Мастер и Маргарита18+
The brilliant text of the novel by the will of the actors and director's skill burns the mind of the viewer, leading to unknown discoveries hitherto. This performance is a triumph of the stage, full of sparkling imagination, depth of comprehension of Bulgakov's text, pervasive music and bright theatricality. The scenic reading of the phenomena of modern Russian life is called upon to answer the question about the state of the society in which we live, seen through the prism of a brilliant Russian novel.
Are there more good or evil people in the world? Who is right - Yeshua Ha-Nozri or Woland?
Mikhail Bulgakov introduced us to those who will remain in my memory forever.
A parade of interesting characters!
The good - the writer and his muse - Master and faithful Margarita, who protected him from worries, helped write a wonderful book and even went on a deal with the devil for her lover - became a witch.
Evil - Woland and his retinue - Koroviev-Fagot, gloomy knight, Azazello, demon-killer, beautiful Gella, she's a vampire, and a huge werewolf named Behemoth.
A fantastic story about the adventures of the devil and his assistants in Moscow.
They deceived the bad apartment N50 on Sadovaya. They conducted a session of magic without its exposure in the huge theater hall. After him, the half-dressed ladies were singing all over the capital.
They took money from the greedy house manager, punished the self-serving leaders of the variety show and envious literary critics. They forced the employees of one of the institutions to sing a song about the sacred Baikal.
They helped the Master and Margarita find their happiness. The master did not deserve happiness, he deserved peace.
"What would be good if there was no evil, and what would the earth look like if shadows disappeared from it?"
“ It so happened that I had never been to the Gorky Moscow Art Theater. I heard different things about this theater, unfortunately, more often something is not very good. I decided to go on reconnaissance and see everything with my own eyes. I did not expect much from this performance. My viewer and reader experience suggested that “The Master and Margarita” is unlikely to be completely traditional (until the smell of naphthalene in the buffet). At the same time, a steep, boisterous avant-garde was also unlikely. Therefore, morally, I prepared for the fact that they could show me anything. And I was ready to accept it! But it turned out that I somewhat overestimated my capabilities. Alas, it did not work out to accept this performance. Unfortunately, I can’t even say that I have a double impression. It is purely negative. This applies to everything: both the production and the play of actors. The first - a mixture of pop, in the worst sense of the word, and a children's matinee - I was very surprised and disappointed. I had a very high opinion of the late Valeria Belyakovich as a director. Probably any artist has unsuccessful work. But for the second excuse was not found. These were some howls with sharp gestures. I would like to hope that the matter is hack work, and not a low level of acting (and such thoughts involuntarily visited my head). Hackwork, unlike mediocrity, can be corrected. I really hope that the new management of the theater, in the person of Eduard Boyakov, will take some measures. Because the theater, which builds its genealogy to Stanislavsky and Nemirovich-Danchenko, should not produce such performances.
“ I liked the performance, and even despite the fact that I recently re-read and reviewed a completely not bad series screened for this work, I was interested! It can be seen and heard perfectly, although we had seats in the 1st tier balcony. The performance, as many have written here before, is long and it is not surprising for the staging of such a complex and voluminous work ... bravo to the director, the director and the actors! I recommend for viewing!
“ An interesting and rather successful version of the novel of Mikhail Bulgakov in the theater. The original stage decision: the scenery - a few hanging metal sheets, against which all the action takes place. This allows you to focus on the acting game and sometimes several lengthy monologues, without which, of course, the action on the stage will be incomprehensible. But, given that the audience who came to the play, know the content of the novel, it remains only to observe the excellent play of the actors. Some mass scenes are very interesting: for example, dinner at Griboyedov and, of course, Woland's ball. I thank the artists of the theater for their acting skills, which allows you to view the play to the end.
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