Правда хорошо, а счастье лучше16+
My grandmother did not want to give in to any granddaughter. She has already found her beloved and, that not a day, is ready to jump out at the crown, but only my grandmother rested: no, that's it!
And who will argue with an old woman? No one. Unless ...
Here came the old man to hire them - and the old people remembered which grandmother gave a long-time promise. The word has given, that will fulfill a desire of the friend. Many years have passed, many things have been forgotten, but she could not forget that her grandmother was bound by a word.
And now, having disassembled everything and having thought it over, the old man decided to ask the young for happiness. It was lucky for the bride and groom that the grandmother's friend interceded for them!
“ I do not know what to say. On the one hand, it is very boring, on the other hand, the classic is Ostrovsky, eternal themes. The actors of the "old guard", Alla Pokrovskaya, Olga Yakovleva, Avant-garde Leontiev, are simply wonderful. The “Youth”, which is no longer youth at all, such as Eduard Chekmazov, is very weak. Not yet liked the actor in the role of Proshenka, Artem Volobuev. In my opinion, and superficially, does not fit this role, and the game is weak, at some moments it just seemed to me that he was copying George Vitsin in the role of Balzaminov. The first action that takes almost two hours is very boring and boring. The second is about thirty minutes, here is already somewhat alive.
“ The performance is really ambiguous. I do not think that Ostrovsky should be modernized, it is modern and without mentioning rajfayzenbank. There were spectators who left without even waiting for the intermission. We beat to the end and applauded sincerely. Ostrovsky and acting skills all the same outweighed the nonsense
“ I would like to note that the performance is almost three hours, not two hours, as stated on the site. The statement is ambiguous. On the one hand, beautiful actors. Avant-garde Leontiev - really great wins and pulls out the second part of the play. I would also like to mention Oleg Gaas, for whom this was the premiere in the play, he perfectly merged into the cast. From the minuses - the protracted action and crumpled finale, References to the present - sometimes really revitalize the action, sometimes look awkward.
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