a ringing song and my friends were with me. Where I was yesterday, there today is not to be found, This is how my life passes, every day on the road. "- once sang the diva Irina Ponarovskaya ... Life is often compared to a train. And what, a beautiful allegory - "the train of our life" ... So, having come to the musical performance "Cultural Invasion", we first find ourselves in the waiting room: waiting for the performance and waiting for the "train" (in front of us is the train schedule board). I look at the schedule - choose any direction, you want Paris, you want St. Petersburg, you want Voronezh ... you even want "St. Petersburg-Leningrad". Yes, yes, there is such a route! And I thought - where will the "train" of the Cultural Invasion take us? And how serious will this "Invasion" be in my life? The music of Alexei Aiga performed by the ensemble "4'33", specially written for this project, and three beautiful male actors, each with their own charisma and charm: S. Chonishvili, D. Strakhov, S. Shnyrev, are playing on the stage. They perform verses of poets of the 20th century. Sergei Chonishvili had the most character and I remember them most of all. I even wanted to know the author of each poem. I don't know if this information was in the programs, and whether there were programs, I flew into the hall at the very last moment, like on a departing train. Here, again, a comparison with the "train". Such a stage solution for the performance (waiting room, station) is very successful. After all, poems are about life, love, friendship. We either meet someone, then wait, then say goodbye to someone. This is what our life consists of. For an hour and a half I immersed myself in the living of these stories in verse, periodically projecting onto my experiences and events, finding in many ways an echo of my own feelings, even though these were “men's stories”: “..... He jokingly put me in an empty carriage, I jokingly left on the train at night ... ”The performance left a pleasant aftertaste of good music and poetry, and the joy of contemplating talented actors and musicians. Therefore, I even "googled" about the creators of the project, it became interesting to me. This is the "Commonwealth of Actors, Musicians and ..." (SAMi) - a creative team, the name of which was born after the release of several similar projects. Now I will be happy to watch their other performances.
“
As soon as you enter the hall and see on the screen the image of the train departure board, which is familiar to all travel lovers, you understand that the evening will not be quite ordinary. For an hour and a half, together with this wonderful creative team, according to the idea of director Natalya Semyonova, we traveled "along the waves of memory" of poets of the 20th century. This time there were many St. Petersburg ones among them, so we visited both the Palace Square and Vasilievsky, and even looked into Pavlovsk. By flight 905 "St. Petersburg - Leningrad" the audience, together with the actors, rushed from the present to the past and returned back by flight 5010 "Sverdlovsk - Yekaterinburg". We lived meetings and partings with them, plunged headlong into the restless, rich in impressions life of Russian poets. And at the same time, stations, roads, trains flashed on the screen all the time ... The tuning fork of this evening I would call Sergei Shnyrev, whose talent as a reader I never tire of admiring! And if Daniil Strakhov still appears here in the romantic image of a lyricist, and Sergei Chonishvili is a charming cynic (well, he succeeds very much in this image!), Then Shnyrev easily and naturally passes from lyrics to civil poetry and even to a “poem built on blood ".... The music for the project was written by Aleksey Aigi, it is still cosmic, taking you to another dimension, but less expressive, this time there are more sad notes in it, which is consonant with the theme of memories of the past youth chosen for this performance, friendship, love. The violin of Alexei himself and the cello of Denis Kalinsky and the performance took place in the Theater Hall of the Moscow International House of Music, which I am very happy about (on March 30, 2020 I was supposed to watch its premiere at Svetlanovsky). The intimacy of this hall adjusts to a different perception, you feel your involvement in what is happening on the stage, as if you are on the same train ... sometimes they almost cry ... The performance took place in the Theater Hall of the Moscow International House of Music, which I am very happy about .. The intimacy of this hall adjusts to a different perception, you feel your involvement in what is happening on the stage, as if you are traveling on the same train ...
“ Was on June 3rd for Cultural Invasion. And on the way home, I thought how to make it a rule not to put off life and do everything in full force, without drafts. This performance turned out to be such a powerful, sober, real and uplifting invasion for me. All the performances of the theater itself are amazing, and this new work of theirs is definitely. All the same, and all the same. And each time it is like a psychotherapy session, with a guaranteed effect. I know that poetry is not for everyone, but if you want to give yourself and her a chance again, do it with YOURSELF -theatre. Because in a moment you will cease to distinguish between poetry and prose, but you will hear music and meanings that will awaken something in you, and maybe even you. I admit, I first of all go to Sergei Chonishvili. And it's always not enough for me. It seems to me that if he was talking about quantum physics, I would know it. He speaks and everything without barriers penetrates inside, into the soul, heart, head - totally. Honest, real poems told by talented actors to the live music of the wizard Alexei Aigi made my evening! And also incredibly I wanted to go to Peter. Such a sudden plunge into the St. Petersburg atmosphere happened. For this, Daniil Strakhov is more responsible than others. And how tasty, frankly and beautifully Sergei Shnyrev spoke about love and women .. mmm .. Natalia Semyonova "conducted" all these beautiful men and history without beginning or end. The magic happened again. The magic of music, the magic of the word.
