Director Vladimir Mirzoyev, as a rule, chooses plays that begin to vibrate in unison with the music of the time. Why is this happening now with Chekhov's "Cherry Orchard"? Perhaps because it is a play of a collapse, a tragicomic finale, when the past era and the people who grew up with it are forced to leave the stage, hurrying away on tiptoe. And who will take their place - is still unclear, ahead of the fog. The beginning of the 21st century looks at the beginning of the 20th, as in an old mirror: countless rhymes, strange closings, fears, prophecies. But history does not repeat itself literally. For the time being, only one thing is clear: we are in a stream that flies from the cliff down and therefore is uncontrollable, which means that the transformation of society is inevitable.
Vladimir Mirzoev: "I think that in this situation, our task is to think soberly, but not ruthlessly, to analyze, but remain poets. In short, take the stethoscope of Dr. Chekhov "
Frozen mosaic of the collapse of the family, although ... if you look closely at it - it will begin to come alive, filled with meaning and dynamics of the rapid movement of time.
And once in this stream you can consider all the heroes of the tragedy as in the palm of your hand.
Yes, and they are not at all, as we are accustomed to. They are living, family and acutely experiencing the inability to preserve this sense of "home".
They so need each other and, at the same time, can not support each other, they can not become a support in difficult times.
There comes a whole new era and those who are too much together with the outgoing world will also have to leave. And no therapy here will not help.
It remains only to reconcile ... take what is happening as a reality and say goodbye to what was so dear to the heart once.
And also to reflect on how it would be if someone did not die, or time would be wasted with his run.
But no, time does not wait ... And even the youthful bright, slightly confused love can not improve the situation.
The garden will go for debts, and there ahead ... it is not at all clear what is there, but you still need to move, although everything is already predetermined.
“ First of all, it's not Chekhov, but something "on motives." Do not wait for a meeting with the classic work! A playwright's idea is unlikely to be understood by a person who did not read the play. In general, there was a pleasant impression. A good, whole, truly theatrical performance. Beautiful live music, very nice young artists. I did not like it: the sound (unsuccessful acoustics, not enough microphones), the inexpressive Isakova, the farce went off scale and the drama disappeared, the unsuccessful image of Epikhodov. The hall is very cozy, it was evidently fine (ground floor, 13th row).
“ Very good original performance. More interesting than in other theaters. All the actors played excellently. Very funny was Epihodov, he made 122 misfortunes. Sobchak's husband showed his sharp mind in this performance. When Firs remembered the dried cherries, I almost burst into tears. There was a live orchestra on the stage, and the inhabitants of the garden danced a break dance, glorifying fragrant sweet cherries. Most strange was the merchant. You can not even tell what an eccentric. I advise everyone to go and see the merchant: this kindergarten is the best.
“ One of the best performances of Vladimir Mirzoyev. Symbolism, plasticity, eroticism, unexpected, seemingly for this play, but in this performance organic. Even Gaev at Mirzoyev is interesting, in contrast to all the numerous productions that I saw. I thought about many things in this play, which I did not notice before. Actors are great all, music is a separate character. Very strong impression. Despite the expensive tickets, after a while I'll definitely go again. Mirzoev is a theatrical genius of our time.
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