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И НИКОГО НЕ СТАЛО

И НИКОГО НЕ СТАЛО16+

Purchased earlier: 56
Location:
Москва, Сухаревская М. пл., 5
Duration:
02 h 30 min
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Story

“And There Was No One” is a play by Agatha Christie, written by her based on her own novel, known in Russia as “Ten Little Indians”. The old count of ten little negroes, later renamed by the author for reasons of political correctness as Indians, formed the basis of the plot of this detective novel.
Ten people, under various pretexts, are invited by a stranger to a mansion on the island. Cut off from the whole world by the sea, they are left alone with an unknown avenger, accusing each of them of murder with impunity and threatening retaliation. The heroes will have to repeat the fate of the helpless little Indies from a cruel countdown, who, by the will of fate, ended their lives in the most tragic way. The countdown will lead characters and viewers to a highly controversial ending that no one expects.

The scenery for the play was created by Alexander Rukavishnikov. This is the first work of a famous sculptor in the theater. An important place in the scenography is occupied by the author's sculptures of totem Indian animals.

The costumes of Valentin Yudashkin, the famous couturier, with whom the theater continues the collaboration begun in the play "My Fair Lady", correspond to the restrained English fashion of 1944, in which the events described by Agatha Christie take place.


“And There Was No One” - a detective performance. This is a genre rarely found in theater, a complex genre that requires great skill from an artist. Extreme manifestations of emotions that the heroes experience in the face of their own and other people's deaths provide the richest opportunities for reincarnation. A person who has done evil with impunity does not just get used to it, he constructs in his imagination a new version of what happened, in which he appears almost a hero who has done a just deed. He believes in it himself and tries to make others believe. The heroes of the play are literally cornered. There is a transition from the laws of human community to the laws of the pack, where everyone tries to escape, justifying himself or trying to destroy the apparent source of the threat of retaliation. In the characters, the "dark swing" from guilt to innocence swings the strongest fear. We are going to explore all its different types in our performance. It's an interesting, sometimes eerie journey. You are also invited to join it "(director of the play Vladimir Mashkov).
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