“ "CULTURAL INVASION" - a musical and poetic production. “As a little girl I got on a strange train, I sang a ringing song and my friends were with me. Where I was yesterday, there today is not to be found, This is how my life passes, every day on the road. "- once sang the diva Irina Ponarovskaya ... Life is often compared to a train. And what, a beautiful allegory - "the train of our life" ... So, having come to the musical performance "Cultural Invasion", we first find ourselves in the waiting room: waiting for the performance and waiting for the "train" (in front of us is the train schedule board). I look at the schedule - choose any direction, you want Paris, you want St. Petersburg, you want Voronezh ... you even want "St. Petersburg-Leningrad". Yes, yes, there is such a route! And I thought - where will the "train" of the Cultural Invasion take us? And how serious will this "Invasion" be in my life? The music of Alexei Aiga performed by the ensemble "4'33", specially written for this project, and three beautiful male actors, each with their own charisma and charm: S. Chonishvili, D. Strakhov, S. Shnyrev, are playing on the stage. They perform verses of poets of the 20th century. Sergei Chonishvili had the most character and I remember them most of all. I even wanted to know the author of each poem. I don't know if this information was in the programs, and whether there were programs, I flew into the hall at the very last moment, like on a departing train. Here, again, a comparison with the "train". Such a stage solution for the performance (waiting room, station) is very successful. After all, poems are about life, love, friendship. We either meet someone, then wait, then say goodbye to someone. This is what our life consists of. For an hour and a half I immersed myself in the living of these stories in verse, periodically projecting onto my experiences and events, finding in many ways an echo of my own feelings, even though these were “men's stories”: “..... He jokingly put me in an empty carriage, I jokingly left on the train at night ... ”The performance left a pleasant aftertaste of good music and poetry, and the joy of contemplating talented actors and musicians. Therefore, I even "googled" about the creators of the project, it became interesting to me. This is the "Commonwealth of Actors, Musicians and ..." (SAMi) - a creative team, the name of which was born after the release of several similar projects. Now I will be happy to watch their other performances.
“ As soon as you enter the hall and see on the screen the image of the train departure board, which is familiar to all travel lovers, you understand that the evening will not be quite ordinary. For an hour and a half, together with this wonderful creative team, according to the idea of director Natalya Semyonova, we traveled "along the waves of memory" of poets of the 20th century. This time there were many St. Petersburg ones among them, so we visited both the Palace Square and Vasilievsky, and even looked into Pavlovsk. By flight 905 "St. Petersburg - Leningrad" the audience, together with the actors, rushed from the present to the past and returned back by flight 5010 "Sverdlovsk - Yekaterinburg". We lived meetings and partings with them, plunged headlong into the restless, rich in impressions life of Russian poets. And at the same time, stations, roads, trains flashed on the screen all the time ... The tuning fork of this evening I would call Sergei Shnyrev, whose talent as a reader I never tire of admiring! And if Daniil Strakhov still appears here in the romantic image of a lyricist, and Sergei Chonishvili is a charming cynic (well, he succeeds very much in this image!), Then Shnyrev easily and naturally passes from lyrics to civil poetry and even to a “poem built on blood ".... The music for the project was written by Aleksey Aigi, it is still cosmic, taking you to another dimension, but less expressive, this time there are more sad notes in it, which is consonant with the theme of memories of the past youth chosen for this performance, friendship, love. The violin of Alexei himself and the cello of Denis Kalinsky and the performance took place in the Theater Hall of the Moscow International House of Music, which I am very happy about (on March 30, 2020 I was supposed to watch its premiere at Svetlanovsky). The intimacy of this hall adjusts to a different perception, you feel your involvement in what is happening on the stage, as if you are on the same train ... sometimes they almost cry ... The performance took place in the Theater Hall of the Moscow International House of Music, which I am very happy about .. The intimacy of this hall adjusts to a different perception, you feel your involvement in what is happening on the stage, as if you are traveling on the same train ...